She was born in an ordinary poor family in Yong 'an, a mountain city in Fujian, and grew up in a mountainous area. When she was a child, she found that every time her brother came back from the mountain, there were more fruits in the basket than other partners. He asked his brother, who wiped the sweat from his face with the corner of his clothes and told her, "I picked it from a tree like others." After I get off the tree, other partners are anxious to go home. I will pick up every fruit in the grass under the tree, so there will be more. " Pick up every little fruit, and pick up the basket is your own. "When my brother said this, he looked up and looked determined. She washed the soil off the mountain fruit with clear water and put it in her mouth. It's crisp and sweet. Pick up every little fruit and find the basket is your own. My brother's words, full of philosophy, have been planted in her young mind since then, slowly sprouting and taking root.

1994, after graduating from junior high school, he was admitted to the art class of kindergarten teachers in Fuzhou Normal Art School. At school, she tried to learn every subject well, and she felt that these courses were small fruits of her success. A few years after the kindergarten teacher graduated, she had a bigger dream in her heart. She resolutely quit her job as a kindergarten teacher and chose to drift north. No matter how bitter it was, she never cried. She knows what she wants and clearly understands that all the hardships are to realize her dream: to enter the entertainment circle and become an actor or director. Every day, she is working silently for this goal. Embarrassed, she never thought of giving up, but she always had a firm belief in her heart.

With a solid foundation and unremitting efforts, she jumped into the director department of the Central Academy of Drama. In addition to studying her own professional courses, she often takes part in the courses of the performance department, acting classes, body classes, lines classes, and compulsory cultural classes such as Chinese, politics and foreign languages, all of which she picked as sweet fruits. In order to learn English well, she went to Beijing New Oriental English School to study English hard as soon as the summer vacation. She believes that a foreign language is also a small fruit. No matter what she does in the future, she will come in handy after learning it well. Whenever there is an opportunity, she takes part in acting and exercises herself. Regardless of the size of the role and the number of lines, she devoted herself to the role and integrated into it. She felt that she should cherish the fate and be conscientious in every role she got, which gave her many unexpected bonus points and opportunities.

In 20051October 2, 165438, she wrote the following words in her diary: Fate made me meet my "sister" in a narrow way, and I finally stepped on my feet. This year, she starred in the film Peacock directed by the famous director Gu Changwei. In Peacock, her role is an infatuated "elder sister" who is quiet and peaceful in heart but runs madly for love. When attending the Berlin Film Festival, the film was interviewed by many foreign media in fluent English, without translation or stage fright. The media excitedly commented that she was "another girl with international star potential after Zhang Ziyi", and some even began to call her "little zhang ziyi". She smiled. She knew that the wonderful dialogue was just a fruit she tried to pick.

After repeated preparations and step-by-step efforts, she picked every little fruit on the road to success and began to become a hot actress on the big screen at present. She is a dusty village girl in Seven Swords, a charming Yi girl in Flower Bride, Miss Zeng in Purple Jade Sands, a ghostly drug addict in Disciple Rules, a lawyer fluent in Cantonese in Witness, and a mentally retarded girl Momo in Red River. ...

In order to play the film "Red River" well, she runs to the bridge every morning to watch Vietnamese people go through customs, watch them buy food, chat with them, push carts and learn Vietnamese. During the filming, she almost fell into an unfathomable cliff. But when it comes to this, she is still very indifferent: "To play this little girl, Atao, I think the most important thing is not her body movements, but her eyes. Children's eyes are the purest and brightest. I think this is the highlight of this role. " See Zhang Jingchu in the crew, eating. Without a well-deserved stove and ostentation and extravagance, she walked into a nearby teahouse with a box of working meals and ate cold fast food in cold winter without even hot soup. This is a female star who does not make public and does not cause trouble to others. But once you enter the filming state, looking into her eyes, you will interpret the concentration and self-confidence and understanding of the role in place without exception.