The size of the actress's midlife crisis, Aya and Mavis Fan's variety show "We Are Real Friends" caused great discussion. It turns out that it is so comfortable for several friends to travel together.

In the program, Big S also told his friends about his current predicament. She wants to go out and shoot, but there is no scene to shoot. Usually all the scripts I can receive are from mothers. The most exaggerated thing is that she will play Darren Wang's mother.

So for a while, the topic of "actress's middle-aged crisis" was raised again, because everyone was discussing this issue before, so is it really that the entertainment circle discriminates against age?

Single type of domestic drama From the current situation of domestic drama, compared with American drama, English drama and other diversified themes, the script types of domestic drama are relatively single, either idol drama or youth campus drama, and a small number of them involve realistic themes. Therefore, under this general trend, older actresses really have no high competitiveness. According to Zhou Xun's previous performance in "Imperial Love in the Palace", it is an irreversible gap for every middle-aged actress to be forced to be tender.

Moreover, in the eyes of most people in China, women are generally divided into three stages: teenage girls, middle-aged women and the elderly. The first impression of middle-aged women is their mother-in-law, so this is the only market part reserved for middle-aged women when writers create.

But what about abroad? Women have no age, and every age can do what they want. Even if people reach middle age, they will not leave all their energy to their families and children, and they can still do their favorite career. Therefore, writers can create various types of mature roles according to the actual situation when creating scripts.

However, in domestic dramas, there are few TV dramas describing real life in the workplace, and even fewer middle-aged women in the workplace, so it is difficult for them to have other age-appropriate roles besides their mother-in-law.

Another point of female stars' self-positioning is women's self-positioning. At present, the domestic drama market is like this. Although the market for middle-aged women is indeed much smaller, it doesn't mean that they really have no chance.

Just like big S, it's not that she didn't get the play, but that she didn't get the ideal little girl play. Originally, the entertainment industry was an extremely competitive position. Flowers emerge in an endless stream, and their appearance is younger, their acting skills are good, and they are closer to the plot. Under such circumstances, why does the director abandon more suitable candidates and choose middle-aged actors who are not dominant in age?

The acting skills of middle-aged actors are very important. In this case, there is only one reason why we would rather abandon young actors than use middle-aged actors, and that is acting. If middle-aged actors want to break through, they must have advantages. Under the great disadvantage of age, they can only crush young actors by acting.

But the question is, how many actors in the entertainment circle can really be called acting school? Most actresses are not satisfied with the status quo, but acting can't support her to jump out of this strange circle. You can only compete with young actors for the so-called idol drama heroine market again and again, and then complain that the market does not give middle-aged actresses a chance.

Conclusion Opportunities are always in the hands of those who are prepared. Sebrina, a middle-aged actress, once again topped the traffic list with Everything is Fine, not by complaining all day, but by strength!