A rural woman and an art history professor get along in a war without smoke. Professor He is extremely exclusive to outsiders, but Chunzhi is tired of his sour taste. But she must stand in Beijing and fulfill her promise to her daughter. From the initial mutual exclusion and exclusion to the difficulty in communicating and understanding each other's pain, Chunzhi and Professor He, the two most impossible people to get along with, gradually became interdependent. Chunzhi's optimistic attitude towards life, tenacious vitality and love for his daughter all infected Professor He and gave him the courage to get out of the haze and guilt.

Two strangers with different ages, different identities, different personalities and different lives, from conflict, test and running-in, to mutual adaptation, acceptance and care, rely on that hard-won warmth and finally complete each other's spiritual salvation.

It is undeniable that this is a rare film that can fit the core of the film festival, but it has been "collectively squeezed out" by the cinema.

I was watching a movie, and there were four people in the cinema plus me. I went to Weibo and won the lottery. It's all the same. In short, the main idea that the film wants to tell us is very good, that is, to be kind to the elderly, to communicate more between husband and wife, and to have fewer affairs. Later, it all came out, and the ending was that the old man was teaching his children to read in the mountains. This is not normal. I thought it wasn't the end. As a result, I knew that the subtitle came out: it was over. It can be regarded as a sincere work. As a film with novel changes, one and a half hours is not enough to describe. We should consider extending the film. Such a warm movie should pay more attention to the details and the studio, and the ending is a bit hasty. All in all, it feels more like a short TV series. ......

Movies of any era should face the society directly and express their understanding of life, humanity and the present with the lens. Movies should go deep into the core reality of China society and achieve spiritual transcendence in this depth. A woman in Wenzhou undoubtedly did this. Facing the pain of life, Ling Yanma's smile is as open as a flower, surpassing reality and suffering. It is reported that Ling Yanma, a native of Cangnan, Wenzhou, has the unique beauty and gentleness of Wenzhou women. The film is based on the bowl kiln of Cangnan pier, which incorporates many Cangnan elements. The beautiful Yulong Lake and Yucang Mountain unfold beautifully under the lens, as smooth and natural as the heroine's smile. We can't help but say that today's China movies are more and more gorgeous in lens and empty in content. This small-budget film has regained the dignity of the film for us.