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Why didn't generous preferential policies give birth to the upsurge of co-production between China and Australia?
It is reported that since China and Australia signed the co-production agreement, only five Chinese and Australian co-productions have been published. The first Chinese-Australian co-produced film was 20 1 1 Searching for Dragons, which was produced by Hengdian Film and Television and released by China Film. It was released in China that year and finally won more than 32 million box office.

It is understood that the Australian side requires that co-productions must be established in the two countries. After the filming is completed, the film application should be submitted, and the film production process should be monitored throughout. There is also a minimum financial investment requirement, and the investment of both parties shall not be less than 20%. This means that China must find a joint investment company in Australia.

There is also a China film in the past ten years. The development of the film industry and the choice of location are in the initial stage, and it has not yet been filmed abroad. Second, Australia doesn't know much about China's national conditions, and it has always been powerless. It believes that preferential policies can be conveyed to domestic film companies through film festivals and cooperation with official institutions such as China Film and Huaxia. As a result, many small and medium-sized companies have never heard of it, or even contacted China-Australia co-production.

In fact, China-Australia co-productions and other co-productions face similar problems, such as communication cost and rhythm coordination.