Current location - Plastic Surgery and Aesthetics Network - Jewelry brand - /kloc-what are the styles of Spanish sculpture in the 0/7th century?
/kloc-what are the styles of Spanish sculpture in the 0/7th century?
/kloc-Spanish sculpture in the 0/7th century formed a unique style under the influence of Italian sculpture and domestic woodcarving tradition. Sculptures in this period are still dominated by religious themes, and realistic expressions are applied to these religious themes. Church wood carvings are often painted with bright colors, while some "costume statues" are dressed in gorgeous clothes and jewels. The eyes of the characters are inlaid with enamel or agate, and the hair and eyebrows are made of real hair.

The Dead Christ of Fernandez 65438+The important Spanish sculptors in the 7th century were Gregory Fernandez (Gferna, 1576- 1636) in the north and Hu Martí nez Montagni (J, M, Montanez, 1568-65436) in the south.

Fernandez mainly works in Valladolid Football Club. Most of the characters he created have sad faces, strong feelings and rich and complicated inner activities. In his masterpiece "Mourning for Christ" (16 16), a colorful altar woodcarving. The virgin Mary in a hood is crying with her dead Christ in her arms. The depiction of the virgin's feelings is realistic, and Christ is bony and rigid, with a medieval flavor. This sad, excited and ascetic sculpture is unique to Spain. Fernandez's representative works include Dead Christ (1605), Wood Carving at the Altar of San Miguel Church (1606) and St. Theresa (1627).

Influenced by Italian humanism, the woodcarving in the south lacks religious asceticism and has a strong flavor of life and humanism. Montagni is not only an architect, but also a sculptor. He has lived in Seville for a long time, and his works are rich in humanistic colors, simple in techniques and meticulous in characterization. The Madonna depicted in his masterpiece The Virgin and the Baby (1628) is like the image of a kind mother in real life, elegant and dignified with charm, and the baby in her arms is lively and lovely, playing carefree. Representative works include San Bruno (1634), Execution (1603) and Innocent Conception (1630).

Arauso Cano (A, Cano,1601-1667), a student in Montagni, is a famous sculptor, painter and architect in South Granada. Cano's style is close to that of his teacher. He participated in the construction of the church in Granada, and the Madonna of the church (1660) is his masterpiece. Carnaughton's masterpieces include the Apostle Paul (1658- 1660) and the bust of Adam and Eve (1658- 1660). Brich Notre Dame Church altar woodcarving, etc.

Peter Mena (1628- 1688), a famous sculptor in Granada, is a student of Kano. However, Mena's style is different from Kano's. His characters are concise and general, without complicated details, classicism and serious power. But his later works gradually increased the color of religious asceticism. Mena's masterpieces include San Francesco (1663), Notre Dame Malaga (1664) and Mourning for the Notre Dame (1676).

At the end of 17 and the beginning of 18, Spanish humanism gradually faded, and its religious color became increasingly strong. The altar carving and shelf carving in the church are competing to attract the audience with ingenuity and fancy renovation, which is not artistic and the carving art is gradually declining.

Jose de Moura (1642-1724) is the successor of Kano, and his colorful wood carving "Martyred Peter" shows the image of Peter suffering with deep red blood on his head in a naturalistic way.

/kloc-there were a group of sculptors active in Madrid in Spain in the 0/8th century. Sculptors in Madrid Academy of Fine Arts and the court are not interested in traditional Spanish sculpture forms, but are willing to accept Italian classicism and baroque sculpture art and French Rococo sculpture style. At that time, almost every famous sculptor had studied in Italy and carefully studied the classical sculpture and baroque sculpture art there. Therefore, the Spanish sculpture in this period produced an active new situation on the basis of actively absorbing the influence of foreign new art, breaking the state in which traditional wood carving was absolutely dominant.

Francisco Carcey Dragon (1707— 1783) is one of the representative figures of Spanish sculpture in18th century. He has a deep understanding of French classical sculpture and pursues a dramatic effect in his works. His woodcarving The Last Supper has many roles. Each character is life-size, and Christ and his disciples sit at a real table.

The works of Hu Bascouville Myra (1707—1784) also show the profound influence of French sculpture on him. His Leipzig fountain sculpture was a famous sculpture in Madrid at that time. In addition, the sculptor Manuel Albales (1727- 1797) and the sculptor Piero Della Francesca Kurt Ellis (1727- 1782) created two of Madrid's best sculptures, namely the Apollo Fountain Sculpture and the Cybele Fountain Sculpture. These three fountain sculptures are representative works of Spanish sculptures in the18th century.