I think the advantages and disadvantages of the female version of Ocean's Eleven are equally obvious. Gorgeous cast, even if there is only one or two marginal shots, is also a big castle. The whole story is complete, but it is not exciting enough. The rhythm of the characters in the first half is too slow, and the design of stealing jewelry in the second half is too mediocre, which is not fresh at all.

The whole movie except sandra bullock and Cate Blanchett are interactive in roles, others feel completely different from a team. Even if the code wants to follow suit and establish a female image, it must work hard on the script first. The story is not attractive, wasting a good hand! Ps: China's last short character was too hasty, not to mention the image, but it should be a woman at first!

But as a film with obvious genre characteristics, it does not mean that it is an excellent film. The main long and short boards of Crossing the Sea: A Honey trap appear on the actors, while gary ross, the director, is better at female themes, but not as pleasant as steven soderbergh's yuppie style when dealing with the series of Crossing the Sea. Although the film is relaxed, it is very dull-especially in the third act after the robbery. Whether they admit it or not, female filmmakers will play a more important role in Hollywood in the next decade. On the bright side, in the hundred-year movie history, we can finally start to look at all kinds of traditional worlds on the big screen from another perspective, not just chicken movies; But the negative side is that in the early stage of the development of this "new world", we will certainly see many speculators taking advantage of this opportunity, but they are far from the independent spirit of women.

Perhaps what gary ross and the whole industry need to reflect on most is not how to learn from others' wisdom and forcibly remake the classic series into a female version, but how to bravely explore and tailor a real female genre film for these talented female filmmakers.