⒈ vibrato
Vibrato is to use the coordination of breath and Adam's apple to make the sound feel ups and downs. This is one of the most commonly used techniques in lyric songs. There are many kinds of vibrato. For example, Emil Wakin Chau's vibrato amplitude is moderate, neither too big nor too small; Chyi Chin likes to use small rocket launchers; Teresa Teng and Jacky Cheung are famous for their great earthquakes. The characteristic of Japanese songs is "straight before trembling", that is, after singing a straight tone, it begins to tremble, the amplitude is from small to large, and the frequency is from slow to fast, which requires kung fu. Many friends don't know this skill, don't be discouraged, you can practice it completely. The key is to breathe in harmony with the larynx, and never use the larynx to make a small Tik Tok like a sheep barking.
4. Gas sound.
When it happens, if you vent first, there will be more gas than sound, and you will make a gas sound. Make the song more gentle, charming and touching. The first paragraph of Teresa Teng's "On the Water Side" and the first paragraph of Sandy Lam's "Falling in love with a man who doesn't go home" are also typical vocal singing methods.
[14] Kuqiang
Crying is one of the most popular techniques in pop songs. It is the explosive force produced by the sudden increase of the breath in the throat, which makes a sound similar to pain. Jacky Cheung and Emil Wakin Chau are representatives of Kuqiang. Making good use of Kuqiang can increase the appeal of songs, but it should not be used too much.
4. Choose the tone.
Picking the tone is a skill that a good singer must master, but it is often the easiest to list. Issued when the sound at the end of a word slides down and suddenly picks up. When Emil Wakin Chau sang again, he chose his notes very carefully, which was in place. Some singers like strong accents. For example, Sally Yeh sings songs such as Live Sincerely and Heart of the Moon, and almost every lyric has a strong accent at the end.
5. Asphyxiation sound
Choke is a choking voice in the throat, and Wang Jie is the most representative singer in Hong Kong and Taiwan. The reason why Wang Jie gives people a sense of sadness and vicissitudes is because there are too many "sobs" and "tears" in his songs.