In theory, everyone says that female stars should be allowed to grow old naturally, and don't flatter the sense of girlhood too much.
However, when the years of being a female star came out, the voice of public opinion was not so tolerant.
For example, Selina, who plays Zhou Mu in The World, is compared with Yi Nengjing. She was also born on 1968. One is a serious aunt, and the other is a girl full of feelings.
As a result, many people began to repeat a sentence, "This is the difference between maintenance and non-maintenance."
The deep meaning behind this sentence is nothing more than "beauty is justice."
In order to cater to this mainstream aesthetic, young stars choose to work hard on their faces to make them more and more stiff. Exquisite photos are young and beautiful, which will be terrible on the big screen.
Is it true that an actress can only extend her star path by keeping her face value?
Eight actresses gave a negative answer. Wrinkles crawled on their faces, collagen was lost, and laughter was heard. But they didn't have an injection or a face lift, but they still played a pair of French fries.
20 17 "My First Half Life" was discussed by the whole people, and wuyue, who played "Lingling", was scolded by hot search.
The netizen's attack on her is divided into two parts, one is dissatisfied with the meanness of the role, and the other is attacking her appearance.
In front of Ma Yili, who is exquisitely dressed, wuyue is particularly vicissitudes.
Rough and dry skin, collapsed Souris, blurred mandibular angle, thick dark circles and rustic hairstyle are no different from middle-aged women in the street.
Back to 200 1, in the love work "Chrysanthemum Tea" by wuyue and Chen Jianbin, wuyue played a teacher of a railway system learning class.
29-year-old wuyue, with flabby skin and clear eyes, reveals her uncontested temperament.
In ten or twenty years, a handsome girl was destroyed and became a middle-aged actress full of old age.
Wuyue's round face, supported by collagen when she was young, was especially sweet. Old age, no bone support, face began to collapse without collagen, and even some "bitter."
Beauty lies in the bones, not in the skin. Wuyue is a typical beauty of skin reading, and she can't stand the test of time more than a beauty of skin reading.
But "getting old" did not limit wuyue's development, but made her more and more detached from the circle.
In Qing Ping Le, wuyue plays Liu E, Song Renzong's foster mother, and talks with Song Renzong for the last time before she dies. Her emotions are sometimes excited, sometimes desperate, sometimes helpless, and she pours out her grievances and resentment for many years in court. The progression of feelings and the change of emotions make people enter the play for one second.
In Sweeping the Black Storm, wuyue plays He Yun, deputy director of the Public Security Bureau. A powerful person has become an umbrella for evil forces. In the finale, Sun Xing holds He Yun hostage in an attempt to get away. In the face of his son's unrepentant death, He Yun was heartbroken and desperate. Facing the exposure of her evil deeds, she felt guilty and blamed herself.
The scene of the explosion, wuyue drove everyone's mood.
In the fog of the octagonal pavilion, Wu Yue became the teacher of Kunqu Opera class with great secrets, and her way of conscience test and torture was interpreted to the extreme.
Wuyue was able to blow up the king and did two things right.
1/ Don't pick the role size.
Wuyue seldom plays the leading role, sometimes even several scenes, but she is never vague and deeply feels the fate of the characters and presents it to the audience.
2/ Find the right way to play.
Wuyue, who has a vicissitudes of appearance, is very suitable to play a story-telling role. She completely put down her looks, whether plain or ugly, crushed herself and threw it into the camera. That kind of untraceable acting is often the most touching.
In "Knife in the Snow", Junbo Sui plays Pei Nanwei, the wife of King Jing 'an. At first, it was posted on the Internet that Zhu Zhu would play this role. Zhu Zhu's "sexiness" and "coquetry" have no contradiction with the role.
When Junbo Sui appeared in the camera, the audience shouted disappointment.
Pei Nanwei's setting in the original work is beauty, which is enough to make the top beauty of the prince come out of the wall at most 30 years old.
43-year-old Junbo Sui's Tender is a bit boring. Even with heavy makeup and filter blessing, she can't resist the traces left on her face by the years.
Junbo Sui's bones look good, but the loss of collagen caused his cheeks to sag, and his "old state" came out.
Besides, Junbo Sui looks quite heroic, and her face is not so emotional, which makes her look a little "masculine".
Therefore, in the barrage, many people complained that Junbo Sui was too old and ugly.
In On Earth, Junbo Sui made a turnaround. She played Hao Dongmei, the daughter of the governor's family, the educated youth who went to the countryside, and later the director of obstetrics and gynecology, aged 20 to nearly 70.
Junbo Sui doesn't have much makeup, but two braids still turn Hao Dongmei into a girl.
When Zhou proposed to meet him in the birch forest the next day, he avoided his eyes, slightly opened his mouth, grinned, lowered his head and laughed again, vividly showing the appearance of a girl in love.
When she married Zhou, Hao Dongmei's face was filled with a happy smile, and her clean eyes were full of expectations for the future.
Junbo Sui plays Hao Dongmei as a girlhood, which makes the audience afraid to act, and her acting skills and image complement each other. She managed to keep the shyness of her girlhood, which was due to her acting skills. To put it figuratively, if your cheeks were fuller, you wouldn't feel shriveled.
The filter of this chronological drama is dark and rough, which is very suitable for Junbo Sui.
After 20 years of debut, Junbo Sui finally performed a king's play, which shows the importance of casting and script.
On 20 16, Ruby Lin played Yin Lihua, a "woman without eyebrows", and interpreted her bumpy life, starting from her girlhood.
Ruby Lin, 40, plays Yin Lihua, who is in her twenties, but it makes the audience particularly dramatic. Although Ruby Lin tried very hard to show the girl's agility and innocence, her face was unconvincing.
Ten-step dermabrasion has worn away the wrinkles on Ruby Lin's face, but the collapsed Souris, drooping corners of the mouth and eyes are all unbearable vicissitudes.
In the next few years, Ruby Lin grew old with the naked eye.
In "Dear Inn Season 3", light makeup exposed Ruby Lin's lack of face value, and his whole face fell down under the action of gravity, looking exhausted.
Tamia Liu, who is two years younger than her, looks much younger, with firm skin and no obvious drooping feeling.
Compared with his peers, Ruby Lin is getting old quickly, and his face still has no bones to support his muscles.
In the early years, in Princess Pearl, collagen exploded and the whole person was surrounded by youth, sweetness and gentleness.
Since her debut, most of the classic characters have been of this type, such as Gu in Half-Life Fate and In Heavy Rain.
When a person reaches middle age, her face value drops. How should she get out of trouble?
Among the three well-known actresses in Princess Pearl, the other two quickly became popular and collapsed, while Ruby Lin was always ridiculed. In fact, she really focuses on film and television dramas.
Yi Deng of Deng Hua Di, produced on 202 1, tells the story of a Japanese-style izakaya mommy and her mistress. There are only eight episodes in the whole drama, but the score is 8. 1.
In acting, Ruby Lin completely subverts the previous style and plays the sexy "Mama Sang" who dares to love and hate.
Sometimes take part in accidental amusement, sometimes charming and charming, sometimes crying, every emotion is progressive, and every crying confrontation is just right.
Farewell to Marisol style, Ruby Lin, who is middle-aged, is no longer just an actor who acts by his face value.
From actor to producer, Ruby Lin's ambition in the entertainment circle is immeasurable.
Ruby Lin has produced no less than 10 since "The Queen on Earth" on 201,among which the romantic drama 16 Summer won the drama program award of the 50th Taiwan TV Golden Bell Award.
In the face of the middle-aged crisis, some actors are silent, and some actors are directly bosses, creating opportunities for themselves.
In 20 18, Zhou Xun ushered in the biggest Waterloo in her career, and a wishful court love pulled her down from the altar.
Her acting skills are still online, but when she performed as a girl, she attracted the whole network to vomit.
The face is swollen like a steamed bun, and the drooping corners of the eyes make the double eyelids particularly obvious. Heavy makeup and filters can't hide the fatigue in the eyes.
After laughing, her face felt stiff, which made people wonder if she had an injection.
Looking at the side face, the facial lines are not full, and you can clearly see the drooping meat of the mandibular angle.
On the wedding night, the red and green dresses look even more old-fashioned.
Zhou Xun has always been famous for its aura. After forty, she still failed to escape the time.
When fine lines climb on your face, even if you wear heavy makeup and fine clothes, it looks very uncoordinated.
Behind the spit, the audience can't accept Zhou Xun's old age, and Zhou Xun himself can't accept it.
In the interview, Zhou Xun once admitted that she seldom paid attention to wrinkles and sagging on her face. When she realized that she was getting old, she got up every day and sat on the sofa and began to cry for two years.
But then Zhou Xun realized that aging is an inevitable natural law of human beings, and she began to become calm: "I am old, I just want to start performing something you have never seen."
Indeed, in the past two years, Zhou Xun has shown us a completely different side.
In "Meritorious Service", she plays Tu Youyou, a great pharmacist.
Flushed short hair, thick glasses, blue cloth and extremely light makeup completely subverted her previous image.
Carrying a back, even walking on the back is a play.
Zhou Xun's appearance is far from that of Tu Youyou, but she made up for it by acting.
When the research and development of drugs to treat malaria failed in clinic, Tu Youyou fell into infinite confusion when he watched the patients leave one by one in the dead of night. She looked at the stars in the sky for answers, with tears in her eyes, which was a great concern and pity for the fate of mankind.
At home in Xiao Min, Zhou Xun became a divorced middle-aged woman. The ex-husband is entangled with her, and the son is not familiar with her. She wants to pursue happiness but wants to hide it.
Xiao Min, who has tasted the joys and sorrows of the world, seems indifferent on the surface, but often collapses inside. This man and Zhou Xun are somewhat similar in character.
Zhou Xun used to surprise the audience on the big screen. When she reached middle age, she fell into the mortal world and began to taste fireworks. Instead, she felt that her coldness and alienation had a different flavor.
Song Jia once played a working mother who took care of her family and career in Xiao Shede, and the fine lines and decrees on her face were particularly obvious.
In the dynamic picture, the direction of facial lines is clearer, as well as the dark circles at the moment and the vicissitudes of life that even makeup can't cover.
Song Jia is a typical woman, with good bones, but flat cheeks. The only meat is dragged down by gravity, and she feels a sense of looseness.
So when the play was broadcast, Song Jia's Old State was discussed by many audiences.
Compared with the 30-year-old period, Song Jia has really aged a lot since he entered the age of four prefixes.
In 20 10, she was still an "older woman" who was full of collagen in The Married Eldest Daughter.
However, the older Song Jia is, the better it looks, and the older it is, the more interesting it is. Her dusty and cold temperament has been tempered by years, adding a layer of heavy feeling.
In The World, which was a hit some time ago, Song Jia played Zhou Rong and was well received.
Zhou Rong in her girlhood was stubborn and brave. Song Jia's image is a bit lacking, but there is no sense of disobedience in character temperament and expression. She bowed her head and sipped her smile, like a girl in love.
When people reach middle age, Song Jia has a higher degree of fit with the role.
Zhou Rong was shocked when Feng Huacheng filed for divorce. She couldn't believe that this man would rather fight against his family than give a clean break with himself. In this relationship, Zhou Rong took the initiative and paid more, so she filed for divorce.
Everything in the past came to my eyes, and Zhou Rong's eyes were red. Although he stubbornly said that he had never loved, his heart had already broken into glass slag.
Don't worry that age will limit Song Jia. She has never been an actress who lives by her face.
In recent years, from Rain in the Wind, Bai Yueguang to Dressing Up, Song Jia has shown himself infinite possibilities.
With his recognizable appearance, slow and steady acting and restless personality, even at the age of 60, Song Jia will have his own role.
In recent years, Hao Lei seems to have completely given up body management.
On the stage of the variety show "I am an Actor 3", Hao Lei, as a flight instructor, is full of golden sentences and never forgets to feel ashamed.
The most famous sentence is: "As an actor, I have become so fat, and I am still sitting here confidently, because no one can take away my acting skills."
Hao Lei's figure and state, in front of his peer Zhang Ziyi, really seem too loose.
Later, she appeared on the talk show "Thirteen Invitations", and her appearance defects were even more exposed.
Hao Lei was born with a good foundation and tender skin, but after she gained weight, her whole face felt particularly heavy under the camera, with fine lines at the corners of her eyes, decree lines at the corners of her mouth, drooping risorius, overlapping chin and neck, and her temperament seemed a bit "greasy".
Without makeup and casual clothes, you can still see the traces of Hao Lei's beauty.
Someone said, "I will always like to see Hao Lei's broken face".
When he was young, Hao Lei was incredibly beautiful. Every smile is gentle, and every movement is charm.
After more than 30 years of debut, Hao Lei should not be remembered for his clean face. Her beauty is gone, but her acting is more mature.
In The Fog of the Octagonal Pavilion, Hao Lei plays Zhu Xuan who looks heartless. Due to his complicated family background, Zhu Xuan's personality is withdrawn and self-abased, and at the same time he is strong and overbearing.
After gaining weight, Hao Lei's interpretation of such roles is obviously more convincing than when he was young.
The traces of years on the face also add some content to the character.
Years have left many marks on Hao Lei's face, but this ruined beauty is full of stories under the lens. Coupled with her steady acting skills, she can still make a good hand into a king.
In Meet Time, yolanda plays Yining, and the audience finds that the former goddess is really old.
High nose and deep eyes, three-dimensional facial features, particularly amazing when young, but older than their peers.
The facial skin has no fat support, prominent wrinkles, sunken eye sockets, and the loss of collagen in the corner of the eye. crow's feet can kill a fly with just one expression.
Yolanda's skeleton looks good, but he is so thin that only bones and skin are left on his whole face, which inevitably leads to a feeling of dryness.
In "My First Half Life" broadcast two years ago, Yolanda was not so stuffy, delicate and capable, like a Yi Shu girl.
Yolanda never cared about her aging. No matter what public opinion, she always has a sense of certainty, which is a great control over her life and career.
In recent years, Yolanda is not a big hit in traffic, but as long as she appears on the screen, it always makes people shine.
You know, Yolanda has rich experience in drama stage and won the Plum Blossom Award, the highest prize in drama. At the age of 30, he was elected to the China Theatre Centennial Hall of Fame.
Years of concentration have given Yolanda's acting skills an advanced feeling, hitting the hearts of the audience directly between the clouds and the wind.
There is a scene in Meet Time in which Hao Qinglin has a showdown with Yining because of a woman outside.
When Hao Qinglin proposed that Jeannin would give him 500,000 yuan, Yining's expression didn't change much, which was in line with the cold style of the characters, but his slightly wrinkled brow and red eyes conveyed surprise and incomprehension. Hao Qinglin is in trouble outside. Why should I pay?
Then Hao Qinglin began to threaten Yining, either giving money or dividing the property. Yining was not hysterical, but his face was pale and bloodless, and his eyes conveyed the despair of the people in front of him.
When Yining reconfirmed Hao Qinglin's request, she began to blink and restrained the tears in her eyes, which was the loneliness and perseverance of a married woman who was hurt to the extreme.
In this short scene, yolanda didn't say a few lines, but the slight changes were enough to show her mood changes and emotional exchanges.
An actress of Yolanda's level, even though years have stolen her life, her inner strength and belief are endless. As long as she stands there, she can convince the audience.
When did Christina start being ridiculed?
202 1 is probably sweet, in which she plays an entrepreneurial woman, Tian Mi. After her husband died, she shouldered the burden of life alone.
Tian Mi is a woman in her thirties at most. Christina, who is over forty, can't hide the traces of time by putting on sweet makeup, putting on youthful clothes and grinding her skin with a filter.
Christina looks sweet and gentle, the most aura is her eyes, and the fastest aging place is her eyes. When the eyelids are pulled down, the whole person's spirit is gone.
Middle-aged actresses are designed for girls, and now the audience doesn't pay the bill.
Christina looks much more comfortable in the heart house. She doesn't wear much makeup, and all the marks on her face are paving the way for the role.
Feng is a housewife who has been married for 8 years. Her casual and simple dressing, simple hair modification, fatigue and wrinkles on her face are all in line with the hard work.
Christina is famous as a daughter-in-law in Shanghai. In the past, when she played this kind of role, it was inevitable that she felt a little "children dressed as adults". With the growth of age, it will be much smoother to play this role again.
Christina's most touching place in it is not a few climax scenes, but the details of a housewife, such as taking her son to catch up with the cram school while jogging in small steps, which is a microcosm of reality.
When borrowing money from her father-in-law to buy a house, that sense of humility, coupled with the fine lines on her face, is enough to explain Feng's position in the family.
Christina found her own way to play. After years of accumulation, her acting skills have become more natural and the award is just around the corner.
Today's audience aesthetics has long been different from the past. What everyone wants to see is superb acting and grounded people.
Therefore, these eight "ridiculed actresses" have been given a more vivid and real side by the years.
Don't worry about getting old, you still have your own beauty when you are old.
Beauty should be pluralistic and inclusive, and the tempering of time is the wealth of actresses, which gives them a deeper understanding of the role and can interpret more complex and multifaceted roles.
As for those wrinkles and lost collagen, they are just stepping stones for these middle-aged actresses.
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