The Broker is similar to Hirokazu Koreeda's The Thief's Home, which tells the story of a strange family composed of a group of people at the bottom. It is particularly worth mentioning that this is the first film made by Japanese director Hirokazu Koreeda in South Korea. Song Kanghao, the leading actor, also won this year's Cannes Film Award for this film. At the same time, this is the first time that the three major European film festivals have awarded the Best Actor Award to Korean actors. This kind of transnational cooperation has brought good results to Korean films and Shiekeda Red River.

There are also many China fans Hirokazu Koreeda's. Four years ago, he won the Cannes Palme d 'Or Award in Douban for "The Thieves Family", which not only ranked in the top 250 of Douban, but also gained nearly 760,000 viewers. When the film was released in China, the box office was close to 654.38 billion yuan. For a literary film, this is an extremely exaggerated achievement.

Today, Hirokazu Koreeda's position in the hearts of China fans is probably the same as that of Shunji Iwai 20 or 30 years ago. Even though he didn't try to please the public, his style was loved by many people and inexplicably became the god of literary films. The film was directed by Hirokazu Koreeda, who won the 20 18 Cannes Palme d 'Or Award for "Nobody Know".

Unlike Shunji Iwai's depiction of youthful love with romantic light and shadow, Hirokazu Koreeda inherited a certain tradition of Japanese family movies. His artistic style is unpretentious, and he mostly depicts various tests of "family ties" in contemporary society. His earliest Cannes debut, Nobody Know (2004), tells the story of four children abandoned by their mothers who struggle to survive without the help of adults. The film is full of childlike optimism and joy, but it is in great contrast with the final tragic ending. This also makes Hirokazu Koreeda, a director whose previous works are too poetic and niche, become a well-known director.

Although Hirokazu Koreeda inherited the flat, calm and poetic style of Japanese family movies, his best story is not daily contradictions, but "dog blood". The so-called "dog blood" refers to the extreme relationship between the characters in the play, the strong plot reversal and all kinds of embarrassing emotional conflicts. These stories can even suspect that Hirokazu Koreeda got inspiration from various tabloid news and then made subsequent creations. Of course, it is not shameful for directors to find topics from tabloids.