Young master lives in an underground city, and there is no fear of suffocation.
He would cry in his mother's stomach, which occupied the way to the temple.
Every winter night, he is drunk on the side of the road and dreams of his sister who died young.
Sister Hong Ying is always as fresh as a lamp, and I am the only proof of your lost life.
I'm going to ask the fortune teller on the roadside when she comes, and teach her divination again when she is on the road with a still alive elegy.
I want to tell my lover who dreamed with her yesterday that all the mountains and rivers he kissed are awake.
Don't look for yourself in the sequence of ancestors, and don't beg your body for time with your life.
Time has been extending in the boundary, and there is no door to stay. All eyes were fixed in the dusty and cold kiln.
I'm going to see the temple where the abandoned home collapsed, and see who is hiding the cards in the altar and who is turning it into the world.
I'm going to see the old dog they abandoned in those years, and how many prayers those three animals have.
I want to ask him how many disasters he has experienced, when he will come back, and who is arranging her fate to meet mountains and rivers.
I saw someone tearing the preface when I was looking at the time. I couldn't accept this out-of-control day, so I lied a lot.
The use of jailers and prisoners made my burning and aggressive eyes tired.
I want to hug you, Emperor Dongyue, my God, Mount Tai, and you give me a proud and eternal shining halo.
His eyes will be my children's eyes and his hands will be my children's hands.
We used to be a group of real people. Please understand my life with a bright smile.
The ancient lineage enshrined in the ancestral hall will not blend with the splendor of the palace.
All souls who leave with tenderness and sweetness meet at midnight when the night breeds moonlight.
Song appreciation:
Throughout the whole song "Pearl", Dao Lang used Hebei Blowing Song, which was mainly used for sacrifice, wedding, greeting the gods and funeral. Combined with the story of Yin and Yang ghosts and gods in Pearl's original work, the theme of this song is really wonderful, and the "motion" in the song is also human nature.
"Evocation" is for the better development and progress at present, not for the revival of ancestors, so "don't look for yourself in the sequence of ancestors, and don't beg for your body with life as time", because "I saw someone tearing up the preface when I was looking at the time", because the temple had collapsed, and some people fooled the people in the dharma circle by "hiding cards to make thousands" and "changing the world".
Finally, from the literary point of view, the lyrics of "Pearl" skillfully borrow the perspective of the characters in the original work, and can also borrow the past to describe the present. The whole work is artistic and ideological, which can be said to be rare in the whole Chinese music scene in the past 100 years.