It is good to have a dream. Whether it can be realized depends on individual efforts. The objective environment is a very important factor, but it can't determine everything. I don't want to kill your dream, but I need to remind you of the current situation of Japanese seiyuu: this is not a problem that can be faced with temporary enthusiasm, let alone solved by training. Seiyuu is not as simple as you think, it is a unique professional collection that Japan has merged in years of commercialization and industrialization. A voice actor in China can't be regarded as a voice actor, and there can't be such a career as a voice actor.
In fact, China's voice actors are only equivalent to the most primitive Japanese seiyuu, and their business is limited to Chinese voice dubbing (voice dubbing is one thing). Animation voice dubbing and movie voice dubbing are not the same person at all, and game voice dubbing has not even developed. So there is no industry, let alone commercialization. In addition, those who broadcast are called announcers, those who perform drama and stage play are called actors, and those who narrate (ナレーションン) are called commentators ... All the division of labor is so clear, although it is not excluded that one person has several jobs, only a lot of professional names will be listed, and there will be no one. In contrast to Japan, after decades of commercial development, this series of similar division of labor has been continuously integrated into an industrial chain, and unified and professional management has been implemented throughout the country. Artists who are active in this industrial chain are called seiyuu. It can be said that, conceptually, Japanese seiyuu is a collection of vocations such as voice actor, announcer, drama actor, stage actor and commentator. In China, its connotation is constantly expanding. Obviously, it can't be compared with "voice actor". In China, you can take the radio and television major, be a voice actor, or be a part-time announcer, commentator and host. Anyway, not a voice actor.
So is it possible for China to follow the Japanese example and integrate this series of occupations to form seiyuu industrial chain? I find it difficult. Because of the most important two points: policy support and market demand, there is not even one in China now. The market demand may be a little, but due to the long-term lack of policy support, almost all of this market demand has been transferred to the mature Japanese market, or it has been temporarily met through improper D version and online download. Since there is no market and no commercial interests, it is naturally impossible to realize commercialization, let alone industrialization. The situation in other neighboring countries and regions is similar, and it is impossible to form a "seiyuu" industrial chain. Therefore, "seiyuu" is only a comprehensive industry unique to Japan. If you want to be a seiyuu, you must go to Japan!
So, suppose you really have the perseverance and ability to go to Japan and do your best for your seiyuu dream, but what kind of situation will you face? Some Japanese have made an "interesting" comparison: the probability that a young man will finally stand out after joining a specialized seiyuu training institution, become a formal seiyuu by seiyuu firm, and then become a leader in seiyuu through struggle is just like the probability that a young man will successfully enter the University of Tokyo, and after graduating with excellent results, he will enter the Ministry of Finance in just a few years and get a high position.
Practically speaking, from the perspective of "seiyuu commercialization and industrialization", the "business hotspots" that seiyuu mainly focuses on in different years are different; In order to cater to these "business hotspots", different generations have different requirements for seiyuu. Entering the 2 1 century, seiyuu industry has continued the concept of the last century and constantly diversified to seek commercial breakthroughs. In order to cater to the mainstream young audience, ACG industry has set off a wave of "selling cute", and various peripheral products emerge one after another. At the same time, because of the popularity of the network, all kinds of information can be updated in real time, which leads to a great increase in the number of seiyuu appearances. All of the above have led to seiyuu's serious idolization preference in material selection and promotion. For the sake of commercial interests, many seiyuu firms began to cultivate seiyuu's ability beyond dubbing, and some production teams even hired famous artists without any seiyuu experience to dub; On the other hand, the best seiyuu can also openly intervene in other traditional industries, even better than people in their own industry. And this kind of communication and conflict between industries may cause greater changes in the future. Under such circumstances, the dubbing skills of seiyuu can be said to have been ignored as never before. Even the traditional strong seiyuu is looking for its second and third bright spots and embarking on the road of diversified development. Therefore, the current seiyuu, especially the best seiyuu, is equivalent to an all-round artist who focuses on dubbing and develops in many aspects.
I may have said too much, but you can't digest it for a while, can you? In short, it is impossible to do seiyuu in China, and you can only engage in some occupations with similar nature. In order to do seiyuu in Japan, in addition to excellent conditions, we have to accept many extremely harsh tests. By the way, if you work hard from now on, the possibility of finally getting into the Central Conservatory of Music is much higher than the possibility of successfully becoming a seiyuu in Japan! Please think it over. ...