Nanchong traditional folk culture comes from Nanchong banyan tree 00:0007: 1 1.
Speaking of traditional folk culture, Nanchong actually has many cultures that we are proud of. Today, Bian Xiao will show you our local traditional folk culture.
North Sichuan lantern show
North Sichuan Lantern, also known as "Drum Music God", is a folk song and dance drama with a long history. Langzhong is the hometown of lanterns in northern Sichuan.
In May 2006, North Sichuan Lantern Festival was awarded the first batch of "national intangible cultural heritage" by the State Council. On June 8, 2007, the North Sichuan Lantern Troupe in Nanchong City, Sichuan Province won the first Cultural Heritage Day Award from the Ministry of Culture.
The plays of Lantern Opera in northern Sichuan are mostly based on local folk life, and there are more than 200 existing plays. His performance is very close to life, giving people a sense of humor and popularity. His lyrics are simple and healthy, and there is no fixed formula.
In addition, the Lantern Festival in northern Sichuan is very good at dancing, and there is a saying that "no dance can't make a lamp", so it is entertaining. Moreover, the play of lanterns is also varied. For example, lanterns are mainly songs and dances, and some stories are simple. Sky lanterns are mainly based on the drama of stories.
This kind of local folk art has strong local characteristics, which can fully reflect the characteristics of northern Sichuan culture, so Bian Xiao believes that this art form can also become an important part of tourism culture.
Puppet in northern Sichuan
Speaking of puppets in northern Sichuan, it is also a traditional culture worthy of Nanchong people's pride. In fact, the puppet shows in Nanchong include northern Sichuan puppet show and Beijing puppet show, both of which are stick-headed puppet shows, but few people have heard of Beijing puppet show.
North Sichuan Puppet is famous because it is more unique and distinctive than other big puppets. Puppets in northern Sichuan are more than four feet tall, and the performance is not limited by the type of drama. People and puppets mix together (yin and yang division), and they all look the same.
At the beginning of June this year, the second Nanchong International Puppet Art Week opened in Nanchong Grand Theatre. Nanchong's original large-scale puppet drama "Silk Road Camel Bell" made its debut, which attracted the attention of puppet experts and lovers at home and abroad and won unanimous praise.
On June 10, 2006, puppets in northern Sichuan were listed as national intangible cultural heritage. Nowadays, dramas featuring puppets in northern Sichuan and integrating other folk art forms in Sichuan have been staged in major tourist attractions in the province and become tourism cultural projects with certain characteristics.
North Sichuan king shadow play
Northern Sichuan King Shadow Play is a sculpture and performing art inherited by Wang Wenkun, a master of folk art in Langzhong, a national historical and cultural city in northern Sichuan, for eight generations. Wang Shadow is about 1.5 feet high, with fine carving, vivid characters, bright and harmonious colors and complete and unified composition. Every shadow play is a beautiful handicraft.
From 65438 to 0988, Wang Ying from northern Sichuan participated in the international art exchange exhibition of Golden Hall in Vienna, Austria on behalf of China Folk Art Troupe, and won the "International Art Gold Award". Austrian President Heath Reisinger praised: "This is the real oriental art".
Later, with the rapid development of radio and television, shadow play gradually faded out of people's lives, but the descendants of Wang Ying never gave up, constantly updated their concepts and continued to carry forward national traditional culture.
Around 2004, the Northern Sichuan King Shadow Play began to perform in the ancient city of Langzhong. Under the leadership of his successor, Wang Biao, he constantly updated the content of the drama, created different styles of shadow play, such as classical, modern and disco, and initiated a new era of shadow play style.
In 2008, Wang Shadow Play was successfully included in the national intangible cultural heritage. Nowadays, efforts are being made to introduce the shadow play of the Northern Sichuan King to the world.
Paper-cutting in northern Sichuan
As a tangible cultural heritage, paper-cutting in northern Sichuan has different characteristics and styles from paper-cutting all over the country in terms of form, content and use. It is not only different from the "vigorous and powerful" of northern paper-cutting, but also different from the "exquisite and delicate" of southern paper-cutting, but from coarse to fine.
The subjects of paper-cutting in northern Sichuan are wide and varied, including birds and beasts, grains and livestock, all of which are vivid and imaginative. Its patterns can be divided into five categories: auspicious and wishful pictures, feather flower pictures, ancient and modern figure pictures and real life pictures.
Its techniques and production methods can be divided into six kinds: overlapping engraving of yin and yang, black and white paste engraving, stabbing, folding paper-cutting and tearing painting with both hands.
Frog Festival
"Send frogs on the 14th day of the first month" is an ancient and mysterious traditional folk program in northern Sichuan, which is popular around Nanchong. After evolution, it has become Nanchong's unique local folk culture and valuable intangible cultural heritage.
It is said that during the Qing Dynasty, a sudden "mosquito disaster" attacked local villagers. Later, a monk pointed out that it is the "mosquito disaster" that harms others and harms themselves. So the local villagers used homemade "frog lights", waved tied torches, carried colorful dragons, and held a grand memorial ceremony with gongs and drums to drive away the "frog epidemic".
Since then, the custom of tying "frog lanterns" and sending "frog epidemics" has continued to this day on the 14th night of the first month of each year.
In fact, traditional folk culture is around us.
Its inheritance and development can not be separated from each of us.
What other interesting things do you know?
Or meaningful folk traditional culture?
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