This film tells the true story of a three-sister family in a remote and backward rural area of Gansu Province. In order to change the fate of life, they boldly challenged traditional and secular ideas, overcame difficulties, worked hard under difficult conditions, and finally entered the university in one fell swoop. It embodies the spirit of the times and personality charm of a new generation of rural youth who are not afraid of hardships, determined to serve the country, and create brilliant lives with knowledge and hard work. The film truly shows the rough experiences of the three sisters in their studies, and the art reproduces the delicate and touching plots of the three sisters, their parents, their parents' relatives and their neighbors in terms of affection, friendship, thoughts, social ethics and so on. The film is simple and heavy, with ups and downs, which makes people cry. It has positive practical significance and far-reaching social impact on rejuvenating the country through science and education, building a new socialist countryside and promoting the socialist concept of honor and disgrace. Teenagers are the future of the motherland, the hope of the nation and the leader of the future construction of the motherland. Their spiritual civilization construction is of certain importance, but now we are in an era surrounded by film and television culture. This generation of teenagers grew up with movies and TV. As a part of the ecological environment of contemporary culture, film and television culture has a magical influence on the values of young people with its great influence and omnipresent tentacles. 1. What are the characteristics of this film? The material selection is rural; With the spirit of the 1990s; The background of the work event is related to generations of rural children eager to read; The theme of the work involves contemporary people's thinking and moral evaluation of the value of life; Because of this, works should be profound, but full of youthful vitality and inspiration. Second, the overall artistic pursuit: premise: based on the real life soil, the character relationship and emotional way, but it is also a story that transcends real life and has a strong dramatic character relationship; According to the premise: a. Drama should pursue more elegant drama style in macro grasp, and complete drama style on the basis of not violating the law of life and the emotional logic of contemporary people in detail display. B. wash and practice, and the rhythm is bright. C. Rural life, especially the unique temperament of rural children. Third, photography helps to shape and portray characters and show wonderful life scenes. The whole scene can be divided into five categories: 1. Emotional lens 2. Artistic scenes (mostly musical passages) 3. Face pat (atmosphere, momentum, meeting, etc.) 4. Transition shot (the connecting part, the transition before entering the play, explaining the technical details, etc. ) Try to move as much as possible, and try to move as much as possible. In some scenes, there is still a certain sense of instability, and the lens should have impact. The foreground and background of the picture should be well designed, the role and non-role should be hierarchical, the role and still life, and the flowing objects should be hierarchical. For the role of father, he is basically dynamic, focusing on capturing the dynamic objects around the role and trying to penetrate his father's pure and honest inner world. When dealing with the relationship between environment and atmosphere, we should give priority to rendering the atmosphere, followed by the environment, and do not explain the environment for the sake of explaining the environment. Give the audience more angles that are often invisible in daily life. Head-up is of course a conventional angle, but in order to show the inner world of the characters wonderfully, accurately, profoundly and creatively, and to show the contradiction between the characters and the conflict between man and nature, the lens should find more fresh angles. The push and pull of the lens should strengthen the emotion of each drama scene and the emotional service of each role. The film needs more close-ups, so please pay full attention to it. The lighting should be based on the overall style of the whole play, with design, light and shade and layers. You have to dare to cut it, but you can't show any traces. Exterior location, we should fully consider the creative premise and artistic style of the film, so that the atmosphere can be captured in this work without affectation. Fourth, the combination of artistic reproduction and reinforcement. Reproduction is to respect the truth of life and let the audience see and touch the life scenes of people in the play, thus generating a sense of identity and intimacy. The scenery and props should be thick and realistic. Clothing should match the character's identity, environment and drama situation, and pay attention to the change of character's identity and mentality, so as to design the character's clothing accordingly. Makeup, the time span of this drama is not long, but the psychological span of the characters is great, and the changes of the characters are also great. We must start from the relationship between characters and design hairstyles and faces that best reflect the identity and interest of characters. Even people whose identities have not changed much should look for changes in the same. 5. Actors and performances. The time span of the film is not long, but the plot development and ups and downs are relatively strong, and the identity, situation, mood and relationship of the characters have changed greatly. An actor must sort out the emotional context of his role, and make clear the mentality and psychological background of the role in each scene, as well as the specific relationship with his opponent. Grasp the performance style: the whole drama emphasizes drama, and the actors should adapt to the drama style of the drama on the premise of accurate performance and based on personality. (Strong conflict, emotional collision) However, after all, this is a film of contemporary rural people, and it is a work that shows the emotions of contemporary rural people. Therefore, the performance of actors still has a basic starting point, which is true, natural and smooth. On this basis, under the premise of accurate performance and accurate character, actors can find appropriate means to let the audience immediately understand every emotional fragment of the role and the traces of the evolution of the relationship between the characters. The means I'm talking about is the means revealed, which conforms to the details of the psychological logic of the characters. Gestures, props, etc. ) We encourage actors to creatively interpret roles, especially to be good at turning the language of literature into a more vivid oral language that conforms to the character, identity and mentality of the role, and turning the language into vivid and meticulous picture movements, and encourage actors to grasp key props and profoundly externalize the inner world of the role. This is a challenging job.