There are electric donkeys, thunder and potatoes everywhere. You can see them online.

Baidu shrimp bar ..

Lang Lang's version is also good. There is also Niu (the youngest Yellow River player), who gave a concert in Xiamen last time. ...

Post a document for you to see.

Yellow River Piano Concerto

1938 1 1 After the fall of Wuhan in October, China's famous modern poet Guang William. J (that is, Zhang Guangnian) led the Third Anti-Japanese Drama Troupe to cross the Yellow River from Hukou, Yichuan County, Shaanxi Province to the Luliang Mountain Anti-Japanese Base. On the way, I visited steep canyons, rapids, turbulent eddies and reefs and waterfalls, witnessed the Yellow River boatmen struggling forward in the stormy waves, and listened to the long and powerful boatmen's songs. The poem Yellow River has been brewing since it arrived in Yan 'an in June, 5438+the following year 10, and was recited at the New Year's Eve party in 1948. Xian Xinghai was very excited after hearing this, and said that he would create The Yellow River Cantata for the crew and complete this large-scale vocal masterpiece. On April 13, it premiered in Yan 'an Northern Shaanxi Public School Auditorium (conducted by Wu Xiling), which caused great repercussions and soon spread all over China.

The work * * * has eight movements, with music recitation at the beginning of each chapter.

1. Yellow River boatman song (mixed chorus, original male chorus)

2. Ode to the Yellow River (tenor or baritone solo)

3. "How the Yellow River Water Moves Out of the Sky" (poetry reading with music and three-string accompaniment)

4. Ballad of Yellow Water (two female chorus, originally chorus)

5. Riverside duet (male duet and mixed chorus, originally male duet)

6. "Yellow River Complaint" (soprano solo, three female backup singers are often added at the concert according to the revised draft)

7. Defend the Yellow River (in turn)

8. "Roar, Yellow River" (mixed chorus)

The Yellow River Cantata provided a brilliant example for China's modern large-scale vocal music creation. It was adapted into a piano concerto in the late 1960s.

As early as one day in June of 1968+00, Yin Chengzong came to the Central Conservatory of Music from the Central Orchestra to see posters. With the piano accompaniment experience of A Red Lantern, Yin Chengzong wants to take a new step in the piano revolution. At this time, the poster of Ms. Chen Lian was posted on the west wall on the second floor of the Central Conservatory of Music. (Chen Lian wrote a letter at 1964, which was supported by Mao, and replied that the letter was well written. Then Jiang Qing met him. )

In this poster, Chen Lian revealed for the first time that Jiang Qing once told her, "The Yellow River Cantata is very imposing and can be written as a piano concerto. Later, Yin Chengzong wrote to Jiang Qing, intending to rewrite Xian Xinghai's The Yellow River Cantata into a piano concerto. After reading the letter, Jiang Qing replied: "Very good. The Yellow River Chorus can leave a song without words. "The lyrics in front of the lamp inspired Xian Xinghai's creative impulse and inspiration, and naturally inspired and germinated the imagination and musical thoughts of the members of the piano concerto creation group of the Yellow River today.

Since 1969 was established in February, the members of the Yellow River Creation Group have been constantly changing. After Du Mingxin left, Yin Chengzong seconded composer Sheng from the Central Conservatory of Music to preside over the orchestration of the band. At that time, the author of this article was in the Piano Department of the Central Conservatory of Music, specializing in the creation of piano teaching materials. In the past, Yin and I had similar aspirations in exploring the creation of China's piano works. This time, he made great efforts and seconded him to the Central Orchestra as a partner.

Xu Peixing is a young piano accompanist who has just been assigned to the Central Orchestra. He is one of Yin's students. Yin left him in the group and asked him to help with some daily work and participate in some discussions in the creative group. In the next few months, Shi Shucheng, a young pianist, also partially joined the activities of the creative group, because he was a soloist in Group B of the Yellow River Piano Concerto. Knowing the creative intention of The Yellow River, he can better understand and play this work. The two of them also expressed some good opinions based on the intelligence and sensitivity of young people. But they don't do any practical creative work. Yin Chengzong invited another woman, Liu Zhuang, when he was ordered to form the Yellow River Creation Society.

By the early summer of 1969, the first draft of the Yellow River Concerto had been completed. During the audition, Li, (the authoritative conductor of the Yellow River Chorus), Du Mingxin and the symphony orchestra of the Central Orchestra were invited. Yin Chengzong plays the piano solo and Chu plays the second piano (that is, the band part). From August of 1969 to February of 18, after completing the brewing scheme, experiencing life, collective discussion by the masses and the adoption of the first draft, it entered the second stage of the overall operation, that is, the writing stage. Yin Chengzong, Chu, Liu Zhuang and Sheng wrote the piano concerto "Yellow River" and fought day and night.

Every note of the Yellow River Piano Concerto can be traced back to its original intention. It was written and finalized. Hundreds of discarded old draft papers are produced in indoor drawers and wastebaskets ... with the cohesion of collective wisdom and the efforts of creators to study, select and refine.

This music is divided into four movements. The first movement "Overture-Song of the Yellow River Boatman" unfolded the scene of boatmen fighting waves on the Yellow River with great momentum. The surging boating sound and whistling wind reached the first climax of the music in response to a series of arpeggios by the piano and the band. Then the cadenza of the piano is introduced, and after a short respite, the whole song returns to the tense struggle scene at the beginning of the music under the guidance of the powerful running sentence of the piano. The second movement, Ode to the Yellow River, based on the melody of The Yellow River Cantata's solo of the same name, depicts the beautiful scenery of the Yellow River and the Central Plains. The music gradually unfolds, the level and intensity are gradually strengthened, and finally a climax of praise is formed, ending the whole song with a strong chord. The third movement, "Raging at the Yellow River", takes the tunes of Huangshui ballads as the backbone, and inserts the materials that rage at the Yellow River in the middle. The whole song has a grand structure and many emotional changes. The piano, interwoven with the echo of the band, slipped from the climax of resentment and ended in a helpless and painful chord. The last chapter, Defending the Yellow River, played a short and solemn introduction with brass music, bringing out colorful passages of the piano. Play the theme song of Defending the Yellow River on the piano. When entering the climax, the solemn and vigorous melody creates a magnificent victory climax and ends the whole song. In addition, it is worth mentioning that this version is the "Oriental Red" version, which was adopted at Jiang Qing's insistence, but it performed exceptionally well and was particularly wonderful.