Mozart: Mozart: Youth
Magic flute, Kb20, two acts, 2 1 song, composed in 179 1, premiered in Vienna that year. By J.E.S Chikaneder (1751-1812) according to the poet Vilander (1733-18/kloc). The story tells the story that Prince Tarnino, at the request of Konigin der Nacht, went to Iriz, an Egyptian priest in Salaste, and Osiris Temple to rescue his daughter Pamina after midnight with bird catcher Paccino. The prelude of this opera is Adagio in E flat major, and the main part is Allegro. Scene 1, deep in the jungle, in front of the night harem. The first song: Tamino and three maids' duet "Help". Tamino dressed as a Japanese hunter was chased by a python, screaming for help, and then fainted. Three maids came out of the palace, killed the python, marveled at the beauty of the prince, and refused to leave Tamino. Finally, they can only say goodbye to him together and report for duty the next night. When Tamino woke up, he saw Papacci playing and hiding behind a tree. The second song: Papacci's aria "I am a bird catcher" (De vogelfanger bin ich ja). He sang, all the birds belong to me, Tamino talked to him, and they introduced each other. Papacci lied that he killed the python. Three ladies-in-waiting came out of the palace and accused Papacci of lying, saying that he would lock his mouth with a lock. Three maids said to Tamino, We saved you. They took out Pamina's portrait and showed it to Tamino, saying that if you were seduced by the portrait, you would be happy. The third song: Tamino's aria "Nice in Billd is Bezoland Schon". Expressed his love for Pamina in the portrait. Three maids appeared again and told Tamino that he heard his voice after dark, saying that Pamina in the portrait had been abducted by the magician. Tamino said, poor girl, he was afraid that she would never be a virgin again. The three maids were furious: "Even if she is in danger, she will stick to her virginity." Tamino said that if so, she must be rescued. Then thunder rumbled and the maid said, here comes the queen. The cliff is divided into two parts, becoming a solemn hall, and sitting on the throne full of stars after dark. The fourth song: Don't be afraid of young people after dark, and then sing Zum Leiden binich a user Korea. She told Tamino that if you save my daughter, my daughter will be yours forever. After singing in the evening, she disappeared into the darkness with the maid, leaving Tamino alone in a daze. The disappearance of the hall restored the scenery of the forest. Fifth: Tamino quintet, Papacci Nuo and three maids. Papacci took to the stage and asked to untie his mouth with the voice of "mother". Tamino said, "There is no way to save you". Three maids took to the stage, took off Papacci's lock and made him swear never to lie again. Maid to Tamino magic flute, said this magic flute can make people get love, in case of crisis can make people out of danger. They praised the magic flute together. The maid told Papacci that after nightfall, she asked him to help Tamino rescue Pamina and give him a silver bell, which could save the day. The two are ready to set off and sing farewell quintet. Scene 2, the inner hall of Salaste Luo Castle. Two slaves are cleaning up the hall. A slave reported that Monostatos, a black slave in Salaste, tried to rape Pamina, but Pamina broke free. There came the voice of Chanstato asking slaves to wear chains. Song 6: Trio by Chanstato, Pamina and Papacci. Single Sostato sang "Come here, beautiful little dove", Pamina sang "My life is so bitter", Single Sostato sang "Your life is in my hands" and Pamina sang "I am not afraid of death, but my mother is too poor". At this moment, Papacci arrived and met the black man. Both of them thought they saw a ghost and ran away. When Paccino came back, she told Pamina that a prince who saw her portrait had come to save her, and Pamina decided that the prince must be her lover. Papacci sighed, "I don't even have a Papakina", and Pamina said that God will not fail others. The seventh song: the duet between Pamina and Papacci Nuo, Bei Mannam, welche liebe Fuhlen, a man who knows how to love. In the third scene, Salaste Luo Castle is located in a sacred forest. There are three doors into the temple, from right to left, namely wisdom, reason and nature. The eighth song: the finale. Three boys led Tamino here, told him to be calm, patient and silent, and then retreated. Tamino walked through the door on the right, and a voice came from inside: "Stand back". It's like walking through the door on the left. He walked to the middle door and a debater appeared. The two men asked and answered in a narrative tone: "It is true that Salaste Rowe kidnapped Pamina, but you can't tell the truth from this matter. Don't listen to women. " "Then how can I know the whole story?" "When the hand of friendship leads you to the temple and all the mysteries are solved, that's when you two combine." Tamino sighed, "Oh, eternal darkness, when will you disappear?" Then a voice came from outside the door: "If you don't do this, you will never get the light of wisdom." Tamino asked, "Is Pamina still alive?" Answer; "Pamina is safe and sound." Tamino's magic flute played "flute aria", and all the animals came out to listen. He said, "Flute, take me to Pamina", so he heard the flute played by Papacci. Palmer Paccino took Pamina and fled in the direction of Tamino's flute, only to be caught up by the slaves brought by Stator. When single stato reached for it, Papacci suddenly remembered the silver bell on him. Take it out and shake it. Monostato and the slaves sang and danced, and soon disappeared. Pamina and Papacci Nuo sang a praise bell. The duet was interrupted by the March. When Salaste Luo came back from hunting, the chorus shouted, "Long live Salaste Luo." Paccino tried to escape, but Pamina said, "We told him the whole story." When Salaste Rowe came on stage, Pamina knelt down and said, "I tried to escape, so I committed a crime, but that was because the black man wanted to rape me." Salaste Luo Kuan forgave her, but she was still forbidden to meet her mother. Monostato pulls Tamino on the stage, and Tamino meets Pamina, and they hug each other. Chanstato angrily pulled them away and demanded that they be punished. Unexpectedly, Salaste Rowe ordered the beating of the 77th board of Mouzo Stato, blindfolded Tamino and Pamina, and took them to the test temple, where everyone sang a chorus of justice and virtue.
Scene 1 of the second act, a forest full of coconut trees. Ninth: Priest's March. After the March, Salaste Luo and the priests were interrogated. Salaste Luo: "Prince Tamino walked into the north gate of the temple and asked to practice there. What do you think? " Priest: "What is his virtue?" "Is there a sense of justice?" "Kindness?" Salaste Luo answered one by one. Salaste Rowe: "I knew this a long time ago, so I separated Pamina from her mother. I want to marry these two people, but Tamino must pass the test first. " The debater asked, "Is he a prince?" Salaste Rowe: "Never mind." "Will he be afraid of death?" "I think he will go forward when he knows that he will serve Iriz and Osiris." Salaste Rowling brought Tamino and his entourage up. Song 10: Salaste Luo prayed to God that Tamino would pass the test. His aria "O Isis und Osiris" is interspersed with the pastor's chorus, which is very easy-going. In the second scene, the temple yard thundered at night. Tamino and Papacci accepted the practice, and the debater and another priest said, "What are you pursuing here?" "Friendship and love." "You dare to bet your life?" "yes." The debater untied the blindfolded cloth and stepped out. Papacci complained that he didn't want to be tested. The debater held the torch and asked Tamino if he wanted to be tested further. Tamino answered yes. When asked about Papacci's promise, he replied, "As long as I can sleep, talk and drink." The debater said, "A successful morning will give you a beautiful girl, Papakina." Paccino was willing to accept the test. The debater announced that the test would be silent from now on. Song 1 1: The debater and the priest duet Beware of the Temptation of Women. It was already dark after the priest left. Papacci, could not help but say "with light", three ladies-in-waiting immediately came to power. Song 12: Three Maids and Tamino Papacci's quintet "Why Come to this Terrible Place". Three maids offered temptations, but Papacci tried to speak, but Tamino stopped her. He was as cold as ice to three maids who saved lives. The maids accused him of ingratitude. The priests sang in unison, shouting "Fall into Hell", the thunder was loud, the ladies-in-waiting fell into the abyss, and Papacci Nuo fainted to the ground. After the maids left, debaters and priests came to praise Tamino, woke Papacci, blindfolded them again and took them to another place. In the third scene, garden night, under the moonlight, Pamina fell asleep in the moonlight in the pavilion, and Chanstato was playing. Song 13: Monostato's aria "Alles fuhlt der liebe freuden", he said that he had no right to love because he was black and ugly. He hid the moon, then approached Pamina and kissed her, interrupted by a thunder, and appeared at night to drive him away. Song 14: Aria "Burning Anger in My Heart" after nightfall. After nightfall, I told my daughter in a narrative tone that she was unable to protect her daughter because her father gave Salaste seven sunshields before he died. She gave Pamina a dagger to kill Salaste and get back the seven shields. Because Pamina resisted this instruction, she said angrily, "If you don't kill Salaste, you are not my daughter." Monostato, who saw this in the dark, wanted tamina again, and tamina defended himself with a dagger. At this moment, Salaste Luo came on the stage, and Chanstato slipped away. Song 15: Salaste Rowe interceded for Pamina's mother and sang an aria from diesen heil' gen hallen. He said it was wrong for your mother to retaliate. In this sacred temple, no one thought of revenge. Everyone should love others and themselves. Scene four, the hall. Tamino and Papacci were brought into the hall; The priest asked for silence, but Papacci could not help talking. He asked for water, and an old woman brought a large glass of water. Papacci drank water and asked her age. She replied, "I am 18. Two minutes later, I have a lover named Papacci Nuo." A loud noise drove her away. At this time, three boys sat on the boat and took to the stage. They are the people after dark, and now they are the messengers of Salaste Rowe. Song 16: boy trio. The boy welcomed them and returned the magic flute and the silver bell to them. Tamino played the magic flute and Pamina appeared, but Tamino remembered the test of silence and waved her away. Song 17: Pamina's aria "Ah, I know" (Ach ich fuhl's). Seeing Tamino's indifference to her, she sang "My happiness will never come back". Tamino asked Papacci to take another test with him. Scene 5, pyramid basement. Song 18: The priest sang "Thank God Isis and Osiris". Salaste Luo praised Tamino's previous efforts and announced that he would enter the final test. He asked Pamina to be brought, and asked Tamino to bid farewell to this land. Song 19: Trio by Pamina, Tamino and Salaste Rowe "Can't we meet again?" Pamina thought that Tamino had abandoned her, and Tamino replied, "Don't give up hope, we will meet again one day." Salaste Luo said, "God will bless you." At this time, Papacci's here, looking for Tamino everywhere. He couldn't find Tamino, and wanted to go out, but ray came back. At this time, the debater told him that his test was a complete failure and he would be locked in the basement forever. Papacci wants a glass of wine. No.20: Papacci's aria Ein Madchen oder Weibchen. He said, "There are all kinds of food and drinks. There are many beautiful women in the world, but no one will love me." At this time, the old lady walked away on crutches. She told Papacci that if you don't raise your hand and swear to love me, you will never leave this room. Paccino became a young girl when her father swore to love her. Papacci shouted "Papakina" to hug her, but the debater took Papakina away. Scene 6, small garden. Song 21: the finale. Three boys descended from the sky and announced that the test was coming to an end, and the sunshine at dawn would shine on the golden road. Pamina is here. They are hiding behind a tree. She raised the dagger and tried to kill herself, but the boys stopped her. The boys promised to take her to Tamino, and four of them sang an ode to love. Scene 7, deep mountains and forests, with waterfalls on one side and volcanoes on the other. The two warriors who brought Tamino here chanted the words on the iron gate stone tablet: "Those who want to enter this road full of suffering can be baptized by fire, water, air and the earth. When he overcomes his fear of death, he can enter heaven from the world. At that time, the miracle of Isis will thoroughly cleanse your sinful body. " Pamina appeared at this time, and a pair of lovers embraced and told each other how happy they were. Then Pamina told Tamino that the magic flute in his hand was made by magic from the deepest wood of the Millennium beech tree on a stormy day. As long as you blow it, you are not afraid of any difficulties and obstacles. So they decided to go through fire and water with the power of love and magic flute. They walked into the iron gate hand in hand, and the music described the flame first, then the sound of water. They came out of the waterfall, which is a bright avenue leading to the temple. They walked to the temple with a strong chorus. Scene 8, small garden. Paccino's father looked everywhere for his father Keener. He sang "Daddy Keener, where are you?" Because he can't find it, he will hang himself. He had to give up suicide because there was no one around to save him. Three boys reminded him to use the silver bell. He rang the bell to sing. Papakina finally appeared, and the two embraced and sang a duet of love. After that night, three maids and Chanstato sneaked onto the stage with torches. At night, I promised my daughter to go to Monostato, but suddenly a thunder finally drove them into the night. Finally, the sun shines, Salaste Rowe announces that the night is over and the sun shines, and everyone sings in unison, praising beauty and wisdom, and the play is over.
Mozart: Figaro's Wedding
The Marriage of Figaro is a comedy opera with four acts and 28 songs. It was written in 1785- 1786, and premiered at the Vienna Castle Theatre in 1786. It is the pinnacle of Mozart's opera. This opera was adapted by L. Daponte (1749- 1838) according to Pierre Augustin Caron de Beaumarchais (P.A.C. de Beaumarchais, 1732- 1739). The story took place in the middle of17th century, at the home of Count Almaviva near Seville, and described the story that Figaro and Susanna cooperated with the Countess to defeat the Count in order to prevent Count Almaviva from getting the first night right of Figaro's fiancee Susanna. These four acts are: the first act, at the home of Count Amawiwa. The room allocated by the count to Figaro and Susanna is next to the count's bedroom. The first song: Susanna and Figaro's duet. Figaro measured the room and prepared to decorate the new house. Susanna tried on a hat and asked if it suited her face. The second song: duet of two people, Susanna tells Count Figaro that he is hostile to her, and Figaro sings: "If your wife calls you in the middle of the night, you can take two or three steps, and if the count calls me in the middle of the night, I can take two or three steps." Susanna sang: "If the count lets you go early in the morning, the devil will lead him to me, just take two or three steps." At this time, this lady named Susanna left only Figaro pacing angrily in the room. The third song: Figaro's lyric ditty "Se vuol ballare signor contino" is determined to overcome the earl's illusion about Susanna. After Figaro's exit, the old doctor Bartolo came on stage with the old maid Marcelina in the count's office. Ma Serena fell in love with Figaro. Because Figaro borrowed a large sum of money from her, now Mascelli is going to marry her if she can't pay back the money according to the pre-signed contract. Bartolo bears a grudge because Figaro made him lose his beloved Regina. The fourth song: Bartolo's aria La vendetta. After Bartolo left the stage, only Marcelina and Susanna came on stage, and they were sarcastic. They almost bumped into each other when they left the court. The fifth song: Susanna and Machelina duet. Marchelina sang "Beautiful Lady Please Go First" and Susanna sang "Thank you, sarcastic old lady". The sixth song: The aria (baritone) of Cheru Pi Nuo, the count's attendant, tells that he was found by the count when he had a tryst with the gardener's daughter Barbarina in the garden, hoping that Susanna would tell his wife to ask the count not to expel him. He said that he had a crush on the countess and sang "I don't know what's wrong with me" (Non, piu cosa son, cosa faccio). At this moment, the count suddenly came in, and Cheru Pi Nuo was hiding behind the chair. While the count was flirting with Susanna, Barcelot, the music teacher, came in. After the count sat in the chair, Susanna dressed Cheru Pi Nuo in casual clothes. Basilio said that Cheru Pi Nuo was in love with the countess, and the count stood up angrily. No.7: Trio of Susanna, Basilio and Earl. The Earl sang "Cosa sento" angrily, and Basilio and Susanna were very embarrassed. The count picked up the casual clothes on the chair and found Cheru Pi Nuo, so he went on the rampage even more. The eighth song: Figaro brought a group of village girls, presented flowers to the count and praised his noble heart. This was Figaro's plan, which forced the count not to restore his abandoned first night right. The count declared that he would not change his mind. The ninth song: Choir, happy girls, sowing flowers for the noble earl. After the villagers retired, the count ordered Cheru Pi Nuo to join the army. The tenth song: Figaro gloated at Cheru Pi Nuo's aria "Non piu andrai, farfallone amoroso" and said, "You can't peek at a woman's sleeping position, and you can't put beautiful feathers in your hat ..."
Act II, the countess's bedroom. Eleventh: The Countess's lyric tune Porgi amor qualche ristoro prayed to God to relieve the pain and give love and happiness. Suzanne came in and told the count to flirt with her. Figaro also entered the room. He thought about it and asked his wife to write a letter and date an anonymous man, so that the count could deliberately find out and annoy him. On the other hand, let Cheru Pi Nuo meet the count disguised as Susanna and expose the scandal. Cheru Pi Nuo came to say goodbye to the countess, and Susanna asked him to sing a love song she heard in the morning. The 12th song: Cheru Pi Nuo's little aria "Voiche Sapte Che Cosa E Amor". Susanna locked the door and dressed Cheru Pi Nuo together with the countess. No.13: Susanna's aria. She made Cheru Bino kneel at the countess's feet and sang "Venite, inginocchiatevi". After putting on makeup, Susanna went to another room to get a ribbon. When the count came back, he found a lock on the door and knocked at the door desperately. The countess is busy hiding Cheru Pi Nuo in the dressing room. Song 14: Susanna, Countess and Count Trio. The count heard a noise in the dressing room, and the lady said it was Susanna. The count called Susanna out, and Susanna hid behind the curtain, paying attention to the movement. The count asked his wife to hand over the key to the dressing room, but she refused. The count wants to go to the other room to get a tool to unlock the lock. He locked all the doors to prevent anyone from leaving the house, and then he took his wife out of the house. Song 15: A duet between Susanna and Cheru Pi Nuo. Cheru Pi Nuo nervously jumped into the garden from the window, and Suzanne could only lock herself in the dressing room instead of him. The sixteenth song, the finale. Seeing that she could not escape from the past, the countess admitted that she had just made up Cheru Pi Nuo. The count angrily drew his sword to kill Cheru Pino, only to find Susanna coming out of the dressing room. Susanna and the countess in turn attacked the earl's jealousy. The count took out a letter telling his wife that he was having an affair and questioned her. The lady admitted that this letter was written by Figaro under inquiry. Figaro came in at this moment, indicating that the wedding was ready, but the count forbade him to hold the wedding immediately and asked him about the informant. Le figaro didn't know what was revealed and denied it. Just then, gardener Antonio reported that a young man jumped down from the window and smashed his flowerpot. Figaro said that he accidentally crushed the flowerpot, but Cheru Pi Nuo's resignation was picked up by Antonio, and Figaro could no longer hide it. At this moment, Marcelina, Bartolo and Basilio walked into the room together, and Marcelina announced that Figaro had to marry her because he couldn't afford the money. Bartolo defended her, and Basilio was a witness. Figaro, Susanna and the countess were all defeated at once.
Act III, the hall in the house. While the count was thinking about what had happened, his wife told Susanna that Figaro's plan had changed. She put on Susanna's clothes and went to the garden by herself. Susanna lied to the count and she was willing to obey him. Song 17: The fake "Love Duet" between the Earl and Susanna. The count invited Susanna to the garden at night. When Suzanne left, she told le figaro at the door that "the lawsuit will win". No. 18: The Earl's recitation "I am the winner" and the aria "Vedro, mentr' io sospiro". He said that his servant was happy at this time, and said, "Only the desire for revenge is my inner comfort and happiness. "Marcelina, Bartolo and Figaro came in with Judge Don Curzio, and they asked the judge to make a ruling. No. 19: Sonata by Susanna, Marcelina, Courcio, Bartolo, Count and Figaro. Figaro couldn't get rid of Machelina, so he had to claim that he was born in a noble family, that he needed his parents' consent to get married, and that he had a strange mole on his arm. Bartolo and Marcelina finally understood that Figaro was their own son and Marcelina was Bartolo's maid at that time. Three people then embrace together, Suzanne came in to see Figaro and Ma Serena embrace, give him a slap in the face. After knowing the truth, join the happy sextet. After the count and the judge left the court, Bartolo, the judge and Ma Serena held a wedding with their son. Cheru Pi Nuo took Babalina to court. He put on women's clothes and wanted to mix with the girls and present flowers to his wife. No.20: The Countess's recitative and aria. In the recitation, she said that she did not accept flowers and sang the aria "Dove sono i bei momenti". Antonio plays with the count. Antonio told the count that Cheru Pi Nuo had not yet arrived at the barracks, and the count said angrily that he must be found back. Song 2 1: The Countess and Susanna sang a duet. The Countess dictated a love letter and sang Che Soave zefiretto. After writing the letter, the lady pulled out the pin from her head and closed the envelope. Song 22: The peasant woman presented flowers to the Countess and sang in chorus. Babalina and Cheru Pi Nuo in disguise are among them. Madame found Cheru Pi Nuo and kissed him on the forehead. The count recognized Cheru Pi Nuo, but Babalj said, "Every time the count says what I want, he gives me something.". She asked the count to give her Cheru Pi Nuo as the groom, and the count could only promise her in public. Song 23: the finale. Surrounded by everyone, two couples took to the stage and praised the earl who abandoned his first night rights as a noble gentleman. Then the two couples accepted the count's blessing. Susanna gave the letter to the count at the ceremony. The count was so anxious to read the letter that he accidentally pricked his finger with a pin. After reading the letter, the count said that there would be a grand wedding tonight and everyone would sing in unison.
Act IV, at night, the garden in the house. Song 24: Babalina's lyric ditty "My China", she is looking for Susanna's pin. Figaro went on stage with his mother. When he saw Babalina looking for a pin, he asked her for one. From Babalina, he was very angry when he heard that Susanna was going to have a tryst with the count. Song 25: Ma Serena's aria "Il capro a capretta" is a metaphor for love. Figaro plays with Bartolo and Basilio, monitoring the earl's tryst with Susanna. Song 26: Basilio's aria Inque GL 'Anne, he said that when he was old, it was women who taught him to be steady. Song 27: Figaro's recitative and aria. He thought he was abandoned by Susanna. First, he recited "I'm ready", and then sang the aria "All is bright" sadly. Susanna and the countess exchanged clothes and took to the stage accompanied by Ma Erkai Lina. Marchelina and his wife walked into the hut one by one. Song 28: Susanna's recitative and aria. The recitation is "It's time to throw yourself into the arms of your lover without fear" and the aria is "Deh vieni non tardar, o gioja bella". Figaro thought he was calling the count and was furious. In the finale, Cheru Pi Nuo stepped onto the stage, holding the countess's hand and kissing. After the lady dodged, Cheru Pi Nuo actually picked up and rushed over to kiss his count, and was slapped by the count and then slipped away. The count mistook his wife for Susanna, grabbed her hand and gave her a diamond ring. Figaro came out and was stopped by Susanna dressed as a countess. Susanna and Figaro's duet. Susanna used her wife's voice to persuade Figaro not to worry about her betrayal. Figaro saw through it and said, "Please hold out your jade hand." Susanna slapped him. Figaro said that he knew she was Susanna, and they cleared up the misunderstanding. When the count found his wife hugging Figaro, he shouted to punish her. When the truth came out, he finally knelt down in front of his disguised wife and regretted it. His wife forgave him, and everyone sang to celebrate the successful settlement.
Mozart: Don Juan Mozart: Don Juan
This Don Juan, with 26 songs in 2 acts, is a comedy opera, K527, written in 1787 and also featured by L. Dapang. Ponte adapted from Bertas' play "Il Convitato di pietra". Don Juan was first adapted into a drama by Moliere's Love in Seville and Moliere's Don Juan. Don Juan,/kloc-a Spanish legend in the 0/4th century, whose Italian name is Don Giovanni. While writing this play, Ponte emphasized Don Juan's failure in chasing women. Overture from andante in d minor to allegro in d major.