The original suona is a musical instrument that spread in Persia and Arabia. Even the name Suona is a transliteration of ancient Persian Surnā. Suona appeared in China in the 3rd century, and the image of playing suona can be found in the geisha music murals in Cave 38 of Qizil Grottoes in Baicheng, Xinjiang. In the Jin and Yuan Dynasties more than 700 years ago, it spread to the Central Plains of China. It has been translated into Suona, Pinna, Surnai, Suona and Suona. With regard to the origin of the suona, it is said that in the 3rd century, the image of a musician playing the suona already appeared in the murals of the Kirgiz grottoes (about 265-420) in Baicheng, Xinjiang. On the other hand, it was introduced into the Central Plains in the Jin and Yuan Dynasties, also known as "beating" and "blowing the trumpet". During the Ming and Qing Dynasties, it was widely spread among the people, and was mostly used as a percussion band for weddings, funerals and celebrations, and also as an accompaniment instrument for folk songs, dances and operas. The historical materials of suona began to appear in the Ming Dynasty. Ming? Wang Qi's "Three Talents Fair": "Lock Nai, its system is like a horn, seven holes, copper at the head and tail, and wood at the pipe." "For the joy of the army, it is also used by the people today." Suona in the Qing Dynasty was included in the back song in the court and was also used to write halogen books. Because both ends are made of copper, it is also called "Jinjiao". Later, the shapes of big suona, middle suona and small suona were derived. The sizes and names of the double-reed musical instruments of different nationalities and regions are different. Relatively small ones are called "seawalls".