Many beautiful women have asked him since ancient times how many beautiful women have become unlucky.
As many affairs as possible between heaven and earth, wine is served in this name, and half a river is beautiful.
The color of Luoyiyu is bright, and the blue soup does not send wet double lotus;
That can't be called Tannu. It's pathetic.
Jade bone's raw jelly is sweaty, and the snow is clear;
Lock the window, don't peep, and listen to the incense while listening.
Zhao Hede's bath is really fascinating, and there are words to prove it:
The water is as clear as a mirror, taking pictures of beautiful women, spinning repeatedly and flying around the plate.
Geometric coloring, the beauty lies in the charm of Yuan's strength, red shirt, a tree and a half flowers.
I didn't know that Tan Lang could wake up in Blue Pond, but I didn't dare to cut down the skirt bandwidth for fear of peeking.
Also moved Lianbu, whispered Xiao Huan to watch the door. If you come, let me know with a cough.
Sure enough, I sneaked in, coughing with a slight smile, and I was already in sight. I broke the window and stole a look.
I was busy tying my skirt, but I didn't see beauty in him. A wisp of water yarn never really covered it.
Blue soup is cool in the evening, Luan Chai wears half makeup, red scarf is endowed with snow and fragrant, and the lotus room is broken.
Luo Zan, kettle jade bed, bright moon moving to the west wing, counting fireflies over the wall.
Poems about Xue Tao
Wan Li Bridge Girls' School Book, closing the door to loquat flowers;
What do eyebrow sweepers know? It is best to lead the spring breeze.
Ten Poems, given to Wei Gaoshi, has a poem that says:
First of all:
After practicing Zhumen for four or five years, Mao Xiang was full of pity for his master.
Bite a family guest for no reason, don't sleep on the carpet in HongLing.
Second:
The more you confess, the more flowers will be scattered on the red paper;
All fate is exhausted with a long front, and it is not allowed to be in the hands of Xi.
Third:
Snow ear red hair light blue hoof, chasing the wind to Japan;
In order to surprise her husband, Hua Xuan shouldn't even be booed.
Fourth:
Longxi is alone, flying;
It's inconvenient to talk, so you can't change people in the cage.
Fifth:
In and out of the doors, I can't bear to throw them away. The host often loves to make friends.
Holding a muddy and sweaty mountain and lake pillow, you can't build a nest between the beams.
Sixth:
Bright and transparent, connected inside and outside, clear as a crystal palace;
Because I have a little leisure time, I can't stay in my hand all night.
Seventh:
After playing in the lotus pond for four or five years, I often shake Zhu's tail to get the hook;
Cut off hibiscus flowers for no reason, and you can't swim in the clear waves.
Eighth:
Claws like sharp eyes like bells, catching rabbits in the plain is called high emotion;
Without reason, you can't escape Qingyun, and you can't hold the arm of the king.
Nine:
I planted four or five new elements and often lost my virginity in autumn frost;
Breaking the wall for bamboo shoots, Yutang can't hide its shadow.
Tenth:
The casting mirror began to open, born in March and May;
In order to be blinded by infinite dust, you are not allowed to go to Huatang Yutai.
Each of the above ten seven-character quatrains also has a title, namely: the dog leaves its master, the pen leaves its hand, the horse leaves its stable, the parrot leaves its cage, the swallow leaves its nest, the pearl leaves its palm, the fish leaves its pond, the eagle leaves its arm, the bamboo leaves its pavilion and the mirror leaves its platform. In the poem, Xue Tao compares himself to a dog, a pen, a horse, a parrot, a swallow, a pearl, a fish, an eagle, a bamboo and a mirror. Wei Gao is compared to his master, hand, stable, cage, nest, palm, pool, arm, pavilion and platform. Just because dogs bite relatives and friends, the pen is exhausted, the famous colt surprises Yu Lang, parrots talk wildly, swallows sweat in mud, pearls have a little leisure, fish play hibiscus, eagles rush into the clouds, bamboo shoots drill through walls, and mirror flowers and moons, which is really self-inflicted, regardless of rank! Xue Tao carefully set up various metaphors to apologize to Wei Gao, the public figure of our time. Naturally, it is inconvenient to argue with a weak woman who pleases him. On second thought, he remembered all her benefits, turned anger into joy unconsciously, and soon recalled her to Chengdu, where she loved her as always. Xue Tao's Ten Poems, full of talent, really brought her benefits.
At that time, there were many celebrities and gifted scholars associated with Xue Tao, such as Bai Juyi, Niu Sangru, Ling Huchu, Dai Qing, Zhang Ji, Du Mu, Liu Yuxi and Zhang Hu. All of them have poems and songs with Xue Tao, but Yuan Zhen touched her affection. After Yuan Zhen left Shu, Xue Tao missed him so much, just like her husband's empty daughter, waiting for her to be full of bitterness and longing, and then merged into four famous sentences-"Jin Wang Ci":
First of all:
Flowers bloom differently, and flowers fall differently;
Ask acacia, when flowers bloom and fall.
Second:
Take care of the knot and unite as one, leaving a confidant;
Spring sorrow is broken, and spring birds mourn again.
Third:
The wind and flowers will grow old, and the courtesy will be ethereal;
If you are not United, you will be United.
Fourth:
It can be full of flowers and translated into two sentences of acacia;
Hosta hangs in the mirror, and Chunfeng knows this.
At first, I was heartbroken about lovesickness and expectation, expecting lovers to renew their old feelings; However, with spring gone, the news faded, and Xue Tao became more and more disappointed. She even looked at the clouds in the sky, the weeping willows on the river bank and the spring flowers in the yard, all of which became the image of Yuan Zhen, telling the pain of leaving love. One of her poems, Ode to Peony, personifies peony and confides in blooming flowers in the middle of the night. Poetry cloud:
Last spring, my tears were wet and red, and I complained about leaving;
Often afraid of breaking up with martial arts, why is there a Wuling period?
Every time I ask about the fragrance, I know each other without saying;
I just want to put a pillow by the bar, and I will spend the whole night talking about lovesickness.
Li Yuanying's "Ten Memories of Poetry" goes like this: (It was written by Du Qiuniang)
First of all:
Thin waist out of the bridal chamber, long flowers and scarves;
There are a couple of small honeymoons hanging on the skirt, and only the golden lotus is fragrant step by step.
Second:
The rattan flower on the chair is flat, and the embroidered skirt is inclined to cover Ciro lightly;
Sisters often call, and it is not easy to walk hunched.
Third:
Green ants have been destroyed many times, and Parodom is soft with golden lotus;
Don't get caught up in romantic things.
Fourth:
A string of red teeth and broken jade knocks, and Biyun is unable to stay in Lingxiao;
I also know how to sing the custom, and slowly press Yusheng to make faces.
Fifth:
Fine jade is uneven, like a smooth tube, and the Shu sword is small and bright;
Sleeve Shameng caught Chen Lang's eye, but learning to write mandarin ducks was unsuccessful.
Sixth:
The pavilion struggled to raise candles, and gold and silver sat around jade;
Shyness was used to Lang's military exercise, his sleeves were covered with shallots, and the notes were late.
Seventh:
When transverse wave is speechless, when the small board wants to sing;
Sorrow cares about music, but it makes the eyebrows learn to leave.
Eighth:
Never smile, there is nothing to boast about before you see your heart;
At first glance, I was still hiding in front of the guest, but I didn't know that I had felt two nests deep.
Nine:
When you are young, you will grow up, and the light skirt will cool for a while;
Don't cover the jade pillow, the pink muscle will sweat and white lotus fragrance.
Tenth:
Golden rhinoceros palace comb, water hairpin jade carving mosquito sting;
There are many sad things between the eyebrows, no matter Xiao Lang only thrushes.
Qiu Niang got Tang Xianzong's special favor, as can be seen from here. Fortunately, Qiu Fei is a woman with a deep understanding of righteousness. Although she tied Xian Zong's heart, she didn't let him indulge in pleasure and forget the affairs of state. On the contrary, she helped him govern the country and make peace. This kind of day when the husband sings along with the woman and works together is not an ordinary pleasure of "folding flowers".
Write about Huo Xiaoyu:
The sand will return to Yue Feng as snow, and the city will fall as frost next month.
I don't know where the bleak reed flute blows and I look at my hometown all night.
In addition to the works that hurt the past, Li Yi personally experienced the "Anshi Rebellion" and left the troubled times, so he also wrote many poems describing the feelings of war. His "short and pleasant meeting with my brother-in-law" was purely an accidental meeting, and he only wrote in part of "poetry":
After this boring decade, we meet again. We have all changed;
The first time I heard your last name, I thought you were a stranger, called nostalgia.
We talked about what happened in the tide until the bell rang at dusk;
Tomorrow you will embark on a trip to Yueyang, leaving behind the autumn between us, one peak after another!
Infinite surprises and shouts, sighs and helplessness, leap between the lines. Huo Xiaoyu read this poem. Intuitive empathy, praise. What impressed her even more was Li Yi's five-character quatrain "Jiangnan Ci", which used only 20 words, but vividly rendered the helplessness and loneliness of the dissatisfied woman in the boudoir. The poem is written like this;
Since I married a businessman from Qutang, he has not kept his promise every day.
If I knew how regular the trend is, I would marry a fashionable person.