Milan style is divided into Milan traditional style and Milan modern style. These two styles are equally important to international furniture styles.
If the Tuscan style is tailor-made for people who love art, then the traditional Milan style is specially born for the noble royal family. The traditional Milan style is the endorsement of classicality, luxury and style. Accurate to every detail, it shows the rigor of court style and the splendor of classical supremacy. Every country has different requirements for classical style: classicism in Britain and France emphasizes the purity of blood. The more meticulous it is to meet the requirements of making classical furniture, and the more pure it is to restore the details of classical furniture, the better. Italy has a different understanding of classicism. Italians believe that change will bring unexpected surprises. While following the traditional classical style, they also added fashion elements and sense of design, making the classical furniture style in Milan, Italy a symbol of top luxury. For example, Andre Fanfani, an Italian home furnishing agent represented by Beijing Hengbang Xinda International Trade Co., Ltd., is a loyal supporter of the traditional Milan style. The whole structure of solid wood, the decorative inlay of silver wire and gold foil, and the decoration of mahogany. ...
Let's talk about Milan's modern style again: under the background of the global industrial revolution and the rise of Bauhaus, modern style came into being. The so-called modern style is to use more straight lines. In addition to the simple straight right angle of the cabinet, the sofa, bedstead and table are also straight lines without many curves, which are simple in shape, rich in design or philosophy but not exaggerated. Black and white are the representative colors of modern style. Common primary colors such as gray, silver and beige, as well as large-area solid colors without printing and decoration, bring another low-key sense of tranquility, calm and restrained. Wood and leather are the main basic materials of furniture. In modern style furniture, we can see new materials of modern industry, such as aluminum, carbon fiber, plastic and high-density glass. , adding various possibilities for furniture. Milan's modern style is exquisite and simple, revealing a strong sense of design, but it has a very noble temperament in the minimalist modern modeling. There are several different minimalist styles in the world, and Milan, Germany and Northern Europe are the most important minimalist furniture producing areas in the world. Among them, Nordic minimalist style is the simplest, German style is the heaviest trace of industrialization, and Milan modern style reveals luxury and fashion in simplicity.
Milan is such a magical place. It can not only inherit the most elegant classical furniture art, but also bring forth the new and establish itself internationally with fashion. Florence, the capital of Tuscany, is regarded as the birthplace of the Renaissance, and a number of outstanding artists emerged, such as Michelangelo, Leonardo da Vinci, Dante and Raphael. However, the most important thing about the Renaissance is not that it has contributed a lot of splendid cultural heritage and artistic works to mankind, but that it is a milestone in human history. The Renaissance liberated the mind, questioned theocracy and kingship in the form of art, and "humanity" became the key word of the Renaissance.
Scholars and artists' tireless pursuit of human nature makes these two regions have a strong artistic atmosphere and romantic feelings. Its beauty is exquisite, but it doesn't give people a sense of distance. Its simplicity shines with human wisdom, which is the traditional Tuscan style. The traditional Tuscan style is not as gorgeous as other classical court styles, but more like the sublimation of folk art, with approachable modeling and cordial and soft lines. Tuscany pursues art, nature and elegance. You rarely see gorgeous floral patterns on traditional Tuscan-style furniture. Compared with delicate flowers such as roses, Tuscan-style furniture often adopts unpretentious decorative patterns such as vines. We can even say that Tuscany in the Renaissance influenced the folk customs of European countries, but it was more elegant and quiet.
Besides the traditional Tuscan style, Tuscany also has an important style-neoclassical furniture style. After the industrial revolution, the process of industrialization has been improved. With the rapid development of productive forces, many things that conform to the characteristics of the times have appeared all over the world. For example, the lines of furniture began to become tough, the shape of furniture was simplified, and the sense of geometry was emphasized more. And these are not what Tuscans are eager to express. People living in Tuscany are deeply proud of their culture and history. No matter whether you have money or not, you can always find elegance in them. Classical customs handed down from generation to generation are hard to get rid of. As a result, people in Tuscany added the concept of modern furniture to the classical elements, forming the Italian neoclassical furniture style. Neoclassical furniture style is more like a diversified way of thinking, which combines nostalgic romantic feelings with modern people's needs for life, is compatible with luxury, elegance and fashion, and embodies personalized aesthetics and cultural taste.
The color of neoclassical furniture is usually bolder than the traditional style. Create artistic conception through color and create a wonderful picture effect. Generally speaking, neoclassical furniture is modern, but on the basis of contemporary furniture, abstract classical elements are added-not only as decoration, but also as metaphor. For example, Carter Zari integrated sculpture thinking into furniture design. In the furniture world in Katesa, you can fully feel the unique charm different from other furniture. /kloc-in the 0/7th century, a new aristocratic class was born in Italy. The interior and furniture decoration of palaces and mansions of princes and nobles emphasize social status and authority more because of the competition between nobles. * * * The same feature is luxurious decoration, which often uses the contrast of appearance, exquisite craftsmanship and luxurious effect to obtain strong decoration. Baroque furniture in Italy reached its peak after17th century. Furniture is handmade by furniture designers, architects and sculptors. The high relief decoration on furniture, such as pilaster, column, portrait, shell, buttercup leaf, scroll shape, lion, etc., is crafted by joinery, which is a high-style aristocratic style in the life of princes and baroque art integrating furniture art, architecture art and sculpture art. It is extremely gorgeous and colorful, and has also influenced the baroque furniture style of other European countries, especially palaces centered on Rome.
Walnut carved chairs were very popular in Italy in the17th century and spread all over Italy. The chair has a linear structure. There are two upright posts on the backrest passing through the rear legs. There is no crosspiece at the top of the backrest. There are two arc baffles in the middle, embossed with scroll decorative patterns and leaf decorations, and the middle is oval with scroll leaf decorative patterns. Decorative patterns of upper and lower leaves are also arranged in the front legs below the trapezoidal seat surface surface plate, which echoes with the top. The back column and the front leg are carved with the same texture decoration, so the whole furniture looks very unified and harmonious, but it is also vivid and interesting because of the contrast of the two colors and the decorative patterns in different directions and shapes. The biggest drawback of this kind of furniture is that it is not suitable for people to use. The pattern on the backrest above makes people unable to rely on it, and the pattern below binds people's legs, which makes it uncomfortable to restrict people from using it at will.
Another walnut carved armchair made between 1675- 1700 is more comfortable to use. There are cushions on the backrest and seat surface, which makes people enjoy comfort. The end of the wavy curve of the handrail ends in a rolling way. Spherical feet are arranged on the handrail bracket and the rotating wooden column on the front leg, and the horizontal brackets with bent front and rear legs are interwoven in the middle to carve convex patterns. The dark wooden frame is in sharp contrast with the light-colored exquisite fabric, which is very elegant and beautiful. Another court kneeling stool completed by the sculptor in 1706 is the furniture used by people in Italian palaces to pray to God. The stool surface is very low, and the front legs of the fan-shaped ebony black stool surface are carved with gold-plated scroll patterns, and the scroll patterns in the middle are carved around scallops. The top rail of the high backrest is the cornice form of the building. There are two opposite large vortex S-shapes in the middle of the backrest, which curl to the rail plate between the lower backrest and the seat surface and end with two small S-shaped curves. The backrest rail is engraved with patterns such as vortex patterns, leaf decorations, branches and leaves, and each end has a flanking angel head. The front wing angel head sculpture in the middle of the backrest protects the branches and leaves. Lush fruits may be used to worship God, and little angels with wings are used to express the pure and pious hearts of worshippers, which shows how closely furniture culture is combined with art and religious culture. This palace furniture is black and white, straight and curved, which is both luxurious and eye-catching and majestic.
Another architect from 1678 to 1680 made a cabinet chair. The cabinet, that is, the backrest, is simply a small building. There is a figure statue like a spire on the dome at the top of the cabinet, and there is a horse statue running and jumping in the air. There are four groups of Corinthian ivory carvings under the triangular lintel and the lintel, with a circular arch in the middle. The inside of rectangular and oval cabinet doors is decorated with ivory carvings, and the lower drawer surface is decorated with three ivory carved handles. The whole ebony cabinet and ivory are carved in white, with clear black and white, strong contrast and attractive baroque architectural modeling. The pedestal under the seat is a pure carving art, carving three lifelike figures, as if kneeling on the pedestal and supporting the whole tall building with their backs. Ingenious conception, strange shape and luxurious decoration are really amazing. /kloc-about 0/680, a carved table made in Rome, with a scroll pattern under the white marble table top, is a sculpture of two men sitting and leaning against each other. This is the artistic creation of the sculptor, and the complicated golden eagle is very luxurious. Another similar carving table base is also a kind of carving art, from which we can see that the combination of furniture culture and carving art has formed an extremely dynamic and luxurious appearance, which has also become the characteristic of Italian Baroque furniture style. There are two eagle carvings on the lower side of the marble table top, and a leaf-rolling sculpture on the other side. This kind of buttercup leaf decoration is the most commonly used pattern in European baroque furniture culture and art, and it is often used as decoration in the heyday of the Renaissance. According to ancient literature, the design of Ranunculus ternatus was born by directly imitating Ranunculus ternatus in nature. Sculptor Carly Marcos was in Corinth when she saw a water chestnut unexpectedly grow from under a basket. He was moved by the decorative effect of the combination of the two, and inspired him to create the Corinthian stigma. Some scholars also believe that the decorative pattern of Zizania latifolia is not a new invention, which directly imitates the pattern of natural plants, but a product of the continuous evolution of decoration in history, that is, the traditional carved palm decoration in ancient Greek art gradually evolved into the decorative pattern of Zizania latifolia leaves.
The armchair made by Antonio Cosudini, a famous Italian sculptor in the Baroque period, is undulating and full of movement. The front legs are made of statues of black teenagers. The X-shaped carving between the legs and the handrail are like twisted roots, and a sitting figure is carved at the joint between the handrail and the backrest. The frame of the armchair seat is boxwood, and the seat and backrest are wrapped in French velvet fabric. Brilliant and bright colors are in sharp contrast with crimson ebony, and the straight backrest seat surface is in sharp contrast with the arc-shaped components, which is very vivid and luxurious.
1730, Kosudini designed and manufactured a pair of tables and chairs. The table is the furniture of the governor's living room. The base of the table is completely decorated with sculptures, and the edges and bottom of the table are carved with precise flowers and plants. The four corners are supported by mermaid statues, and several little angel statues in the middle are also carved and decorated on the table. The throne designed for the governor is matched with it, and figures are carved from the feet to the backrest, which is very dynamic. In the center of the top of the backrest, there are two little angel statues holding heraldic arms. The carved parts are all gold-plated, while the backrest and seat surface are dark red velvet cloth. The golden statue of tables and chairs sets off the crimson chair surface, which is really a beautiful artistic sculpture. This is a typical Italian Baroque art 1938+0675, a decorative table in the cloister of the Roman Palace, decorated with gold-plated wood carvings, with large leaves and scrolls on the base, and
In St Peter's Cathedral, bernini built an altar with a canopy for Pope urban VIII. The pillars of the altar are carved into a spiral shape, and the overhangs of the pillars are two rows of rhythmic horizontal stripes, which are concave and convex and delicate. The tassels under the canopy tilt in different directions, as if swaying in the breeze, and the top of the canopy is decorated with carved scroll patterns and portraits. This altar furniture is also a memorial building, magnificent and tall. Its scale coincides with the vast space around it. At the same time, it is a luxurious sculpture. The ingenious combination of several art forms gives people mystery, movement, excitement, passion and great appeal. It is a masterpiece of magnificent Italian Baroque culture and artistic style. Venice, the capital of the "region" of Veneto, Italy, is a beautiful water city, built in the most impossible place-water, Venetian style. Great Renaissance and Byzantine architecture, St. Kyle's Square, one of the most beautiful squares in the world, amazing cloisters, rainbow island full of romance, glass island full of humor ... This is the important town of Renaissance, which has produced one of the most important painting schools in history: Venice School, and Venice is the essence of Renaissance.
Venice's construction method is to build large piles on the underwater soil first, and the piles are next to each other. This is the foundation, lay it firmly, cover it with boards, and then build the house. All the houses there are built in this way. So some people say that there are stones above Venice and forests below. Today, it is one of the few cities in the world without cars. Venetians attach great importance to the protection of their homes and love things with a sense of historical precipitation and the times. Venice's three traditional handicrafts are also world-famous, namely, handmade crystal in Venice, glass products on Murano Island and wooden furniture all over Veneto region. Low-key and simple, traditional handicrafts and rejection of chemical pollution are the characteristics of Venice furniture. Harmony and rationality in the integration of Byzantine and Renaissance architectural styles are the keynote of Venice furniture, and the unrestrained, beautiful and strong sense of melody of Venice painting school is the soul of Venice furniture. Venetian style furniture is one of the most distinctive furniture styles in the world. Venice style, famous for its calm design style and expensive pure solid wood, is noble and elegant but low-key and simple. Various Venetian-style furniture truly reproduces the charm of ancient Italian furniture manufacturing.
The characteristics of Shuicheng require that the furniture is not easy to deform and durable, and the materials are hard and precious wood such as walnut and oak, and even some furniture materials are old wood removed from old houses. Throughout the Italian furniture brands, the most vivid expression of Venetian style is Art Brutto. Its famous "Leonardo" series does not need any glue or paint, only the original wooden tenon structure is used to perfectly combine furniture, and expensive vegetable oil is painted. Every joint is strong and unique. Although Atbrutto has gone through different times like Venice, its craftsmanship and meticulous manufacturing attitude have not changed. Modern minimalist style is exquisite and simple, revealing a strong sense of design. In modern modeling, it has a very noble temperament. There are several different minimalist styles in the world, and Milan, Germany and Northern Europe are the most important minimalist furniture producing areas in the world. Among them, the Nordic minimalist style is the simplest, the German style has the heaviest trace of industrialization, and Milan minimalism reveals luxury and fashion in simplicity.
Quiet white is the absolute protagonist in this style. There is no complexity, no distractions, no unnecessary fame and fortune. Everything is dominated by white, with simple accessories with contrasting colors, showing agility in elegance and nature in extravagance. Everything is so simple and profound, which inevitably reminds people of Dior and exaggerated fabrics popular in the fashion world in the late 1940s and early 1950s, showing elegant style and texture.