[Random Thoughts on a Dream of Red Mansions] One is Xianpa in Yuen Long, and the other is immaculate jade. If there is no strange fate, I will meet him again in my life. If there is a strange fate, how can my heart be empty? One is crying in vain, and the other is worrying about nothing. One is the moon in the water, and the other is the flower in the mirror. I wonder how many tears there are in my eyes, how can autumn flow to the end of winter and how can spring flow to summer! A Dream of Red Mansions, a smiling tragedy, not only describes the life of three generations of a feudal aristocratic family from glory to decline, but also boldly accuses the feudal aristocratic class of its shamelessness and depravity, pointing out their hypocrisy, fraud, greed, decay and sin. It not only points out the inevitable collapse and death of this family, but also implies the class and society to which this family belongs. Those who sympathize and mourn are the victims under the feudal system; What is criticized and denied is the hypocritical morality and unreasonable social system in feudal society. On the one hand, it is the alliance of wood and stone, on the other hand, it is the fame and glory that feudal society must pursue, and on the other hand, it is the freedom it yearns for. A Dream of Red Mansions written by Cao Xueqin shows us this silent contest. The tragic love story of Jia Baoyu and Lin Daiyu condensed all the smoke of this contest, one was Xianpa in Yuen Long and the other was Xianpa in Yuen Long. Faced with all kinds of persecution and indifference under feudal ethics, even at the cost of life, the pursuit of quality and purity never gave up. While lamenting the love tragedy between Jia and Lin, we can see an important factor that caused the tragedy: Lin Daiyu's lofty personality was incompatible with the secular world at that time and could not be integrated with society. Her inferiority is a reflection of her self-esteem. It was also the beginning of her tragedy. A love affair in A Dream of Red Mansions is the focus of her personality. Her inferiority, self-esteem and self-pity are all revealed in her funeral lyrics: flowers are flying all over the sky, and the fragrance is gone. Who has pity? 360 days a year, wind, sword, frost and sword are pressing each other. When it is bright and fresh, it is difficult to be found once wandering. Flowers are easy to see but hard to find. Before people bury their steps, tears steal from the flowers, and blood sees the branches above. May you have wings on this day and fly to the end of this day with flowers. The day is over! Where is Xiangshan? If you don't accept beautiful bones, you will hide the wind in a pure land. It's better to be frank and lenient than to get stuck in a ditch. I am dead and buried now, but I don't know when I will die. The man who buried the flowers is laughing today, but who did he know when he buried them? Let's see the residual flowers of spring gradually falling, that is, when the beauty dies of old age. There is no sad song for me, and I don't know if the flowers are dying. A secular person can't understand her thoughts. I died today and was buried. I don't know when Nong will die. The man who buried the flowers is laughing today, but who did he know when he buried them? In the face of falling flowers, she couldn't let go of the scene after her death and shed tears. In front of feudal ethics, her inferiority aroused her self-esteem. When Baoyu was beaten, Xue Baochai, who was skillful in calculation and worldly wisdom, sent pills and admonished Baoyu to change his ways. But as a supporter of Baoyu, a rebel of feudal ethics, Lin Baochai is kind and aloof. She sincerely supported Baoyu with the unique emotional experience of crying and silently resisted feudal ethics. Therefore, only the two of them are the most intimate and love them the most. She is as quiet as a delicate flower and as weak as a willow. She knows her heart better than a dry heart, and her illness is as good as that of a western child. Through Jia Baoyu's eyes, the author depicts an intelligent, versatile, beautiful and weak morbid beauty. Such a weak woman ignores the traditional laws of the world. The opposite is true. After suffering countless devastation, when the end of life came, the ferocious face of feudal society accelerated her death. After reading A Dream of Red Mansions, we will never forget the scene before Daiyu died. When she was critically ill, Zijuan asked for help everywhere, but no one was willing to help. In order to avoid bad luck, Jia Jia moved Baoyu's marriage to other places. On the one hand, it is a festive scene of marriage, on the other hand, it is before her death. Where is Xiangshan? No wonder someone sang about Daiyu's burial. Where is a clean and ideal place? Where is my own ideal place? This is Xiang Qiu. The real society I live in now is filthy. I want to find my ideal place. Daiyu will never give up her pursuit of freedom until she dies. We are worried about it and resentful of it. A pair of young men and women who are pursuing freedom are under the yoke of feudalism. Where are you going? Do not sing sad songs for me. In this way, Daiyu died in Baoyu's wedding. She left with her share of sweetness. Where is the sweetness? Sweetness gains understanding and love in a world where one person does not accept the world and the world does not accept people. In the lonely world, Baoyu is the eternal warmth in her heart. In the world of love without companion, Baoyu is always hurt in his heart. Although in the end she became a victim of those feudal systems. When it is true, it is also false. Nothing is true, and everything in a dream of red mansions is incomprehensible. As a soul figure, Lin Daiyu is different from ordinary people. She is her, a bunch of lofty, aloof and narcissistic empty valleys. Lin Daiyu's inferiority complex. A Dream of Red Mansions tells a tragic story about the rise and fall of a big family. The shadow of this family tragedy hangs over all the tragedies in A Dream of Red Mansions. The tragedies of Baochai and Twelve Chains in A Dream of Red Mansions are the protagonists because most of their protagonists have the qualities of truth, goodness and beauty. But is the final decline of Jia's real power class also a tragedy? This is actually related to the historical fate and value of a social phenomenon and social system, that is, the unity of tragedy and history. From the perspective of tragedy and history, the destruction of the declining class and system is also tragic. Hegel is the most accomplished philosopher and aesthetician in the history of western philosophy and aesthetics. Hegel's view of tragedy is an important part of his view of history. In his historical dialectical development view, there are two viewpoints directly related to the tragedy theory: second, he believes that the development of world history is from the low social form to the high social form. From the perspective of development and change, the reality with inevitability and rationality will eventually lose its rationality and become unreasonable. Marx and Engels' tragic view is the sublation of Hegel's tragic view. For the former unreasonable tragedy, Marx pointed out that its essence is the tragic conflict between the inevitable requirement of history and the fact that this requirement cannot be realized. For the irrationality of the latter, Marx called it a farce when he emphasized its decadence; When emphasizing the latter's irrational self-confidence in its own value, Marx called it a tragedy: when the old system was a world power since ancient times, but freedom was an idea suddenly thought of by others, in other words, when the old system itself believed and should believe that it was reasonable, the history of the old system was tragic. Realistic aesthetics and subjective philosophy aesthetics both affirm the tragic fate, a new human requirement and historical trend. However, the evaluation of China's classical writers' works, especially A Dream of Red Mansions, must treat the latter unreasonable tragedy equally. If subjectivity philosophy attaches importance to tragedy in order to emphasize the identity of tragedy and existing experience and value experience, then Marxist philosophy attaches importance to tragedy in order to emphasize the identity of tragedy and history, and this history is the activity that people pursue their own goals. Therefore, Marxist interpretation of tragedy is based on the analysis of historical development, social relations and economic relations. From the essential relationship between tragedy and history to interpret the tragic connotation of A Dream of Red Mansions, we can see the rich tragic connotation of A Dream of Red Mansions. From the internal division of social existence, we can notice the historical dilemma of personality liberation (or sexual freedom) in A Dream of Red Mansions from the tragic conflict between the inevitable requirement of history and the impossible realization of this requirement. From the perspective of alienation, this kind of tragedy is more common in A Dream of Red Mansions, which leads to the dimension of subject transcendence. Tragedy destroys the valuable things in life for people to see. For Jia Baoyu, Jia's house has its value. It provides him with a luxurious life and a big garden for him to live his artistic life. There are his relatives, relatives, friends and lovers here. Materially, he depends on the Jia family, emotionally, he doesn't want this family to decline. In his view, the negative value of Jia Fu mainly lies in that its rulers (represented by Jia Zheng and Mrs. Wang) forced him to read the eight-part essay that he didn't want to read, took the life path of being an official in middle school that he didn't want to take, and made friends with the official practices that he didn't want to associate with. He loved this family and rebelled against it, so he didn't feel deserved for the decline of Jiafu, deserved it, didn't deserve a better fate, and Ercao was discredited. I don't waste the rivers and streams through the ages ... but I feel sad. Zhi Yanzhai's comment on writing points out this point in many places. In the second article, who knows that the descendants of this family, the home of books and poems, are not as good as the next generation: the excellent literature, the importance of reason, the extremely painful words, the extremely sad. (A copy. Focus on the quotation. Grief is based on the author's love and pity for this family. In the third text, I have a curse. Zhi Yanzhai criticized that four words are full of blood and tears, and four words are the author's tears. (Jia) Although the fifth article has many descendants, none of them can inherit him. (Jia) This is the author's real tears. Straight to the blood, the fat group clearly pointed out Jia Baoyu's long-cherished wish that Jia Fu would prosper and last forever. Pang Tuan said: Baoyu had taken a fancy to a sustainable housekeeper. Today, I heard that he died. I was so disappointed. (Jia Shuben) Lin Daiyu also took a sympathetic attitude and position towards the fate of this family. In the sixty-second chapter, she wrote a dialogue with Bao Dai after the reform of Tanchun. He did several things. The garden has also been taken care of, and now he can't even squeeze a straw. He also did a few things, using me and Xifeng as rafts and forbidding others. The most calculating person is not only good. Daiyu said, this is good, our house is too expensive. Although I don't care about things, I always have nothing to do. Let me do the math for you. Pay more and pay less. We can't live without both of us. Daiyu admits that although she doesn't care about her family in action, she thinks about exploring the spring everywhere. Zhi Yanzhai, who is said to be the author's elder, also has this feeling of home and country, and also has sorrow for the decline of the family. In the text of 13, if the sentence "the tree falls apart" is answered, Zhi Yanzhai frowned: it is better to kill than not to kill. (Jia, Chen Geng Ben) The author's and Jia Baoyu's love for Jia's family became the basis of the tragic sense of family decline. In addition, the aesthetic concept of tragedy emphasizes that the category of tragedy is not the same as the word tragedy in daily life. In daily life, someone died in a car accident, which is called tragedy, and tragedy in aesthetics not only emphasizes misfortune or destruction in life. It not only emphasizes the tenacious willpower of the unfortunate to resist misfortune or destruction, but also emphasizes the ultimate ineffectiveness of resistance, which shows the historical inevitability. Zhang Taiyan said in "The Source of Disease and Poverty", "Grandma is a person with a strong heart and a smart mind." If you are too smart, you will often have unpleasant things; There are always unpleasant things, so I think too much. This disease is caused by anxiety damaging the spleen, excessive liver qi, and menstrual blood can't arrive on time. This is the result of anxiety and efforts for the decline of the family, and it is also a tenacious and hopeless struggle against the inevitable trend of family decline. A Dream of Red Mansions 10 only wrote Qin Keqing's tragic character through Zhang Taiyi's mouth, and Wang Xifeng did so to some extent. The author of A Dream of Red Mansions calmly shows the inevitable trend of Jia's downfall. In the face of this great inevitability, Wang Xifeng's cleverness is useless: the authorities are fascinated, but they have calculated the life of Qing Qing, and they feel after reading A Dream of Red Mansions. Their hearts were broken before they died, but they were empty after they died. A rich family will be at peace, and eventually there will be a family, and the dead will be scattered. It's like dreaming in the middle of the night Suddenly, it's like the building fell down and the light went out. Ah! One happy and one sad. Sigh that the world is hard to decide! ④ The irresistible decline of Jia family, the organ failure of Wang Xifeng and the final separation of family members constitute the tragedy of family decline in A Dream of Red Mansions. From the very beginning, A Dream of Red Mansions emphasized the crisis of Jia's successors. In the second chapter, the author points out from the mouth of Leng Zixing: Nowadays, there are many people, things are prosperous, and there are many people with wealth. It can't save the daily expenses of ostentation and extravagance. Although the shelf outside has not fallen down badly, the inner bag has been lifted up. This is still a trivial matter. There is a big thing: who knows that the children and grandchildren of this family are not as good as the next generation! From this point of view, the decline of Jiafu is inevitable. The first person in Jia's house who felt this sad fog was Qin Keqing of Ningguo House. Qin Keqing's death is a symbol of Jia's critical illness. Qin Keqing is bedridden. Dr. Zhang diagnosed grandma's symptoms, but those people were delayed. If you want to take medication on the date of your first menstruation, you will not only have today's disease, but also be completely cured at this time. It is also because of this disaster. 6. Leng Zixing hit the nail on the head. 13, Qin Keqing died, closed the dragon and banned the captain. Qin Keqing came to search's dream and said goodbye to her. She first described the general trend of the Jia family to Wang Xifeng: Now our family is rich and prosperous, and it has been a hundred years. If one day is extremely sad, if it should be that sentence. She wants to turn the tide, but her life will return to Yin, so she handed this important task to Wang Xifeng: But now she can plan her future career in glory, which can be said to be guaranteed forever ... Although her ancestors sacrificed at four o'clock, they just didn't have a certain amount of money and food; Second, although home schools have been established, there is no certain supply. In my opinion, there is no shortage of sacrificial supplies in its heyday, but where will these two things come from when it declines in the future? In my opinion, Mo Ruo, taking advantage of today's wealth, set up a few more acres of grange courtyard near his ancestral home for sacrifices and supplies. All the expenses will come from here, and the home school will also be located here. Everyone has made a rule that this year's acres, money, food, sacrifices and offerings will be managed according to the house. There is no competition and no disadvantage in traffic this week. That sacrifice can last forever. If you think that today's glory is endless and don't think about the future, it is not a long-term solution. There are many descendants in the fifth article quoted above, but none of them can succeed. These places have repeatedly shown that the author is worried about the successor of the family. The plot of the novel also shows this trend of successors, and the tenacious will of Jia Zheng, Mrs. Wang, Qin Keqing, Wang Xifeng, Jia Tanchun, Xue Baochai and Hua Xiren to try to turn the tide in the face of this trend. This tenacious will to face the unfortunate fate is also an important basis for this family tragedy. They are the first people who clearly realize and try to get rid of this succession crisis. Rong Ning's second husband. He's dead. In the fifth novel, the fairy gave her sister and beauty to Baoyu in her dream. This is because she met the soul of Rong Ning's second husband and told me, "My family has enjoyed fame and fortune since Dingding. Although it has lasted for a hundred years, it is irreparable. Although there are many descendants left behind, no one can inherit them. Among them, Sun Baoyu is the only one. I'm afraid no one will introduce me to Zheng Zheng. Fortunately, Xiangu comes occasionally, hoping to warn her of her stupidity with eroticism, sensuality and other things, or let her jump out of the charming circle and then step into the right path. This is also my brother's luck. Now that I respect my husband by caesarean section, I can't bear to respect my concubine's boudoir and give it to the world, so that Baoyu can enjoy this fairyland, not to mention the dusty scenery. In the future, I will explain everything, change my mind, pay attention to the relationship between Confucius and Mencius and devote myself to the economy. It seems that Rong Ning's second husband regarded Jia Baoyu as the only person to inherit Jia's great career. In the dreamland, Jia Baoyu accepted the admonition of following the business for the first time. In real life, Jia Zheng is the most difficult person to perform his business duties in a positive and condescending manner, and this kind of effort is shown in the matter of scolding Baoyu. However, I hope Baoyu's sense of hardship is no less than Jia Zheng's. Different from Jia Zheng, her sense of hardship focuses on Jia Baoyu's spouse. If she wants to continue her career, she must study, be promoted and be an official. Therefore, Mrs. Wang believes in and loves anyone who can persuade Baoyu to study and pay attention to career economy. This can be seen from her attitude towards xiren and Baochai. Mrs. Wang hates people who prevent Baoyu from paying attention to the cause economy, which is manifested in her attitude towards Daiyu, Qingwen and Jin Chuan. What are the social and historical reasons for Jia Baoyu's unwillingness to continue his official career? A Dream of Red Mansions has no positive performance. Just from some of his remarks, we can know that he was deeply dissatisfied with the situation that the political practice and educational practice of the society at that time ran counter to the design of Confucian ideal political morality, and put the cart before the horse. Therefore, he would rather indulge in boudoir than talk about official career economy and be the successor of Jia family. Although he won the prize in the last 40 times, the hope of becoming a monk to make Jia Zheng, Mrs. Wang and others succeed in their careers was finally dashed. Jia's big family is really without successors. The hope of business success was completely dashed. Then, it is worth a try to maintain Zhong Ming's grain level, strive for the concept of ZTE's meteorology, or postpone the decline time and reserve the needs of material life when it declines. In this regard, the novel first has the foresight of Qin Keqing's multi-sacrifice industry, and Qin Keqing has lost her fragrant building or died in a dragon-sealing ban; Although Xue Baochai stopped working, she was finally buried in the snow. Jia Tanchun was born in the last days. Although he was smart and ambitious, he was ill-fated and eventually moved thousands of miles away. Wang Xifeng was even more talented than men, but in the end, she cried even more sadly to Jinling. They are powerless to change the inevitability of Jia's tragedy. In fact, they are already in the inevitability of Jia's tragedy. On the one hand, Jia Zheng and others, as the only successors, changed from hope to despair; Since Jia Baoyu finally committed suicide, the Jia family only died of natural causes (as for Jia Lan's success in the last 40 strokes, it was purely a dog-tailed mink, which contradicted the statement that Sun Baoyu was the only one among them, and another candidate was arranged besides Baoyu. As for Huang Mu's good plot for Jia Jia, Yan Shize's tragedy has been dispelled, just as becoming a monk is the dispelling of Jia Baoyu's main tragic experience. On the other hand, Qin Keqing, Wang Xifeng, Jia Tanchun, Xue Baochai and others were in vain. These two tragic trends constitute the main content of Jia's decline. These two tragic trends almost cover all the characters and plots in A Dream of Red Mansions. On the one hand, there are contradictions between Jia Zheng and Mrs. Wang, Aunt Zhao, Jia Huan and Jia Baoyu, as well as between Jia Fu and Xue Baochai. On the other hand, Lin Daiyu and Jia Baoyu are like-minded, which is the unique and profound foundation of their love. In this way, Lin Daiyu played a drag on the inheritance of Jia family. Mrs. Wang hated it and gave up wearing it and took the hairpin. Qingwen, whose temperament is similar to Daiyu's, and Jin Chuaner, whose behavior is similar to Baoyu's, were also punished by Mrs. Wang with the most severe means, which ended in tragedy. In the meantime, another xiren deliberately slandered Qingwen because of her close relationship with Baoyu. In this process, the tragic characters of Daiyu and Qingwen fully show their resistance and transcendence to tragedy, which are intertwined with Jia's family tragedy. A Dream of Red Mansions describes the power struggle of the Jia family around the tragic trend that a strong woman finally saved the day. Around Wang Xifeng's manager, the novel describes the crazy expansion of her power desire and material desire. The appearance of Xue Baochai, with her virtue, talent and appearance, made Mrs. Wang regard her as the most suitable candidate for Jia Baoyu's spouse, and her marriage was recognized by Jia Baoyu's family dignitaries. In this way, with the establishment of Jia Baoyu's successor status, Xue Baochai, as Bao Er's grandmother, will naturally become the housekeeper of the Jia family, replacing Wang Xifeng's position, which Wang Xifeng could not tolerate, so she admitted that she married Wang Xifeng. For Mrs. Wang, breaking up the marriage of gold and jade will not only harm Jia Baoyu's growth as a family heir, but also make his power fall by the wayside (for Mrs. Wang, Wang Xifeng's niece status is certainly not as close as that of Jia Baoyu's son and Xue Baochai's daughter-in-law). So there was a contradiction between Mrs. Wang and Wang Xifeng, and there was an incident of copying the Grand View Garden, which eventually led to the tragic ending of Wang Xifeng crying about Jinling. Finally, it became a major turning point in the rise and fall of Jiafu. Geng 77: Without this change, the game would have no ending, which is also very unreasonable. In the conflicts between Wang Xifeng and Xue Baochai, and between Wang Xifeng and Mrs. Wang, the power struggle, inheritance rights and marriage issues are intertwined; As the antithesis of a good marriage, Baodai's love is inevitably involved. In this process, Bao Dai, as always, showed a tragic personality of subjective transcendence. In this way, Jia Baoyu's subjective value experience and subjective tragedy are closely related to the decline trend of Jia family. The tragedy of the Second Grand View Garden is composed of tragic stories, and it is a group of tragedies in which Wan Yan and Hong Dongtian share the same cup. It shows the writer's pity and sympathy for women. For Jia Baoyu, the disillusionment of the Grand View Garden has ontological significance. The tragedy of Jia Baoyu lies in: on the one hand, he did not agree with the value form of official career economy at that time; On the other hand, his own value cannot be confirmed. Therefore, he turned his attention to the Grand View Garden of the Daughter Country and regarded it as his spiritual refuge. He was addicted to the understanding of the existence of Laozi and Zhuangzi, but the disillusionment of the Grand View Garden made him feel homeless, and his concentration on his daughter made him unable to really reach the realm of Laozi and Zhuangzi, so he could only indulge in endless anxiety. In the tragic experience of life existence, Nietzsche and his uncle, however, in the tragic aesthetics, Nietzsche and Schopenhauer are completely different. As an aesthetic category, tragedy not only takes the tragic existence of life as the object of expression, but also takes the tragic resistance and struggle spirit of life against existence as the object of expression. Although the outcome of resistance and struggle is still irreversible, resistance and struggle give this aesthetic a real tragic spirit. This stubborn resistance to misfortune and destruction is ultimately ineffective. What runs through it is the tragic fate of A Dream of Red Mansions. It is the same internal pattern of Jia Fu's tragic fate and Jia Baoyu's tragic fate, and it is also the same trend of family decline and tragic experience of survival. Wang Guowei said A Dream of Red Mansions was a complete tragedy. If this means that A Dream of Red Mansions doesn't end in a happy ending like previous tragic works, it is in line with the facts. However, if this means that A Dream of Red Mansions is based on Jia Baoyu's becoming a monk. Wang Guowei's judgment ignores the spirit of the tragic subject. He regards aesthetic tragedy as the misfortune and suffering of life, that is, the tragic expression of life, which often leads to tragedy, and its way out often lies in the liberation of religion. Schopenhauer said: writing about great misfortune is the only basic thing in tragedy. He emphasized great misfortune in order to make people give up their will to life. He said: we see the noblest [characters] in tragedy or after a long struggle and pain, we finally give up our eager pursuit and all the pleasures of life forever; Still voluntary, willing to give up all this for it. 12 he opposes the transcendence of the subject, the spirit of struggle and the issue of tragic justice. In this way, religious liberation and suicide are defined as the essence of tragedy. It must be pointed out: firstly, Wang Guowei's tragic interpretation of A Dream of Red Mansions is based on the happy ending of China's traditional tragedy and the national culture of this ending. Happy endings ignore the truth of life-the tragedy of existence. In view of this, Wang Guowei emphasized that tragic art must face up to the tragic nature of life. Therefore, he strongly advocated that the tragedy ended in sorrow, so he chose A Dream of Red Mansions. Secondly, in terms of outlook on life, Wang Guowei tends to be pessimistic about life in Buddhism, while Schopenhauer, the founder of pessimistic tragedy theory, is deeply influenced by Buddhist thought (original sin). At the same time, he chose the last forty chapters of A Dream of Red Mansions, because the last forty chapters are the original of Buddhist thought, which is just suitable to be interpreted by Schopenhauer's pessimistic view of tragedy and runs counter to Nietzsche's Dionysian spirit. The image of Jia Baoyu in the last forty chapters of A Dream of Red Mansions expresses the same meaning as Schopenhauer's so-called noblest [character] or after a long struggle and pain, he finally gave up their eager pursuit of the former forever. Either it is voluntary and willing to give up all this for it, or, in Wang Guowei's words, it is the desire to let us leave life. This is the solution to the tragedy. The last forty chapters seem to have completed the tragic ending of Baodai's love, but in fact they only completed a tragic story, but the tragic spirit was greatly reduced. Chapter 97 Lin Daiyu burned the manuscript and Xue Baochai became a gift, which was full of drama. The sharp contrast between sadness and joy undoubtedly made Lin Daiyu win the sympathy and pity of more readers, while Xue Baochai got the hatred of readers. What is lacking here is the tragic protagonists Jia Baoyu and Lin Daiyu's sense of struggle against fate. Jia Baoyu has always been the groom in a muddle, while Lin Daiyu has always been kept in the dark. Before that, the direct or indirect conflict between Lin Daiyu and Xue Baochai no longer existed. What worries and pains Lin Daiyu is not Xue Baochai's influence and destruction on Baoyu's marriage, but Baoyu's engagement with others and his health going from bad to worse. In this process, Lin Daiyu has always been a confused and fragile victim, and her will and feelings are irresponsible. The author did not leave space to express her struggle-just like the struggle in the first 80 chapters. Chapter eighty-seven Lin Daiyu felt that Qiu was saddened by the past. I'm just sorry for the old handkerchief that Baoyu gave her in the past, but this sadness has nothing to do with Baochai. So, in the sad autumn, she reread Baochai's letter and sighed: Different circumstances make me sad. So Baochai and I made up in four chapters. The so-called sadness means that she feels as sad as Baochai and belongs to clear autumn. She felt uncomfortable at home and ignored her sadness. Jia Baoyu is also a person. In the 96th time, Lin Daiyu learned that Baoyu and Baochai were married, and she was insane. From then on, one was crazy and the other was in a trance. In a word, Baodai and Daiyu no longer have the will of a normal person. This drastic treatment made Baochai avoid the confrontation with Lady Jia, Lady Wang, Xifeng and Baochai, and dispelled the resistance of tragic spirit. A bachelor will never get married if he never wants to have children; A businessman won't go to work if he doesn't want to make a profit from it.