But the problem is that serious costume dramas have extremely high requirements on the appearance of actors, and many times they are not available to actors.
For example, the recent "Eternal Dust" is coming to an end, and the audience has not seen the "peerless face" and "eternal beauty" described in the original. On the contrary, the most memorable thing about the whole drama is the low value of the female host being pressed by her female companion everywhere.
There is also a close-up of the Qing Palace drama in Li, which has been making a lot of noise before. I'm sorry to say strawberry, but people with thick bodies and short necks are really not suitable for co-production of costume dramas.
It may also be a new wave of middle-aged actors playing tender roles in recent years. Seeing that the thick filters brought by ancient dolls can't cover their wrinkles, how can the producers convince the audience that this is a pair of teenage childhood friends?
It's time for the entertainment industry to stop this strange casting standard.
So, what kind of looks can be called a veritable classical beauty?
Personally, I think the most typical example is He Qing.
Throw away the filter of the times and just look at the modern photos of He Qing. Although people are beautiful, they don't look so amazing at first sight. In addition, it was normal to wear simple clothes at that time and look hard all over.
The ancient costume is different, especially He Qing's misty eyes. Whenever the lens is close-up, the audience can't help but be replaced by the feeling of sadness and lingering. This is the best actor in the entertainment circle to interpret the word "frown".
At the same time, He Qing's face collocation is also very unique, giving people an atmosphere and a delicate and touching feeling, which is especially suitable for playing the role of a lady.
What impressed me the most was her modeling in the movie version of A Dream of Red Mansions. The slender arch eyebrows and the earth-toned eye makeup are filled with femininity, coupled with delicate flower buds and flying bun, which really brings the graceful Qin Keqing in the book to the big screen, making people hooked their souls at first sight.
In addition, there are charming and lively precious words in Journey to the West, talented Li Shishi in Water Margin, and beautiful Xiao Qiao in Romance of the Three Kingdoms ... As the only actress who has played the roles of Zhou Ehuang and Bao Xiruo, He Qing was also considered as a milestone in domestic costume dramas in his early years.
Chen Hong and He Qing are almost exactly the same, both modern and beautiful, but they don't have the uniqueness of catching the audience's eyes at once.
On the other hand, Chen Hong's ancient costume, even if it is only a simple hairstyle, can easily give people a sense of elegance. Even today, when it comes to Princess Datang, the first reaction of many viewers is still her Princess Taiping.
The most unique thing is that this beauty is an overwhelming victory. Even if the opponent was Zhou Xun, who was full of energy at that time, he failed to pose any substantial threat to Chen Hong, who had just given birth to a baby.
Perhaps this is the legendary beauty like the story of Diusim harvesting the moon. No wonder director Wang Fulin took a fancy to Chen Hong's performance in The Romance of Three Kingdoms at a glance.
Another Qiong Yao girl, Rebecca, is worse than these two girls. Modern clothes can only be said to be cute little beauties. Even according to the standard of "I can't wait to enlarge my five senses ten times", Rebecca will be ridiculed as "mediocrity among female stars" if she debuts twenty years later.
However, when she puts on the ancient costume, it is obviously only a very simple shape, and she can also be full of gas when she appears, even if she plays that kind of big beauty.
Crying even harder makes people feel that the word "pear flower with rain" is tailor-made for her, and I can't wait to rush into the screen to wipe her tears now.
The most rare thing is that Rebecca's classical beauty not only applies to the above-mentioned traditional dress, but also the plastic leaves and copper coins that have been spit out have become her personal characteristics.
It's a pity that Rebecca accepted Princess Pearl 3 out of human feelings and didn't go to play "The Dragon Slayer" with Alec Su. Otherwise, replacing Zhou Zhiruo in Gao Yuanyuan with Rebecca, who is both civil and military, should also have a distinctive style.
Liu Shishi, like Rebecca, was born in Northern Dance, but compared with Rebecca, who is gifted, Liu Shishi's lines are really bad, and her modern plays are not well received.
But when it comes to costume drama, the advantages of Liu Shishi's harmonious facial features and generous manners immediately appear, and no matter what modeling, it is very classical and intellectual.
Especially Ruoxi's melancholy personality is especially suitable for Liu Shishi, who has a quiet temperament. Sometimes she doesn't even have to say any lines. You can feel the emotional ups and downs of the characters just by looking at the screenshots.
In addition, Liu Shishi is good at crying, and always conveys the broken beauty of retro when the plot reaches the highest point, which makes people sad and can't help but sigh her high facial control ability.
In terms of modeling, I like the nightshade with curly hair best. Not only does it emphasize the purity of the role by using the design of the front gem and the back hair band, but the legendary fairy skirt with wide sleeves is also so elegant and smart, with a kind of extravagance that other actors can't imitate.
Shen Aojun is just the opposite of the above example. She is full of femininity, but her temperament is not fashionable enough. I can't believe that Tong Zhi in "Golden Marriage" will be willing to give up the gorgeous Wen Li (Jiang) and choose her as Li Tianjiao instead.
On the other hand, Shen Aojun's modeling in tell it to the judge shows that the hairdresser first used a wig bag to improve the proportion of the actor's skull top, and specially picked two strands of broken hair to cover his forehead and age, instantly turning the rustic feeling of modern clothes into the charm of mature women that is hard to buy.
On the other hand, Shi Si's early eye makeup was also very particular, in order to show the gentleness and blinking of the characters to the maximum extent through the design of burgundy eye makeup.
To some extent, Princess Gaoyang is an enhanced version of Shi Si, which reduces the original delicate feeling of the characters and shows more the original beauty of the characters' inner sexiness and desires.
A typical scene is Princess Gaoyang's confession in the thatched cottage with a debating machine. The director captured Shen Aojun's passion with a trace of rebellion. Don't say it's a debate machine. Liu Xiahui will also be at a loss.
Lin li is even better. If she hadn't been idle reading encyclopedia before, strawberry really didn't find out that she was the villain Chen Yu in the ethical drama True Love Million Bride.
I remember her in Marry the Wrong Sedan. She wore a pink dress with a delicate hair band of the same color, and bowed her head and wiped her tears, showing the helplessness and sadness of her daughter's upcoming marriage to the fullest.
Behind the wedding styling, the former girl drifted away, the red eye makeup was charming and moving, and the plum lipstick also added a touch of mature girl style to Du Bingyan, which made people lament the ingenuity of the makeup artist.
On the other hand, this drama is also very experienced in the collocation of positive hair clips.
For example, when Du Bingyan went to see her husband disguised as an ordinary woman, Yang Shuyun just chose a simple hairstyle for her:
But when the plot goes to the family reunion part of the finale, she automatically puts on a more formal and gorgeous hairpin ring combination, which makes people know at a glance that this is the wife of a large family:
Of course, in addition to the above-mentioned changes in face value caused by their own conditions, there are also classical beauties like Huo Siyan and Hao Lei in the entertainment circle who simply take a wrong turn.
Huo Siyan, in particular, performed several costume dramas in succession in those years, which was a smash hit. It may not be impossible to surpass Angel in those years. Who knows that she suddenly began to transform into a sexy girl, which suddenly brought her prosperous career to a standstill.
Ming Ming played a banshee with light makeup when she was young. She was as fresh and refined as a fairy who had been down for nine days. Even in the novel Strange Tales from a Lonely Studio, there were beautiful women.
And the seven fairies. Although it is now the main creation with a childhood filter, this drama was blown to pieces by the media that year. Even so, however, no one will deny Huo Siyan's face value in the press release.
Needless to say, "The Son of Heaven" has a first-class script, and Princess Dong of Huo Siyan always has a delicate feeling that I still feel pity, just like a comfortable version.
In contrast, Hao Lei's career is much better.
Only occasionally brush her previous works, strawberry still can't help but regret that the beauty moved to the film circle too early and wasted this natural classical charm.
Taking Fireworks in March as an example, Hao Lei plays a side princess who is forced to be buried, presenting a delicate flower from head to toe.
In order to match this setting, the makeup artist first designed Hao Lei's eyebrows into the shape of slender and smooth willow leaves at the back end, supplemented by the eye makeup part of the all-inclusive eyeliner, so that every time the lens gives a silhouette of those autumn waters, people instantly think of the ancient poem "Water is beautiful, mountains are beautiful", and they accidentally fall into the gentle trap of beauty.
In addition, Hao Lei's lip shape is also a must. In real life, it is really rare to see this combination of five senses that makes her smile and her lips thin. It adds a touch of beauty to the girl in front of me for no reason.
To sum up, as Yang Mingna said, the requirements of ancient costumes are actually higher than those of actors, and the light plastic headgear has blocked many people whose faces are not up to standard.
In addition, there are few good scripts in recent years. If the actors can't even guarantee the basic face value and acting skills, what is left in the costume drama?
I hope that in the future, everyone in the entertainment circle will do what they can, and don't rush to shoot at the sight of something easy to get angry.
At least, please ask these actors to ask themselves before taking on the costume drama, and then carefully decide the next step.
Otherwise, the result is likely to be the same as the previous ones, either overwhelmed by a group of women, or only a few out-of-the-box expression packs are left as souvenirs after a drama is broadcast, which has become a joke in the eyes of others.
If you don't have enough face value, you must beat the first beauty. The result is to embarrass yourself and torture the audience.
The dry and greasy shape of the ancient costume may be just because the wig is packaged wrong.
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