2. Establish a correct sound concept.
3. Expand the range and beautify the sound quality.
Matters needing attention
1, step by step.
2. Practice hard every day and persevere.
3. Pay attention when practicing your voice, be full of energy and full of sense of * * *.
4. Be subjective and objective, and often record and analyze the difference between the real sound and the self-perceived sound when making a sound.
5. Consolidate the correct sound feeling.
6. We should apply the experience of practicing vocal skills to singing songs.
7. Beginners should not pursue loud volume and high notes, but should pursue the roundness and freedom of the voice. Second, try to keep the sound quality beautiful and stable when singing. Practice from the natural sound area can't shake the following methods. Natural sound area refers to the sound area that can be sung without much effort. It is the freest and most colorful sound in human voice, generally not exceeding octave. Generally, male and female baritones drop from low volume to high note by 7, and male and female baritones drop by 2 to 1.
When the sounds in the natural sound area are gradually consolidated, the mellow, bright and soft colors and the sense of freedom of the sound should be moved to the adjacent high and low tones. When the number of such sounds increases gradually, our range will gradually expand and the whole range will be unified and even. You can use it freely when singing high notes and low notes.
If you don't practice according to the method of starting from the natural sound area, the sound in the natural sound area has not been sung well, and you start singing high notes and low notes without breathing foundation, then your voice will have some problems. Some people sing to divide their voices into two parts, or the high notes are tight; The phenomenon that the bass is hoarse is the result of practicing high and low notes when the sound in the natural sound area has no foundation.
For comrades who have been engaged in singing, it is of great benefit to take time to do some exercises in natural sound areas every day, so that the sound areas can be unified and the sound can be free.
Correction of morbid voice in vocal music teaching;
When students are learning vocal music, they form bad singing habits for various reasons. After a long time, they get sick. Correcting morbid voice is an unavoidable problem for every vocal music teacher.
Pathological voices can be roughly divided into two categories. The first category is that the previous training method is improper, which destroys the phonetic function. Common cases are: 1) The larynx is too large and the vocal cords are not closed well; 2) Squeeze the throat excessively, making squeezing sound and clicking sound. The second is that after the second and third grades, the pronunciation is suddenly inaccurate. This phenomenon is often more and more frequent with the improvement of track difficulty.
Whether the larynx is too open or squeezed, in the final analysis, it is caused by bad breath. Because of bad breath, I can't find a suitable fulcrum, so I can only focus on it with my voice. If you don't pay attention to breath in training, whether it's on or off, you can only get to the end, and the more you practice, the more wrong you are. Breath, as the driving force, impacts the vocal cords to make sound, and the sound is amplified and beautified by the vocal cavity to form beautiful songs-everyone who has been trained in vocal music knows these basic vocal music theories.
But how to guide students to master these theories correctly is not an easy task. The first is to strengthen breathing training and guide students to learn correct breathing methods.
Keep singing while inhaling: Breathe is sucked on your belt. Practice keeping breathing and control the inhalation speed. In short, relax your whole body, inhale slowly through your nose and mouth, hold for a while, exhale evenly, and then relax. These are very simple to say. Students should practice frequently, experience and practice repeatedly, and eventually become their own subconscious actions. Secondly, practice from the U vowel. The advantage of using U vowels is that it is easy to concentrate the air beam and coordinate the relationship between breath and cavity. Develop other vowels on the basis of practicing U vowels, so that students can master the correct pronunciation method. In vocal music practice, we began to use three or five degrees of vocal music, from shallow to deep, gradually enabling students to overcome psychological obstacles while learning vocal skills and establish singing confidence. You can also start practicing sounds with the semitone method, so that every sound can be controlled in the breathing state. Because these students' singing function has been damaged to varying degrees, if they sing aloud, it is bound to be difficult to get rid of the previous wrong vocal methods. In fact, the difference between semitone and whole tone is only the size of breath, and the sound production method is the same. Semi-voice method is not only beneficial to learning correct vocal methods, but also beneficial to voice control and learning difficult singing skills. In May, 2007, Professor B Carmen, Director of the Art Department of the University of Maryland, gave a lecture at the China Conservatory of Music. & gt
Question 2: How to sing popular songs? Actually, I seriously doubt the setting of dazzle dance. I sang very well, and there was no CO in the end. The accuracy of singing is particularly difficult to reach more than 90!
Question 3: How to sing popular songs well without too much effort ~ Different songs have different deductive methods, and they are not necessarily alto or something.
If you are good at singing, you can listen to more expressive songs ~ that is, different songs of the same person have different tastes ~ you can start with imitation and slowly find your own style.
For girls, I recommend Jolin Tsai's songs ~ because it covers a wide range.
Boys' words are not easy to find at the moment. Personally, I like Fang Datong. Leehom has a wide range of dreams ~ Come on!
Question 4: How to sing popular songs well?
Singing: Xu Ruyun
Who directed the play?
In this lonely role
Conversations always talk to themselves.
Opponents are all memories
There is no ending in sight.
It was you from beginning to end.
Let me be too thorough.
If this story is destined to be a tragedy
Why give me beauty?
Performance gathering and dispersion
On a starry night
I attract you with tears.
Since I love you, I can't say it.
Can only laugh and cry.
Let me forget you from now on
On a starry night
I leave the past to you.
If everything is just an act,
I hope you enjoy the play.
Only oneself is heartbroken.
Who directed the play?
In this lonely role
Conversations always talk to themselves.
Opponents are all memories
There is no ending in sight.
It was you from beginning to end.
Let me be too thorough.
If this story is destined to be a tragedy
Why give me beauty?
Performance gathering and dispersion
On a starry night
I attract you with tears.
Since I love you, I can't say it.
Can only laugh and cry.
Let me forget you from now on
On a starry night
I leave the past to you.
If everything is just an act,
I hope you enjoy the play.
Only oneself is heartbroken.
On a starry night
I attract you with tears.
Since I love you, I can't say it.
Can only laugh and cry.
Let me forget you from now on
On a starry night
I leave the past to you.
If everything is just an act,
I hope you enjoy the play.
Only oneself is heartbroken.
Question 5: Are there any good pop songs? I recommend: female singer: ChouHuei: I really want to love you/Zhao Yonghua: the most romantic thing/Bidai Syulan: bitter love, smiling eyes, mermaid/Xu Ruyun: a sea of tears, I still love you/Angela Zhang: lost beauty, aurora, my favorite, invisible wings. Zhang Aijia: The price of love/Xu Huixin: It's sunny on July 7th/Xu Meijing: The moonlight in the city, the sunshine always appears after the rain for those who stay at home every night/Rollin Wang: I'm not Huang Rong, alas, mom and dad/Fish Leong: It's not two or three days to love you, swallowtail butterfly, Ningxia. Cecilia Han: Memories/Sandy Lam: At least I still have you/Rene Liu: I love you very much/Later/Peng Jiahui: I met you late/Yi Nengjing: Are you my happiness/Faye Wong: An easily injured woman/Time flies/Liang Yongqi's bumps/Cyndi Wang: I love you. Dee Hsu: Love Age/Elva Hsiao: The most familiar stranger, a wonderful person, suddenly thinking of you, Cappuccino/BiBi Zhou: Who moved my string, notes/Stephanie: I met and began to understand/Baby Zhang: I wanted to sing/Xu Zhepei: Balloon/Jiang Meiqi. JS: I love you more than I thought/Yuan: Love is infinite/Amanda: New love and old love//Christine: Can we not be brave? One to one? The First Dream/Daejang Geum Song: Hope/Jolin Tsai? I know you're upset, okay? Male singer in Prague Square: Emil Wakin Chau: Huang Lei: I think I'm Hai/Ji Cheng qin: Spring Mud/Quiet /Jacky: Ten thousand reasons/Jimmy Lin: 17-year-old rainy season/Lao Lang: You at the same table/Jeff Chang Shin-Che Xinche: Love is like tide, fire, faith/carpenter: reappeared yesterday. Accompanying/Andy Lau: the days we walked together/You Hongming: Meng Po Tang; Five In the snow/Richie Jen: Only you and me are on the road to love; Angels are all the same/Huang Pinyuan: How can you make me sad/Jay Chou: Nocturne; Hair as snow; Juhuatai/JJ Lin: Fried dough sticks with bean paste; Cao Cao. Eason Chan: Ten years/Chen Xiaodong: Happier than me & amp/ Liu Jialiang: Dear, don't leave me/Tiger Hu: Desire, Beauty/Zhu Mingjie: Once the most beautiful/Liang Guang: Fairy Tales/Tony Leung Chiu Wai: Love every day/Wang Qiang: Don't come back in autumn/Fan Yichen: Duet: Tao Zhe&; Jolin Tsai: You will marry me today/Vic Zhou &; Barbie Hsu's just let me love you/her: Scarf, you are too honest, always in my heart, magic, superstar, wisteria, sugar, rainforest, don't want to grow up, starlight ... >>
Question 6: How do beginners sing pop songs? Download the national karaoke software on your mobile phone and log in with qq or micro-signal. You can learn to sing all kinds of songs here with accompaniment.
Question 7: How can pop songs be popular to meet the tastes of contemporary people, such as rap?
Question 8: How to sing popular songs well, how to produce the range and the quality and color of the sound? Many people think that they are born and hard to change, but they are not.
Correctly mastering the skills of pharyngeal sound can make a sound with no color and a wide range miraculously change.
"Swallow voice" is called "chamber voice" in China traditional opera vocal music. It has metallic color, and it is a singing voice function that combines the real voice function, the intelligence of throat voice machine and the true and false voice functions. Have you ever heard of Beijing Opera or other national operas? Many of their vocals unconsciously apply the function of "swallowing sound", so they can sing enviable super-high notes.
Coincidentally, "pharynx sound" has a long history abroad, and with the development of a set of professional scientific theories, it has become a specialized subject and a branch of Italian Bel Canto School. It was introduced to China in 1930s. At present, "pharynx training" has formed a set of vocal music training methods with theories, methods, norms, steps, visibility and touch in China.
It has two main functions:
1, which can quickly expand the range, improve the voice standard and strengthen the singing ability.
2, can cure all kinds of voice diseases.
Pronunciation method of pharyngeal sound:
Stabilize the larynx and raise the back of the hyoid bone above the larynx, raise the epiglottis and make it backward, forming an inverted funnel-shaped sound tube with the hypopharynx wall. It may be difficult to understand without a chart. Now let me give a simple example: when we pronounce the words "beautiful, green, bird and bright", we unconsciously form the sound action of "epiglottis leans backward and the laryngopharynx wall forms an inverted funnel", so we can carefully understand and find the feeling. .
Of course, practicing "pharynx sound" can't be completed overnight. We must start with basic exercises-everyone must be mentally prepared. The basic exercises here are as boring as practicing the basic skills of guitar, and it takes a long time to be effective.
The first section "Open your mouth" practice
Practice requires opening your mouth, sticking out your tongue and relaxing your chin. Check whether the chin is relaxed. You can check whether the chin is depressed, protruding, stiff and tense, and then check the muscles under the chin (the tension of the front abdomen of the digastric muscle and the geniohyoid muscle, and you can't feel the external parietal bone force)
"Open mouth practice" can be divided into several stages, step by step, and you can't rush for success.
1. First, consciously and actively practice, relax the front abdomen of the digastric muscle and the geniohyoid muscle, and don't open your mouth. Practice this movement more than 500 times a day, and you can completely relax after 2 to 3 days.
2. On this basis, first fix the lower mouth (not absolutely fixed, "fixed" is what we feel), and then open your mouth with the action of looking up at the sky. When you open your mouth, you can't press down or extend your chin forward, nor can you lift your mouth forward, and lift your mouth together. -Check whether the action is qualified: put your thumb under your chin to check whether there is external force jacking, and put your index finger in front of your chin to help fix your chin.
Section 2 "Stick out your tongue" practice
Practice requirements: stick out your tongue when doing "wide mouth" completely, and don't ask to stick it out at once, because it will cause chin movement and muscle tension; You can stretch bit by bit. Practice until the jaw muscles are completely relaxed and you can stretch your tongue freely. -similar to the basic skills of practicing guitar. Press the fingers of the strings to exert force and relax other fingers and muscles.
The basic movements of the exercise: relax and "fix" the chin, raise your head (with the help of the back skull and spine) to open your mouth completely, and then extend and retract your tongue. Still pay attention to the muscles of the chin can not be pushed out, the chin should not be stretched forward, and do not move. Keep practicing for 5 to 10 days.
In the third section, the practice of "putting the tongue into the straight groove" is divided into two parts: the practice of opening the mouth and throwing the chin and the practice of straight groove.
1, open your mouth and swing your chin: open your mouth, raise the back of your hyoid bone, stretch your tongue as far as possible, and swing left and right with the neck handle and spine as the axis and the chin as the faucet. When your tongue is loose, you should passively shake it from side to side. -Ha ha! ! ! It's not like shaking your head like eating! The axis must be mastered, otherwise it may be dizzy. Instead of shaking all the time, do a mouth-opening movement and shake three or four times quickly.
2, the concave back of the tongue makes the tongue form a straight groove-these exercises are hard work on the tongue and relatively tasteless. I hope you don't give up this exercise, because this exercise is an important practice means to clear the obstacles of the tongue to singing and obtain the high overtone vibration channel.
Purpose of practice: No matter what consonant or vowel you sing, no matter what range you sing, your tongue should be forever ... >>
Question 9: How to sing the popular song 10? Listen and sing more. You'd better choose your favorite song. It's easier to learn if you are interested.
Question 10: How to sing popular songs well? Do you need a scientific method to sing popular songs in detail? The answer is yes. In the past, people always had a prejudice against pop songs: as long as they have a good sense of music and a good voice, it doesn't matter whether they have a method or not. In this way, many of our singers don't study the position of breathing, articulation and vocalization, which leads to the dry bass; The high notes are dry and squeezed out of the throat. Although it can fool the layman's ears through the processing of the recording studio, it will show its original shape as soon as it arrives at the scene. Now famous singers, whether Mao Amin, Wei Wei and Liu Huan in Chinese mainland, Teresa Teng, Tong Ange and lin li in You Ke in Hong Kong and Taiwan, or Lionel abroad? Ricky, Jackson and Madonna, as soon as they heard it, knew that they had undergone strict vocal training and all had scientific vocal methods. As guitar lovers, we don't have high requirements for singing skills, but it is also necessary to know some ways to make our songs mellow and relaxed. First, the breathing of singing We often use natural breathing in our daily life. This kind of breathing is too shallow to be used for singing. Singing breathing is a kind of deep abdominal breathing, that is, the breath should be sucked around the waist, and then the force fulcrum can be found by the confrontation between the expiratory muscle and the inspiratory muscle. Always keep this state when singing, and the voice is completely controlled by the breath. This is what people call "sound is spread by air". Here are some effective ways to practice breathing. 1. Inhale. Imagine yourself in a beautiful garden and want to deeply smell the strange fragrance of flowers-this is the breathing in singing, let yourself breathe deeply. After inhaling, hold it for a short time as before sneezing, and experience the swelling around the waist. Finding this feeling is the key to singing. 2. The way to exhale is to use the strength of the diaphragm to keep the feeling of waist expansion. Exhale evenly and slowly. You can prepare a piece of tissue paper with the size of 10 square centimeter, stick it on the wall, 4-6 centimeters away from it, and blow it with your mouth to prevent it from falling to the ground. It takes more than half a minute to pass. You can also switch to a burning candle and make a "U" sound to the flame. The correct breathing is that the flame falls but does not go out. 3. How to train the strength of diaphragm? The strength of diaphragm is very important for the maintenance of breath and the strength of sound. The traditional training method is: (1). Count: Take a deep breath and keep it with the strength of your waist. Count from 1 and count to 60 to be qualified. Count evenly and rhythmically, don't steal gas. (2) Blow: Take a deep breath, and then blow forward as if to blow off the dust on the table, one slow and two fast, and experience the power of the diaphragm. (3) Do more sit-ups to strengthen the waist and abdomen. Second, after singing * * * and breathing correctly, you can start singing. To make the song mellow and beautiful, you must sing it with * * *. We mainly use the chest cavity, throat cavity, nasal cavity and head cavity to sing. To have a good voice, when singing high, middle and low notes, you must have some * * * sounds above the chest, that is, "the high position of the voice." 1. The basic state of singing. To get a high voice position, you must relax your throat and retract your chin. These two organs can't exert their power in singing. Most people sing high notes by squeezing their throats, which is the wrong way to make sounds and can't get a beautiful voice. The larynx should be relaxed to make it a channel for breathing, and then lift the soft palate and smiling muscles (that is, keep smiling) to let the sound reach the nasal cavity. 2.* * * The location of singing Generally speaking, when singing, the bass is mainly sung in the chest. After the alto and treble, the proportion of * * * singing in the high position gradually increased, mainly concentrated in the nasal cavity and head cavity. All the above are the basic essentials of singing. All piano friends must practice more. Practice makes perfect before they can sing beautiful and moving songs. In addition, there are many techniques to express the charm of pop songs, such as vibrato, crying, breathing, choking and so on. We will discuss it specifically in the future.
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