Facets are square, with a perforated conical cylinder at the top and a sharp tail. The upper half is engraved with six groups of simplified animal facial patterns, each with a length of 3.5-3.7 cm. Each group is semi-oval, with two symmetrical faces as eyes, a small circle in the middle as mouth, and several thin strings carved at the bottom as the boundary of a group. The decorations of each group can be regarded as individual simplified animal facial patterns. This device is pink all over, the jade is smooth and delicate, the production is fine and the decoration is exquisite. It can be seen that the jade articles in Liangzhu period were flourishing, especially some stripes were as thin as hair, and the axisymmetric composition was used accurately, indicating that the technology at that time had reached a very high level, and its fine production, exquisite decoration and unique beauty were very rare, which was worthy of being a precious work of art left over from the Neolithic Age. Liangzhu Culture
The Dafen site located in Nanzi Village, Da Qiao Township, a suburb, is 14 long, 8 wide and 1 cm thick.
Thin flat body, slightly rectangular, with two vertical holes near the back, with diameters of 1 cm and 1.2 cm respectively, both of which are drilled from both sides, and there are obvious oblique table marks in the holes. The blade is straight and sharp, wider than the body. The surface of the graupel is polished and delicate, and the whole body is crab blue with gray-white ribs. Among many jade shapes, there is only one that is really a symbol of etiquette and related to ancient wars and military affairs, and that is the jade guest house, which was born out of a stone axe. This jade cymbal is a rare masterpiece in Liangzhu culture, and based on the exact stratigraphic relationship, it has high research and appreciation value. Songze culture
The cemetery unearthed in Nanzi Village, Da Qiao Town, Jiaxing, is 2 1 high and 28 cm high in the abdomen.
Mud-gray pottery with a three-headed gourd-shaped bottle body. The bottle head is shaped like a human face, with a small head, sunken eye sockets, raised nose, upright ears, open mouth, short pigtails at the back of the head, long and thick neck, smooth shoulders, round chest and bulging abdomen, and fat figure. An oval mouth is opened in the chest, which is hollow and communicates with the bottle body. The bottom of the bottle is made of a small round foot, leaving a little bit, decorated with some jagged notches. The whole utensil has a strange, vivid and simple shape. This pottery bottle is probably related to primitive religious sacrificial activities such as offering a bumper harvest, praying for rain and giving birth to gods at that time. It is the first time in the Neolithic site in China and has high research value. The base is 24× 18, the height is 1 13, and the abdomen is 75 cm. The top of the head is combed high, and the front is decorated with a double crown of Ruyi Bao, and the temples are exposed. His face is round, his forehead is embedded with white hair, and his eyes look down. The nose is high and straight, the lips are lightly closed, the earlobe is large, and the shoulders are very peaceful. The upper body is bare, the breast is enlarged and the waist is tied, the collar is decorated, the sleeves are satisfactory, the shawl is long silk, the left hand is bent over the chest, the right arm is drooping, and the elbow is slightly bent. Hanging a long string of pearls on his chest, wearing a skirt and a wide belt around his waist, he stood barefoot on the lotus throne in trousers. Side-looking sculpture, beautiful posture, smooth lines. The whole body is simple and generous, with a sense of hierarchy and weight, which is called the treasure of Buddha statues in Liao Dynasty.
Jiaxing Museum has a diameter of 2.8, a base diameter of 2, a height of 3.8 and an abdominal diameter of 4 cm.
Hui, a native of Yixing, Jiangsu Province, was a famous teapot maker from Ming Dynasty to Chongzhen. The big pot he made is simple and the small pot is exquisite. Painting with bamboo knives, some with "Yonglin" seal script on the cover is the best. The History of Ming Dynasty gives a brief introduction to Lu Tao's deeds in Yangxian. Purple sand drip pot, bead buckle, military cap, pear-shaped pot body, round mouth and flat edge without lip, ring handle, leaning forward, bulging belly and closing bottom. The bottom edge is slightly arc inward, which is not a full circle. There are small seals of "Hui" and "Chen Meng" at the bottom. The whole device is moist and reddish brown, and its shape is simple and exquisite. The collector of this instrument is Zhang Tingji. Base 30, height 39 cm, weight 15 kg.
This image is like squatting, with plump face, big earlobes and shoulders, round nose, straight lips, heavy eyebrows, eyes looking down, slightly open mouth, generous manner, dignified and kind. Wearing a wide-sleeved robe with a collar and a collar, revealing underwear at an oblique place. The left shoulder is buckled with carved hooks, hung with tassels, tied with ribbons, covered with tendrils and decorated with layered purple cassock. This article is exquisitely made and accurate in size. The outline of the whole bronze statue is smooth and detailed, vividly depicting the image of the monk when he was given. As the creator of Jiaxing Tibetans, the bronze statue can be completely preserved and precious.
Bai Zi (1543- 1603) was a monk in the late Ming dynasty. The common surname is Shen, whose real name is true, and the word is philosophical. He is from Wujiang, Jiangsu. /kloc-became a monk at the age of 0/7, and was given full precepts at the age of 20. His first name is monk Liuxi, and he was cast by gifts. In the first year of Wanli in the Ming Dynasty (1573), he went to the capital to participate in meditation, and soon returned to Jiaxing in the south to resume the chairmanship of Lengyan Temple, especially the creation of Jiaxing Tibetan scriptures, which was famous throughout the ages.