As far as rationalization is concerned, dance action is the representation and connection of action. The appearance of action often gives people a general image or a general style or a general way, giving people a general impression or a general concept of this action. At this time, people did not grasp the general concept very clearly, but the preliminary concept of observation of works has been established in their minds. With the gradual evolution of the work, the understanding is gradually deepened and the cognition is clear step by step. Therefore, the appearance of action is the first step to establish the connection between the work and the audience.
The movements of some works are given a modeling dance for the first time, while the movements of some works are often given a run. Choosing dance as the beginning of a dance work is actually a structure in which the work starts with adagio, and the work is fast or slow, or continues to the end at a medium speed.
The beginning of a work is always the symbol of the whole work, so it can be said that it is the overall connection of the work. On the other hand, it is also the connection between works and communication, and the communication with the audience. The rationalization of dance action lies in that choice is an abstract thinking process and a rational grasp of the overall feeling. Although the process of this choice is a flash in my mind, it is still a rational choice. When the director thinks about the first action, it is a preliminary decision of "desire". How to set "desire" as an "inclusive" and creative action.
Hu eryan pointed out in the hierarchical relationship of dance language in the fourth chapter of Psychology of Dance Creation that dance language is divided into three levels, one is action level, the other is sentence level, and the third is fragment level. Among them, when talking about the level of dance sentences, it is emphasized that dance sentences should pay attention to three conditions. One is a relatively complete and independent form.
Second, the dance sentence should be projected, that is, the author's intention or image implication should be projected to the audience. The third is to arouse the memories of the audience. Action is the first step of dance language. If there are many actions, you need to have a sequence to have a sense of language. Some dance works serve to shape the image, while others move for the sake of action. Here, it is emphasized that the movements should eventually be organized into dance language, and the language should express certain connotations. As far as works are concerned, some dance works express a kind of ideological theme, but when action language wants to create a vivid and sensible artistic image, action should have a certain suggestive representation and image sense, and action representation has a great rational component in it.
The organization method of action sequence is a technical link in the course of editing and directing. There are many choreography skills. China choreographer has long used a set of choreographer techniques, namely, the development and change of movements and the development and change of thematic movements. After the development and change of movements, dance sentences and dance segments are produced, which are referred to as "dance sentences and dance segments" for short.
The analysis, development and change of dance movements are mainly the analysis of the dynamics and dynamic laws of movements, and sometimes the stress analysis of movements is added. In the arrangement of dance sentences and segments, it is mainly to create a single element and then develop on the basis of this single element. In the arrangement of individual elements, there are subtle differences in arrangement and action development due to different works.
The smallest action unit in music choreography is called the creation and development of "motivation", while the smallest action unit in works with strong themes and dance works depicting characters is called "thematic action", which means that the action has already appeared with certain content, or is to express images or emotions, not just simple actions. This theme often contains three external elements and three internal elements. The external factor is the "dance" of action, that is, the action form that occupies space; "Dynamic law" is a form of action that occupies time; "Force" is the essence of movement. The internal elements are: the image representation of action, the emotional color of action and the implication of action.
The reason why the image representation of action is not called image depiction is to leave room for future depiction. The space factor of the action should leave space for the time factor of the action, otherwise it will affect the sense of form of the action when it is full. Compared with the "dynamic" and "dynamic law" of external factors, if the dynamic law is the development opportunity after rational analysis and analysis results, and only emphasizes the rational factors of action analysis, while excluding undue emotional color, then from the perspective of internal factors, this is pure action derived from analysis and development, plus "emotional color".
Action is an abstract element among the internal elements of action, which is more inclined to express natural artistic conception than "image expression" and "emotional color". After the establishment of the theme action, it is the development and change of the theme action. In order to reserve time for this development and change, "dance sentences" and "dance segments" have been produced.
You choose a good theme, which is followed by the development and change of good seeds, thus producing a series of actions. This sequence starts from the first action, and only the following actions guide it, which is nothing more than continuation, development, change, comparison, repetition and so on. The previous action, so the previous action is a preview of the latter action, and the evolution of the latter action is the completion of the previous action and the shaping of the previous action. This is the arrangement of action sequence, which completes the mission of action linguistics. The semantics of the choreographer means that actions produce language through the sequence arrangement of actions, and finally the action language assists the choreographer to complete the work, thus realizing the expression of the ideas of the work.