The director of Korean dramas is the most flexible and self-reliant director in the world. Ten years ago, the audience were tired of watching the plots of leukemia, car accidents and amnesia, disgusted with those feminine, fragile and useless women, and disgusted with those overbearing presidents who were rich, powerful and handsome but "blind".
Therefore, Japanese dramas took a different approach and began to explore human nature; The domestic drama has set up ancient costumes; Hong Kong dramas are gone forever on the road of learning British and American professional dramas. Only the directors and screenwriters of Korean dramas insist on waiting until the audience friends have a good impression on the overbearing president. After ten years' evolution, only Gao Fushuai is no longer qualified to be the leading actor. You can't fly over the eaves and walk over the wall now. You have to be rich to be a man.
In the film, the second man is set as the (pseudo) villain who owns the arms group, but it is only the second man who wants to compete with the fourth man for the appearance rate. )
However, from the plot, we know that the screenwriter should have studied in Jinjiang literature. Otherwise, if the man has a skill and is willing to wash and cook for the woman, drive to save people, and take the time to "put on a handsome suit and comb his hair like an adult". Who would have thought that if he hadn't soaked in Jinjiang literature?
(After the show was broadcast, everyone was most curious about how much it would cost to invite nanny Su to come home. )
Although it is set in Marisol, Taos Behind Me is a Korean drama full of contradictions. The emotional development of the female host and the male host is unconvincing in this contradictory plot. From the title to the plot, the play begins with the contradiction between the female host and the family, and the plot begins with the male host taking care of the family. During the period, with the help of the reversal roles and classic quotations of the four male families, it is not difficult to see that the director wants to add the popular "equal rights" thought to the plot. But this is obviously inconsistent with the setting of the man and the woman! Even if you want to add more new ideas and concepts, the core idea is that men are strong and women are weak, and women are waiting to be saved. How can you convince the audience of the so-called "conception"?
Male number four is a special woman, and the man is in charge. However, the situation of the man and the woman seems to be the same, but in fact, the man's housework is only a temporary factor, which is more like implicitly telling the audience an old concept: just look at other people's business, and your family depends on men! )
Of course, the biggest bug of Taos behind me is not the criminal investigation ability of professional agents of Ji-seob So and international agent organizations, but the joint efforts of the aunts of neighborhood committees; It is not that the woman lost her husband and happily started an affair with the man a few days later; Nor is it the director's egalitarianism; But obviously, actresses weighing up to 90 kilograms can't wear uniform size clothes and have a big belly? ! This is really the most embarrassing Korean drama this year.