When it comes to Japanese beauties, most people have the impression that they are lovely and soft girls.
But in the 1980s and 1990s (here are mainly examples of Japanese beauties at this stage), the styles of Japanese actresses have changed, and girls of all ages are leading the trend.
The style of female students in modern Japanese universities is soft green. However, college girls in the Showa era love this bad female high school culture more. I smoke, I drink, I skip classes, I dye my hair, but I am still a good student.
In the old days of the Showa era, everyone could afford the word "shining like a star". No matter what style of actress is based on health, intelligence and beauty, so beautiful women are often natural, lively and dignified.
In fact, the modeling in I am a mobile phone is quite showy.
It is also said that the Japanese aesthetic after the Millennium is a slender and soft rococo style. Interestingly, whenever the economy declines, the aesthetic trend will always shift from baroque to rococo.
The whole Japanese society in the Showa era was prosperous and full of vitality, giving people a feeling of vitality.
Economic strength and the prosperity of social culture directly enhance national self-confidence, and then affect the overall social aesthetics.
Showa era is called the golden age of Japan, largely because of the great progress of Showa aesthetics, the tough sunshine of men, the health and beauty of women, and the natural and vivid beauty.
We will still miss the beautiful people in Showa, not only the unique natural scenery, but also the era when the human environment strode forward.
Some fans mentioned that it seems difficult to see great beauty in Japan now.
Indeed, it seems that all the Japanese beauties in Absolute Beauty got together in the Showa era. Why was there never a beautiful woman who surprised all beings in Japan?
Today, let's talk about why it is difficult for Japan to have a big beauty who surprises all beings.
Japanese aesthetic changes in recent decades—
When it comes to Japanese beauties, most people have the impression that they are lovely and soft girls.
But in the 1980s and 1990s, the styles of Japanese actresses changed, and girls of all ages were leading the trend.
The style of female students in modern Japanese universities is soft green. However, college girls in the Showa era love this bad female high school culture more. I smoke, I drink, I skip classes, I dye my hair, but I am still a good student.
American campus elements such as striped sweaters and V-neck sweaters often appear in the clothes of young girls.
Urban beauties are very professional and capable, each of them is a fashionable urban elite girl, with strong winds at her feet.
At that time, neatly cut long trench coats, wide-leg pants, trench coats with large collars turned out and a beret were popular.
Even the upper-class Ginza girls are moving closer to American girls in the 1980s, neutral and tough, showing their individuality.
The showa beauty who never fades-
In the old days of the Showa era, everyone could afford the word "shining like a star". No matter what style of actress is based on health, intelligence and beauty, so beautiful women are often natural, lively and dignified.
Honami Suzuki, who once wrote a love story in Tokyo, and the snow spike in Zhongshan in "Love Letter" are also healthy and lively styles. Rie Miyazawa is gentle and demure, which has both the classical beauty in East Asian culture and the bright and atmospheric beauty of young girls in the new era. Yasuko Sawaguchi's facial lines are smooth, his eyebrows are exquisite and charming, and he is a bit of a mixed-race foreigner. Yasuko Sawaguchi, also known as the last beauty in the Showa era, even Akina Nakamori, who is delicate and touching in appearance, has a great contrast with mellow tones.
You can listen to the shipwreck in Akina Nakamori.
Although Showa's aesthetic style is born out of European and American styles, it has a strong oriental flavor. The peak of Showa aesthetics was in the 1980s, and in the early years of Heisei (1990s) it was still a strong Showa style.
Before 1980s, Japanese aesthetics had a period of extreme westernization.
Seiko Matsuda's "son head" was born out of American actress farrah fawcett's "Farrah head".
There are also many Japanese actresses who have left "pine nuts".
Exaggerated suit shoulder pads and accessories, coupled with East Asian women's black hair, snow skin and red lips, have a very unusual smart beauty.
The facial lines are soft and natural, and the facial features are rounded. I don't care much about the size of my eyes, but pay more attention to my eyes. Black hair, furry natural eyebrows, overall soft and natural, they pursue the beauty of natural sculpture.
Behind the aesthetic changes—
Compared with the enlightened baby sounds and young people's aesthetic popularization, looking back at the Showa era when Akina Nakamori and others became popular, the era when women's strength, beauty and mellow singing led the mainstream is gone forever.
Just like the decline of beauty in Hong Kong, the change of Japanese aesthetics is closely related to the economy. Before the bubble economy, aesthetics was healthy and bold. After the bubble went out, aesthetics was moderate and restrained.
In fact, the modeling in I am a mobile phone is quite showy.
It is also said that the Japanese aesthetic after the Millennium is a slender and soft rococo style. Interestingly, whenever the economy declines, the aesthetic trend will always shift from baroque to rococo.
The whole Japanese society in the Showa era was prosperous and full of vitality, giving people a feeling of vitality.
Economic strength and the prosperity of social culture directly enhance national self-confidence, and then affect the overall social aesthetics.
Showa era is called the golden age of Japan, largely because of the great progress of Showa aesthetics, the tough sunshine of men, the health and beauty of women, and the natural and vivid beauty.
We will still miss the beautiful people in Showa, not only the unique natural scenery, but also the era when the human environment strode forward.
My humble opinion is that there are beautiful women who amaze all beings in any era, but the situation of the people who look at them has changed, and the objects they look at have also changed in his eyes. It's like a person climbing a mountain. When he was at the foot of the mountain, all the trees he saw were very tall. When he reached the top of the mountain, he found all the trees under his feet.
In 1990s and 2000, with the development of China's economy, the younger generation in China was also carefully nurtured, and young people also paid attention to makeup and fashion. At this time, there were more women in China than in Japan. Women are colorful and colorful. Looking at Japanese women, I feel more ordinary and have no amazing feeling.
This is the same as climbing a mountain. But one thing, Japanese women are gentle and dignified, as are ancient women in China, but they can't be seen now. This is related to the status of women in the country where they live.
The key is that China's living standard and cultural level have improved, and there are more beautiful women around, and people's eyes are also high. It's not that there are no big beauties in Japan, but that people no longer think Japanese beauties are beautiful.