The standard of female chest bodybuilding is firm, soft and elastic. In many literary works, China literati left descriptions of women's bodies and skin. In the eyes of ancient literati, women's breasts have an abstract meaning, but they can still sum up their requirements for the beauty of women's breasts, mainly including: 1. In a plump matriarchal society, primitive people's worship of women is characterized by exaggerated depiction of female breasts. Venus in the Neolithic Willenburg unearthed in Austria is a circular sculpture. This statue is somewhat puzzling: first of all, her head has no facial features and face shape, only some lines seem to be symbolic hints to her hair; Her body is out of proportion and her legs are very weak, but her breasts and buttocks are exaggerated. It seems that the whole statue is to show these two huge breasts and breasts. Women with horn cups unearthed in France have the same tendency. This reflects the definition of female beauty by primitive people at that time, including their understanding of female beauty: big breasts and fat hips. In ancient times, China also had a natural interest in fat beauty, which was directly related to the fact that ancient people in China regarded the whole human body as beautiful. For example, the Book of Songs Zepi once wrote: "There was a beautiful man, huge and curly. ..... there was a beautiful man, huge and clumsy. " There are such words in The Songs of the South to describe the beauty: "Bones are fleshy and thin" and "Zeng Cheek leans on the ear", which are so thin and fleshy that a double chin appears; Naturally, there is no doubt that a beautiful woman's breasts are full. In the Tang Dynasty, the grand "Datang Meteorology" dominated everything, and the beauty was full. Yang Yuhuan, the imperial concubine of Emperor Xuanzong of the Tang Dynasty, is a typical fat beauty and one of the "four beauties" in China, who is called "Huan Pang". The beauties in the Tang Dynasty were not only plump in stature, but also plump in breasts. Women also liked to wear low-necked clothes to show off their plump breasts. Of course, China didn't always advocate plump and beautiful figure in ancient times. For example, the History of Women painted by Gu Kaizhi in the Eastern Jin Dynasty reflects the recognition of the image of "skinny and clear-cut" women in the Wei, Jin, Southern and Northern Dynasties; But as can be seen from the painting, the beauty's chest is still full, and the curve is closer to the graceful figure pursued by modern women. During the Song, Yuan, Ming and Qing Dynasties, the fashion of the times once changed greatly, pursuing exquisiteness, delicacy and bone feeling. The fragile image of Lin Daiyu in A Dream of Red Mansions is highly respected, but it is not enough to represent the beauty of the whole ancient society. Zhu Yizun used the word "Five Phoenix" in the above text to describe a woman's breasts. Since you can describe breasts with mountain peaks, he thinks that beautiful breasts are not a piece of cake. Dong Yining of the Qing Dynasty also praised the fullness of women's breasts in the poem "Beautiful Breast in Qinyuanchun", saying, "Don't exaggerate your hair, it is more tolerant than a jade bead", and "When bloom rolled up at the beginning of the year, the Naifen was richer and the desire was higher". In many western countries, although there have been some times when flat chests were beautiful, for example, Puritans forced women to wear corsets to make their breasts look flat and present a fresh and childish outline; /kloc-young women in Spain in the 0 th and 7 th centuries pressed their chests with lead plates. However, just like advocating thinness and morbid beauty in Ming and Qing dynasties, it is not the general trend, and it is always the mainstream aesthetic trend. In modern times, people still regard fullness as beauty. Zhang Ziping, dubbed by Mr. Lu Xun as a "love triangle novelist" who specializes in love triangle or polyandry, is one of the founders of Creation Society. His descriptions of women's breasts are many, including "swelling", "fullness", "towering", "white fat" and "fullness", which are in line with the subjective aesthetics of ancient China. Mao Dun, a master of modern novels, has a passage describing Sun Wuyang in Shake: "It was a warm day, and Sun Wuyang wore a light green shirt and skirt; That shirt is probably sandwiched, so it can show the soft convex part of the upper body ... "The beautiful breasts in Mao Dun's eyes are" convex ",which means they are plump. In the 20th century, people's aesthetic requirements for breasts have also changed many times. But in the final analysis, plump breasts have always occupied the peak of aesthetics. Today, plump breasts are still the favorite of many women, which is closely related to the aesthetic view of breasts since ancient times, and the increasingly prosperous breast augmentation surgery is also deeply influenced by this aesthetic view. Second, white is lovely. In China, white has always been favored by people. In ancient times, a very important requirement for beautiful women was whiteness. In many literary works, we can find sentences that directly or indirectly describe beautiful women with "white". For example, in Nineteen Ancient Poems, women's characteristics of "simplicity" and "luxury", that is, "white", were praised. Moreover, a large number of words such as "skin as snow", "skin as snow", "skin as frozen fat" and "white teeth" all regard "white" as the characteristic of female beauty. What's more, during the Wei, Jin, Southern and Northern Dynasties, men also regarded white skin as beauty. Words and skin color are extremely white, and there is a saying that "the skin is divided into Helang". "White" skin really leads the trend of the times. The chest is a part of the whole human body. In ancient times, the skin of the chest was also white. Zhu Yizun in "Qin Yuan Chunru": "Vaguely blue chest, smooth hair, dark fragrance." The word "fat" in a sentence not only indicates the fullness of the breast, but also contains the meaning of "white" breast. Even in The Journey to the West, there is almost no description of women's bodies. In the paragraph where the Monkey King saw fairies taking a bath in the seventy-second time, he wrote: "Let go of the cow's mouth and untie the ribbon knot. Crispy breasts are as white as silver and as jade as slush. " The word "white" is written directly here; In addition, the word "crisp" has important significance: "crisp" is a cheese product made of milk and goat's milk, which is naturally white; "Crispy" also means "crisp" and "tender", which also gives people a feeling of breast texture. In the poem "There is a Gift on the Table", Han Wo described the fragrance and tenderness of a woman's neck with "broken silk and a fragrant neck covered with clouds", and then described the whiteness, fragrance and softness of a woman's chest with "powder, green chest and notice". In "Beautiful Breast of Qin Dynasty" written by Dong Yining in Qing Dynasty, there is another sentence: "I was shocked by the snow shadow, which is used to describe the white and lovely chest." For another example, Zhang Ziping used adjectives such as "white" and "white fat" many times in many novels describing women's bodies, or used "milky white" and "milky white" to describe women's breasts. Yu Dafu, a writer of modern literature, once wrote a short story "Sinking", in which there was a scene about a China student hostage spying on a Japanese woman taking a bath in the toilet. He was very surprised at the woman's body: "What nipples like snow! Those fat white thighs! The curve of this body! " This is not the beauty of white breasts! Of course, white can reflect the beauty of female chest skin color, but it is not complete; White must be matched with other colors and set off with other colors to eliminate a cold and monotonous feeling. The white chest skin should be set off with bright pink or rose-red nipples, which will be more icing on the cake. Ancient women not only powdered their breasts, but also painted their nipples with rouge and other pigments to make them more attractive. Third, the smell is slightly drunk. Ancient literati often like to describe beautiful women with words like "Breathe out if you are orchid". Cao Zhi said in "Luo Shen Fu": "Turn to essence and follow the beauty. If you don't spit, you will be angry. Huarong is graceful, which makes me forget the new year. " The goddess' manners, looks and breath were so beautiful that he tossed and turned, so worried that he forgot to eat discarded food. Just think, no matter how good a woman's other conditions are, if her breath or body gas is turbid and smelly, it is unacceptable. In A Dream of Red Mansions, Xue Baochai's body exudes a sweet taste because of taking "cold fragrant pills", which is also considered as a kind of beauty. Jia Baoyu often pesters girls to eat rouge. I am afraid that in addition to the "psychosexuality" component, what is more attractive is the fragrance on the beautiful woman's mouth. Zhang Kun in the Tang Dynasty wrote in You Xian Cave that he had sex with Shi Niang, and one of the things that attracted him was that Shi Niang had the characteristics of "beautiful face, fragrant wind and cracked nose". There is a poem in Han Wo's "Fragrance Collection" called "Sleeping in the daytime", which reads: "Powdering adds more fragrance, and undressing only looks at the red skirt. The annoying chin gets cold when it touches curling, and the tired pillow Xu Yibao is loose. " Although there is no lack of sexual color in the poem, Han Wo tells readers that the female "fragrance body" that can emit fragrance has the power to stir people's hearts. On the one hand, "fragrance" is a person's physical feeling, on the other hand, it is a person's psychological reaction. In ancient times, many women applied powder to their chests, which not only made them whiter in color, but also made them more fragrant. Sniffing out the smell of the chest is a physiological reaction. Furthermore, even if ancient women didn't wear perfume on their breasts, they were easily fascinated, intoxicated, imaginative and vacillating because of the close relationship between breasts and sex. Men unconsciously mistake psychological feelings for physical feelings. To tell the truth, the fragrance is not unique to the chest, or it is not inherent in itself; However, the fragrance on the chest was really valued by the ancients. Today, many women still don't forget to add fragrance to their breasts: sprinkle some perfume on them slightly, so that when the breasts tremble slightly, they will emit a faint fragrance. Fourth, things with elastic texture and toughness often have a special aesthetic feeling: even if the wind crosses the border, even a thousand-year-old tree may become sparse and broken; However, green bamboo is not only green, but also has the same shape and skeleton. At that time, you will not only have reverence in your heart, but also have a natural beauty from the heart. The beauty who was good at dancing in ancient times not only had a slender waist, but also had considerable flexibility and could jump out of beautiful and moving dances. According to historical records, Mrs. Qi was a favorite of Liu Bang, the Emperor Gaozu. In Xijing Miscellanies, she said that she was "good at rolling her sleeves and bending down to dance", which shows how flexible her waist is. As a beauty, her skin must be smooth, delicate, firm and fair. Without elasticity and toughness, it will give people an unhealthy feeling and the aesthetic feeling will be greatly reduced. If you want to get elastic breasts, you must pay attention to the exercise of chest muscles. In ancient poetry, there are also many sentences about the elasticity, toughness and beauty of the chest. In Han Wo's A Gift on the Table, the word "snow" not only describes the whiteness of the chest, but also conveys a soft feeling, which is a kind of texture beauty. In folk songs, women's bodies are often described in a feminine tone. Among them, "Steamed Bread" wrote: "My sister has two meat steamed buns on her chest, and the single gauze shirt is reflected like a crystal ball. Speaking of hair, it looks like the main product in Gao Qian Adin's store. I am willing to go down if I have no money. " The word does not directly describe women's breasts, but uses steamed bread to imply the tightness of breasts; This "steamed bread" is not an ordinary soft white steamed bread. According to Feng Menglong's comments in the back, "Gao Qian Ading is a famous steamed bread shop in Wuzhong." In addition, the words "crisp" and "fat" mentioned in the previous article also reveal a soft and elastic texture. This elastic texture, though visual, largely comes from the sense of touch, which is the experience that male writers get from their wives and lovers. Sometimes, people unconsciously associate beautiful women's breasts with beautiful flower buds. Yu Dafu wrote a hero's dream in Can Chun. In the dream, the hero dreamed that Miss S, a nurse in the health care hospital, wanted to ask him how to treat tuberculosis and asked him to check himself: "... then she slowly emerged from her upper body and came to me. Her body is like a marble statue, her shoulders are like a peeled litchi, and her breasts are slightly upward like two unopened rose buds. " Isn't this budding rose bud charming? Today, elastic texture is the most important aesthetic feature of breast beauty, and elastic breasts give people a beautiful and healthy feeling. Breast augmentation surgery is popular now, and the materials filled in breast augmentation surgery try to make the breast elastic and feel good after operation. Breast reduction means reducing volume, and elasticity and texture have always been unremitting pursuits. 5. In China's traditional aesthetics, Shunshun attaches importance to the beauty of righteousness, peace, symmetry and harmony, and opposes deviation and even extremes. Unity refers to the symmetry of form and the rigor of layout to a great extent; In the eyes of China people, the breasts of beautiful women should be basically the same size, shape and color. In Qin Yuan Chunru written by Zhu Yizun in the Qing Dynasty, it is said that "the milk is slightly green, the hair is evenly distributed at the beginning, and the fat is slightly fragrant", which means "evenly distributed at the beginning". The aesthetic view that the left and right breasts should be the same size has continued to this day. If the breasts grow out of different sizes, they are still considered unsightly, and they should be corrected through the cover of a bra or through breast plastic surgery. In China's traditional aesthetics, people in China generally appreciate things with soft curves and rounded shapes. Among squares and circles, China people obviously like circles: an oval face is recognized as the most beautiful face of women in China, while a girl with a square face makes people feel lack of charm and freshness; In China's poems of past dynasties, words such as "circle" are rarely used directly to describe women's breasts; But in every word of the poem, we can feel the beauty of female breasts. No wonder until now, people in China still regard hemispherical breasts as the most beautiful. Since ancient times, almost all cultures have tried their best to show the beauty of women's bodies, and always regard breasts as an extremely important feature of female beauty. Rousseau of France showed in Confessions that Madame Epinay, a woman with defective breasts, was not interested at all. He said, "She is thin, pale and her breasts are as flat as palms. This defect alone makes me half cold; My mind and my senses never know to regard a woman without nipples as a woman. " He always thought that Xu Lietan was a "greatest man"; But when he found that one of her nipples was flat, he immediately changed his mind-"the most wonderful person" suddenly became "a deformed monster, just a defective product of nature". In Rousseau's view, the beauty of women's breasts is crucial to women's own perfection; Without the beauty of the chest, it is like making the finishing point, and people appear lifeless, spiritless and unattractive.