From June 5438 to February 2006, the preparatory meeting for China Contemporary Buddhist Culture and Art Expo and the preparatory seminar for China (Lingshan) Museum of Contemporary Buddhist Art were successfully concluded after two days of discussions by more than 60 national celebrities in the fields of culture, architecture, art, culture and arts and crafts, as well as Buddhist monks and Buddhist experts. "Never-ending China Contemporary Buddhist Culture and Art Expo" has become the orientation of the construction of the Vatican Palace in Lingshan. The goal of building the Vatican Palace in Lingshan into a museum of contemporary Buddhist art in China was determined. After more than two years of construction, the third phase of lingshan scenic spot was completed, and a beautiful Buddhist complex was presented to the world. The Vatican Palace in Lingshan is magnificent in architecture and solemn and harmonious in layout. The Vatican Palace, with three floors, adopts a platform-type architectural layout, with the north-south central axis symmetrically distributed from east to west, with a total construction area of over 70,000 square meters, a building width of150m and a depth of180m. There are five pagodas at the top and an altar in the form of mandala at the back. The architectural form of Vatican Palace breaks through the tradition, mainly using durable materials such as stones. A large number of tall colonnades, long-span beams and columns, towering domes, oversized halls, etc. It not only embodies the profoundness of Buddhism, but also incorporates traditional cultural elements and distinctive characteristics of the times, and an iconic architecture handed down from generation to generation can be perfectly presented. The whole building is built on the mountain, which combines the architectural essence of the three major Buddhist languages in the world. Its uniqueness, the greatness of the Lingshan Buddha and the strangeness of the Kowloon irrigation bath constitute the three wonders of the new lingshan scenic spot. Absorbed the essence of traditional wood carving, stone carving and jade carving in China. Stepping into the Vatican Palace, a strong cultural atmosphere came to my face. Dongyang woodcarving, hand-painted murals by Dunhuang technicians, glass masterpieces, Yangzhou lacquerware, oil paintings, cloisonne sumeru lamps, Jingdezhen blue-and-white pastel pots, and Ou Su relief murals, these artistic treasures are performing excellent traditional culture in various areas of Lingshan Fangong. The culture of Vatican Palace is not only static, but also dynamic. At Lingshan Altar, which has multiple functions of meeting and performance, a music festival will be staged, which is rehearsed by a high-level domestic team and aims at promoting traditional culture and enlightening spiritual wisdom. As the carrier of oriental Buddhist art, the Vatican Palace in Lingshan can be called the "Louvre" in the East. The Vatican Palace is full of treasures and dazzling, and the Buddhist art atmosphere is profound. The huge slate building, golden pointed roof and exquisite Buddha relief are just the beginning, and the interior of the Vatican Palace is even more amazing.