Deep in the heart of human nature

Everyone has a strong desire to be cared for and understood. Perhaps now is the time to think about how to use loving management.

The following is a conversation about work management by a friend who is a senior executive in a company:

"Do you know? The productivity of my organization and the foreign supervisors who work with me are... Thumbs up. Every time I see the grassroots staff working hard and doing their best to complete the work with very little overtime pay, I feel proud of them and feel extremely lucky, but sometimes I feel guilty. The company's staff is limited, and the supervisor has no real power to reward and punish. Therefore, the more I see them immersed in processing the backlog of business documents and feel that they are unable to reward them, the more I feel unable to settle for the position of supervisor. Every time I think about this, I can't even sleep at night. Without being able to provide tangible rewards, I dare not force them to "fulfill their potential." I can only occasionally publicly praise those employees who have performed well, or give them small gifts in private. I mean it as a compliment, but it’s just a drop in the bucket!”

“Grass-level employees always have the hardest work, with heavy workloads and low pay, and not many opportunities to participate. They just follow orders and repeat the work every day; women When employees go home from work and have to take care of their whole family, how can they have time to study on their own when they are exhausted? I myself have been promoted from the grassroots level, so I understand their situation quite well."

Listen. After his heartfelt confession, I was moved to the point of silent meditation. I was speechless for a moment, but a warmth lingered deep in my chest for a long time.

Perhaps many supervisors know the skills of management, such as planning, controlling, motivating or evaluating, etc. Perhaps many managers still think that management means giving orders and directing everyone, but many people have forgotten it. , the best manager is the truth who plays the role of "coach" or "educator".

The greatest asset of coaches and educators is their endless caring, love and tolerance from the heart; and many studies have proven that in an environment of love, people's growth and learning are maximized.

But it is a pity that we often hear helpless words from the staff: "How can the current supervisors and employees have any sense of trust in each other? They are not on guard against each other." "Ours The supervisor is the most inhumane. In order to achieve production, he pushed us hard from behind, but I didn’t see his gratitude or smile after the work was completed. "My supervisor is the best at burning bridges! When he asks us to work hard, he bows and bows to us once it is completed." Work is like nothing is happening, which can sometimes make people feel chilling. "People are busy with work and life every day, and have to solve endless problems, big and small. Perhaps, now is the time for us to stop and reflect on the relationship between people.

On the company's organizational chart, you may occupy the position of supervisor and exert your effectiveness in managing subordinates. But basically, no matter where you are, deep down in your heart, the strong need to be cared for is a universal and universal human nature, regardless of age or status.

Professor Buskari of the University of Southern California in the United States quoted Luo Shitian in his book "Love, Life, and Learning": "Only the weak will be cold, but the strong will come from gentleness and love." "Regardless of young or old, treat them with a pure heart." Therefore, if you want to be a successful and humane modern supervisor, please extend the tentacles of love and connect them to every employee in the office; Please imitate the sensitive and delicate caring attitude of the senior manager in front of you. Although management must pursue rationalization in everything, the essence of management of kindness, care and love is the fire that ignites human hope. Don't forget, we should take action at any time to keep the fire propagating.

Close to literature in the depths of human nature

This is obviously a modern version of the "Cinderella" story - a woman from a foreign country wants to find a suitable husband in England. To change your destiny. This story is extraordinary because of its cross-cultural background, or the background of the currently popular “diaspora literature.” Unlike the classical version of Cinderella that finally gets a happy ending, this is a story with romance as its keynote and failure as its foundation. Because of this, the novel avoids the clichés of popular romance and instead writes about the characters' fate, experience and inner pain.

Yimo had a failed marriage in China. She had to leave her son behind when she went to study in the UK. In the UK, this female university teacher from China is considered a complete failure. Not only did she wash dishes in a restaurant and was molested by the restaurant owner, she also worked as a cleaner and did various chores in order to save enough money to pay for her son's medical expenses in China. She had no choice but to give up her ideal love and make a realistic choice - to start looking for marriage among British men. But in fact, her so-called more practical choice still did not get rid of romantic expectations, which turned her search for marriage into a constantly misplaced love experience. The man she is looking for is either a soft-spoken man (the well-educated university lecturer Boll) or the conceited and boring lawyer Toby. The most incredible thing is that she has reached the end of her rope, and there is a glimmer of hope. She is married to a well-established and wealthy British gentleman, but she gets mixed up with a rock guitarist. From this musical prodigal, she gains a career The dual satisfaction of love and body, but the result is that the efforts made in marriage are ruined.

In the end, her son died, and she also left an unclear letter: I left quietly and disappeared from people's sight.

This sad and romantic story of failure really describes the hardships of oriental women in a foreign country. From this moment, the image of Yimo, a woman who is confused but stubborn, weak but willful, is painted. It is said that Chinese women have completely embraced the philosophy of pragmatism, but Yimo has always contained a romantic sentiment. She is always looking for true love, and even when she takes a realistic approach to finding marriage, she hopes it will contain more qualities of love. For an ordinary person, this is not a high life expectation, but for a woman from a developing country who has left her hometown, it seems very luxurious. Yimo never surrenders to life and never bows his head. Her predicament is not so much caused by cultural identity as it is by character. Perhaps the key to the problem is that this novel no longer focuses on reflecting the huge obstacles that cultural identity brings to individuals' experiences and choices abroad, as in the past literature on foreign students, but instead goes deep into people's character and psychology to express people's personality and psychology. Destiny contains more personality traits. Of course, it would be inappropriate to say that Yimo's life experience has nothing to do with Eastern cultural identity. The novel also expresses this aspect quite richly. But her insistence on not giving up on her ideals of true love is undoubtedly a consequence of transcending her cultural or national identity. After all, this novel has become a hopeless love story, and is no longer the foreign student literature that people used to refer to in the past.

A concept that is becoming popular now - "diaspora literature" may be able to grasp the artistic characteristics of this novel more deeply. From the perspective of "diaspora", this novel no longer contains a heart for the "motherland". The novel describes people from multiple strata of British society in depth, and these descriptions are truly involved in the characters' hearts, personalities, and behaviors. "The West" is no longer simply the "other" in opposition to the East, but an immediate place of life. Those Westerners are not props woven according to concepts, but real and credible people, which benefits from the author's profound background in British life. At this level, "diasporic literature" can be seen to be closer to local culture and closer to pure literature. The long-standing potential conflicts between nations and countries have been downplayed. The novel focuses more on the universal experience of human nature and the character's psychology, which is close to reality in the depths of human nature. It neither uses its special oriental style to seduce "noble" Western spectators, nor does it use Western "miracles" to seduce all living beings in China. With its plain and sincere writing style, it strives to get closer to the truth of "diaspora", making this novel more literary.

Compared with the self-righteous joy expressed in "The Chinese Woman in Manhattan", the mood expressed in this novel is undoubtedly much darker. This seems to be a far cry from the magical image of China in the international context today. Perhaps it is precisely because of the rise of a prosperous "New China" in the world market that the self-identified image of the "diaspora" group has become melancholy and confused. This may be the profound meaning of this novel.

The phone ringing late at night was still harsh, and Xiuqin intuitively told her that it was her daughter's phone number. "Mom, daddy is gone." Xiuqin felt that the voice coming from distant Beijing was calmer than sad.

After putting down the phone, the air around her seemed to become thinner. Xiuqin felt her heart tightening, her chest tight and her heart flustered. An invisible pressure seemed to hit her in the breathing space. When the edge of the bed was about to fall to the ground, tears burst out from her eyes. Xiuqin cried involuntarily, and the old howl echoed throughout the night in the dormitory building where Xiuqin lived. It was at this moment that Xiu Qin's strength that she had maintained for thirty years suddenly collapsed. Xiuqin felt that the resentment and humiliation accumulated in her heart due to the injustice imposed on her by the deceased person in her life. After the phone rang, she was released bit by bit from her long-term imprisonment. Xiuqin felt relieved and was replaced by a There is a kind of relaxation, the relaxation of one's own spiritual freedom, and the relaxation of fulfilling the filial piety of my daughter.

The person who passed away at her daughter's home in Beijing was Xiu Qin's ex-husband, who was accompanied by beatings and abuses like a demon's shadow that haunted Xiu Qin's entire life.

Back then, Xiuqin walked hand in hand with him under the same roof, full of longing for love and marriage. Less than a year later, due to the birth of his daughter, he, who favored boys over girls, personally It broke the peace of the small family. Xiu Qin, who was in confinement, had never eaten a chicken stewed by him. Even a gentle smile had become a luxury for Xiu Qin, let alone letting him hold the child. The old people say that a woman in confinement cannot be affected by anger, wind, work, or shed tears... Xiuqin has experienced many of these things. Xiuqin had quarreled and argued about her child's father's absence all night and the severe economic blockade, but in the end, Xiuqin gave up with numerous scars on her body. When the child was less than three years old, he openly led the young woman to spend the night under Xiu Qin's nose. Xiuqin became angry and categorically filed for divorce, but her husband's iron-clawed fists and ferocious howlings frightened her away: "If you want to leave me, be careful of the death star born from your unsatisfactory belly." Xiuqin. The child is Xiuqin's lifeblood. When Xiuqin was abused by her husband in every possible way and felt that life was worse than death, it was the child's clear and helpless eyes and the little hands that wiped away Xiuqin's tears that gave her the courage to live.

Xiuqin endured everything her husband did and took on the important task of raising her children with her meager salary as a primary school teacher. Economic difficulties and unfair life did not overwhelm Xiuqin. The healthy growth of her children became the most sufficient reason for Xiuqin to survive all kinds of difficulties. Xiuqin felt that her broken life had forever lost the happiness she had dreamed of as a girl. She was unwilling to let her child's father in name only threaten her only hope in life because of her efforts to get rid of the misfortune that her fate had created. Xiuqin had to spend the rest of her life to protect his daughter's safety.

The father who only provided blood for his children tied Xiuqin's youth to a marriage certificate, while he enjoyed all the romance outside. Family responsibilities seemed like a fantasy to him. When Xiuqin became older and older under the pressure of life, he filed for divorce. Xiu Qin signed her name on the agreement almost numbly.

The frail children grew up under Xiu Qin’s meticulous hard work, and the sensible children became smart under Xiu Qin’s painstaking education. They were born one by one. My daughter was admitted to a prestigious university in Beijing, my daughter was admitted to a graduate school at her alma mater, and my daughter stayed in Beijing to work. Xiuqin became refreshed. The unfortunate marriage she encountered and the youth that was shattered by the collision of this marriage have become a fading nightmare. Just as Xiu Qin was spending her remaining years peacefully, that devilish figure once again appeared in Xiu Qin's peaceful life. Before the Spring Festival, her daughter wrote to Xiuqin telling her that her father, who had not been heard from for many years, found her alone on a winter night and asked her to take him, who was terminally ill, to seek medical treatment in Beijing. In the letter, the daughter talked about her fearful childhood, the shadow left by her father's injustice to her mother, and her unfamiliarity with her father. The daughter wrote this sentence at the end of the letter: No matter what he was like in the past, the person standing in front of me today is just a terminally ill old man. He is my father after all. Now he is lonely and helpless in Beijing. I hate that my father is here. While we, mother and daughter, have inflicted all the injustices on us, we cannot harden our hearts to keep him out. Mom, what should I do?

Before her daughter’s letter came, Xiuqin promised her daughter to come to Beijing before the Spring Festival and spend her remaining years in Beijing. Just when Xiuqin was packing her shabby belongings and preparing to leave the small town, her ex-husband, who had lived a dissolute life, appeared like a ghost and broke Xiuqin's beautiful plan.

The daughter is unfamiliar and indifferent to the so-called father, although the father seems insignificant in the daughter's choices. However, in such a specific time and the limited space that the daughter can provide, this insignificant father's begging before his death and the mother who has worked hard for thirty years to deeply implant maternal love into her daughter's life at the expense of her own happiness are in front of her daughter. It has become a two-way street. This kind of filial piety that comes from the heart and the filial piety that is emotionless in ethics are abnormally divided in the daughter's life. The young daughter couldn't make a choice. She could only rely on her helpless mother's love again.

What should I do? Xiuqin asked herself over and over again as if chanting sutras. Xiuqin knew that even her slightly biased opinions would prompt her daughter to make two completely different choices. He is kindhearted, encourage his daughter to forget the past, accept him, and give him comfort before his death. But let alone his contribution to the family for decades, he even gave her a piece of paper, a pen, and even asked her when he would give. However, apart from that bit of blood connection, what qualifications does he have to throw his father's love out of the sky when his daughter needs her father the most and enjoy her daughter's affection and filial piety out of thin air today thirty years later? Let his thirty years of ruthlessness be repaid at this moment. Xiuqin really doesn't want her young daughter to live with the shackles of guilt. She is afraid that the heavy cross of unfilial piety will destroy her daughter's healthy mind. On the night she received the letter from her daughter, Xiu Qin stayed up all night, and scenes of her nightmare past unfolded in the darkness. At dawn, Xiuqin turned the painful past into a heavy burden and carried it on her shoulders again. She said calmly to her daughter: "He is your father after all. I am in good health now, and we, mother and daughter, will stay together for a long time." Then she quickly hung up the phone.

When the neighbors heard the old voice crying like a child on a night in early summer with the fragrance of yellow orchids, Xiuqin, who had been silent for half a year, returned to her nagging mother-in-law. The aunt’s family was surrounded by family members, and a few months later, she happily announced that she was going to Beijing to raise her grandson. (This article has been viewed 5 times)

I often think this: Hideaki Anno is a genius! Hideaki Anno is a scumbag! The character setting of Neon Genesis Evangelion is so successful! It’s all because of the godfather-level scumbag Anno Hideaki!

Ikari Gento, BOSS, genius, scumbag, godfather, the replica of Hideaki Anno. Except for Yui Ikari, he has no feelings at all, not even for his son. But he turned a blind eye to the fact that Ikari Yui was killed by Naoko Akagi (Ritsuko Akagi's mother, Nana). He loves Ikari Yui, but he needs her to die so that he can carry out his plan - his plan to complete humanity! He has always resisted SEELE (Seat of Souls, German for soul)’s plan to eliminate the human body. His plan is very simple. I thought it was to maintain the status quo of human society, eliminate the apostles, and become a god at the same time. In fact, That is to become Satan. He knew that Ikari Wei would prevent him from becoming a demon, so he watched her being killed by Naoko Akagi with cold eyes, which was how LCL melted Ikari Wei.

After Ikari Wei died, he had no scruples and began to turn into a demon. Whether it is the use of Fuyutsuki, the use of Akagi and his daughter, the use of his son, the use of the double agent Kaji Ryoji (かち·りょうじ), or the use of his lover's clone - Ayanami Rei, it is all Unscrupulous and naked. It is undeniable that he still has love for Ayanami. This is the continuation of his feelings for Ikari Wei. The burned hands and the pair of glasses are the best proof! He still respects Dongyue. Although he is his right-hand man, he never treats him as a subordinate in terms of behavior and tone. This should be a combination of the appreciation between scholars and the admiration of the younger generation for the elders.

He despises Akagi and his daughter, especially his mother, Naoko. That kind of use is pure - the day when the Three Sages are completed is the day of her death. I think he never wanted to punish her for what she did to Ikari Wei, because he didn't even have the slightest interest in punishment. To him, it was just that the items were used and then thrown away, simple and clear. There is no need to prove this: in the episode about the birth of NERV (German for body), the look in Naoko Akagi's eyes when she threw herself into his arms and Rei Ayanami's unabashed "old woman" words are facts! As for his use of Ritsuko Akagi, it is even more thorough: just watch the movie version! If necessary, you can still pick her up after throwing it away: first put her under house arrest as your own scapegoat, and then invite her out when doing computer defense. No, it should be said that she is led out like a dog. The Akagi mother and daughter put the dignity of women Totally lost, just because men are not bad and women don’t love them...depressing (my daughter will make a special comment on them in the future)! He is cautious in using his son, which can be roughly divided into four stages: coercion, inducement, further coercion, and provocation: 1. Drive fast if you want to, otherwise get out! 2. Shinji, you did a good job (and we went to visit Ikari Yui’s tomb together)! 3. That’s the Apostle (No. 13), attack it! /This is a criminal act. Why did you disobey the order (increase the LCL concentration to make Zhen cure the fainting)? 4. Deliberately let Rei and Asuka be beaten terribly by the powerful angel (No. 14), and then remained calm and waited for Shinji to come to the door. He was quite afraid of Kaji, so he used it more skillfully: whether he asked him to help transport Adam's embryo or used Ritsuko Akagi to monitor him, he was very clever. In contrast, Kaji was full of flaws and eventually died. .

I have said before that his feelings for Ayanami Rei (especially No. 2) are a continuation of his feelings for Ikari Yui. At the moment Ayanami Rei No. 2 self-destructed, his words: "れい ! "It's still quite affectionate... This is also a rare huge fluctuation in his emotions.

Yes, he created Rei to complete the plan (his own) for mankind. This is undeniable. Therefore, Ayanami Rei’s existence itself has been exploited, which is so ironic - think about the countless Ayanami Rei in Central Dogma, this kind of use makes people speechless!

Finally, I want to say that Ikari Gendo is the most sinful in the whole film, but he is by no means the one with the darkest psychology (I will discuss who he is later)! He was just dreaming - countless people have had it or are currently having it, and he is no exception. He just wants to become a god, that's all, although it will never be possible. It's impossible in the TV version, and it's even less possible in the theater version. In fact, he is also very pitiful: he gave up his only relationship for his dream, and in the end his dream was shattered. It is really pitiful.

Ikari Yuandu is the most successful among all BOSS! Whether it's the dubbing, the character, the deepness of pushing up the glasses, or the sinister smile with his hand covering his mouth... I love Ikari Gendo. He is just like Anno Hideaki, a genius and a scumbag! Maybe, he is Hideaki Anno!

About Ikari Shinji

Gloomy, cowardly, decadent, selfish, autistic, self-abuse, indifferent, timid, life is worse than death... This is Ikari Shinji (いかり·しんじ).

The main creator of his perverted character should be his father. However, it was he himself who continued to amplify the perverted tendency endowed by his father, and eventually led to spiritual death. There is nothing greater than sadness, and I think, for him, the same goes for depression.

In the beginning, he knew about his abnormal psychology. Do you still remember the words "After it rains, you run away"? Before leaving, he said that he was selfish and timid...but in the last few words, he acquiesced.

But despite this, he still had emotional impulses: "Can't escape..." Facing the bleeding Ayanami Rei, a man's most basic impulse to protect women broke out. He seemed to have had a crush on Ayanami. When he gave her an ID, he was so shy and at a loss; when they worked together to fight the 5th Apostle, he cared about her so much. But when he discovered the unusual relationship between Ayanami and his father (whether it was the slap in the face or the story about the pair of glasses), he gave up, maybe because he was stimulated, maybe because he gave in actively. But this is also correct, after all, it is his mother's COPY. As a result, the good impression turned into respect and consideration: So he helped her clean the room and said she was like her mother... and gave a woman he might have liked back to his father. Although Ayanami Rei No. 3 really fell in love with him later (theatrical version), it was no longer helpful.

Asuka appeared and everything changed. Asuka is absolutely proactive, so she leads Shinji, who is absolutely passive. Whether Shinji likes Asuka or not is really hard to explain.

It was definitely scary at first, and the nighttime plan in the chapter where the heart instantly overlapped must have been the impulse of puberty, but the ending of the chapter about lava sneaking was very ambiguous. The suffocating kissing scene later felt like a fake becoming real. But when Asuka needed him the most, he didn't show any signs of it. Even the most passive person would not be like this, except for this extremely selfish and autistic Shinji. As a result, Asuka collapsed. She seems to be very noble and strong, but in fact she is vulnerable (discussed later). After all, a woman's greatest wish is to be loved by others.

So Shinji doesn’t love her? Not right either! There is a detail that I don’t know if you have noticed. At the beginning of the movie, he called Asuka in front of the hospital bed where she was lying, and then pulled and pulled her, but Asuka didn't respond. Then he looked down at his hands - there was a pile of white sticky stuff in his hands, although it was a bit indecent to say it directly... Then, he half-groaned and said: "I'm so incompetent!" I don't understand Anno Hideaki's reaction to How to interpret the relationship between the two of them? However, this may mean that Shinji's feelings for Asuka are still based on the most primitive human desires and impulses.

But there is another point that makes people confused. The ending of the theatrical version is like this: the human body is completed and everything returns to its original state. On the beach, Shinji and Asuka were lying quietly. Then, Shinji got up and sat on Asuka, with a perverted smile full of murderous intent on his face. Then he reached out and strangled Asuka's neck. At this time, Asuka opened her eyes, her eyes full of peace and love, then she reached out and caressed Zhen's cheek, and said with infinite sweetness and tenderness: "You really make me sick!" Then, the two of them who finally became the new Adam and Eve were still In love? No answer.

Ritsuko Akagi said that Shinji is like a porcupine. The closer he gets to the other person to convey warmth, the more pain he causes the other person. I thought otherwise. In fact, it's not that Shinji doesn't know how to care about others, but he cares too much about others and only lives for others. He ignores his own position and looks up to everyone so high and out of reach. He always hurts himself, but he seems to be used to hurting himself and abusing himself! How sad that even the words of two children in the car could shatter his newly built confidence!

"I think I drive EVA just to continue to get praise from my father." How sad! Living for others and being used by others, he is still very happy. His love and admiration for his father are pure, and are directly proportional to his father's disdain and indifference towards him. Although perverted, it makes people sympathize. We can only lament his misfortune and be angry at him.

Nagisa Kaoru gave him a kind of thoughtfulness that he couldn't find in Asuka. He thought it was love, but it was actually deception. Then he really gave all his feelings to Nagisa Kaoru. Fortunately, they haven't done anything more perverted yet! This shows that deep down in his heart he still longs for communication and affection. Although he is autistic: he always listens to the tape with only 29 songs, although he abuses himself: he always thinks that others hate him. In fact, he was just afraid that others would hate him, because he had been abandoned by his beloved father - although, later he understood that it was him who had escaped, so he was afraid of being hated by others and afraid of being betrayed emotionally. This kind of psychological implication The continuous effects and accumulation eventually formed his A.T. field, and he became completely autistic. At the end of the TV version, he finally discovered: It turns out that no one hates me, it’s just that I think they hate me! Finally, all the mystery is revealed! What a fool he is! Everything is self-inflicted, alas!

In addition, I would like to add something. There is one person who loves him! Is it the female lead: Misato Katsuragi? ! Maybe you find it strange, but I will explain it later: the first female lead is indeed Katsuragi, the second female lead is Logistics, and the third female lead is Ayanami. "This is an adult kiss. When you come back, we will take off our clothes and continue to do it." Only when she was dying did she have the courage to say it, even though Shinji didn't love her. This is the only thing that Shinji doesn't escape from, dares to face, and dares to refuse - the love a woman gives to a man.

About Ayanami Rei

"..."

"Thank you..."

"Why?"

"I have nothing..."

"If I die, someone will replace me..."

"If there is an order, I will do it..."

"Are these... tears...?"

Every word she said without saying a few words became a classic.

Asuka called her a doll, but I thought otherwise. She has feelings, absolutely, and it can be said that she takes the initiative.

Ayanami Rei (あやなみ?れい) No. 1 I don’t want to comment. The way he tortured Naoko Akagi through words was completely like an apostle! But she is quite proactive, not cute, but very individual. Not bad!

Ayanami Rei III even took the initiative to the extent of rejecting Commander Ikari and choosing Shinji (theatrical version), but after all, she was just a victim of human completion. In the end, all she gave Shinji was stimulation. shallow!

What I really want to say is Ayanami Rei II.

The life of Ayanami Rei No. 2 should have started when No. 1 was strangled to death by Naoko Akagi, and was raised by Commander Ikari. After more than 20 episodes, she then died in order to protect Shinji in the episode "Tears". Choose to self-destruct and die together with the 16th Apostle. Very short.

She appeared as Ikari Yuandu's lover: from beginning to end, she loved Ikari Yuandu deeply - he raised her and loved her. After all, she is the continuation of his wife.

And she was cared for and cherished, so she was grateful, respected him, admired him, and finally loved him. This is a complete, mature, reasonable and normal love line.

As for her appearance, I think Godfather Anno must have good intentions! It is true that you hear his voice first and see his person later. Even the screen showed: "On ly Sound", and then a cold, sad, and submissive "はい!" (obey orders) came out. This had already paved the way for her feelings for Commander Ikari. Later, she had a pleasant conversation with Commander. Commander Ikari slapped Shinji for the reputation of Commander Ikari because of the past incident of her hand being burned and those glasses. ...The emotional line is getting clearer and clearer. Until the end, before she died, she shed a tear. She wiped away her tears and said confusedly: "Are these...tears?" Suddenly the screen paused, everything dimmed, the voice stopped, and a benevolent smile in front of her eyes - Commander Ikari's only amiable expression, appeared through her Hazy tears... I think she should feel satisfied, because the person she loves also loves him deeply. Then, Commander Ikari broke the brief calm with a heart-wrenching "Li~~~~!!!", and with the stirring and lingering call, there was an explosion, and everything became a passing cloud: this sincere relationship, And her life!

Many people will misunderstand her and Shinji, including Asuka who is full of hostility towards her. But in fact, her feelings for Shinji are an inexplicable closeness and care that is almost maternal love! This is the continuation of Ikari Wei's feelings. She slapped Shinji like a mother teaching her child; she helped Shinji block the attack of the fifth apostle, like a mother protecting her child; she thanked Shinji for cleaning his room, and was more like a mother who was overwhelmed with joy by her son's filial piety; when Shinji was beaten by the third apostle The 12 Apostles were devoured, and Asuka's cynicism made her angry, which was a natural expression of maternal love and care; in the end, she blew herself up to save Shinji, which is the greatest and brightest highlight of maternal love - the spirit of sacrifice!

As for Shinji’s treatment of her, I think it’s probably because he pays attention to her, feels close to her and wants to be close to her. At first, Shinji may have had a boy's affection for her (the two chapters about fighting against the 5th Apostle), and he also had a man's primitive desire to protect women (the initial "can't escape..."), but in the end, when he When he discovered that she had a tacit emotional understanding with his father, he understood and accepted it at the same time. So, he quietly withdrew, or he never intervened. After knowing it, he finally expressed his true feelings: "Ayanami, you are such a mother when you are cleaning!"

Asuka's hostility towards her was due to her misunderstanding of her feelings for Shinji, and she mistook maternal love for love. Ritsuko Akagi's hatred for her is unforgettable between love rivals.

Many people like Ayanami Rei, and so do I. Someone asked me: "What's so good about an emotionless doll?" I don't think she has emotion, she just doesn't know how to express it. Perhaps, in the hustle and bustle of the world, the impetuous society, and the busy age, everyone can find a trace of stability, stability, and tranquility in Ayanami Rei's calmness and coldness? "..."

About Asuka

Full name: Logistics Asuka Langre, the fiery Asuka with a hot personality. This is the first impression she makes on everyone.

Her appearance broke the dullness of the previous chapters. The English title of that chapter was: Typhoon Landing! From then on, Asuka, like a typhoon, swept through Shinji's life.

She appeared so domineering and arrogant. Together with Shinji, she took care of the sixth apostle in the water. Next was the seventh apostle, no matter whether she moved to grab land with Shinji or she worked with him. Every moment of practice changes away from the dull style of Shinji and Ayanami. It is fresh and pleasant, and it is the most dazzling scenery in the entire EVA. Moreover, in the scene where the boy and girl sleep together in the same room, there seems to be a real secret affection between the boy and the girl, which is very ambiguous. When it came to the episode about lava sneaking, Shinji finally rescued her desperately, and Asuka was pleasantly surprised: "Fool, it turns out he cares about me so much..." It was as if a love had begun like this. But everything took a turn for the worse.

What was supposed to happen didn’t happen. Although there was a kissing scene, it was more like a joke