About the death of Du Shiniang: An ordinary person thinks that in Feng Menglong's "Du Shiniang's Wrath Box", Du Shiniang committed suicide by jumping into the river with Li Jia's anger to kick down the bridge. However, combining the plot described in the novel with the social situation at that time, it is not difficult to find that the death of 1 is not certain, but the ending made by the author in the helpless situation of seeking the ending for the novel, which can be manifested in many aspects such as economic conditions and ideological tide at that time. Key words: structural transformation of production factors, heresy and emotional education; Feng Menglong's Du Shiniang's Wrath Box is adapted from the collection of nine stories by contemporary writer Song. Du Shiniang, the heroine of these two novels, is a dusty woman whose country is famous for her, but she would rather not be a plaything for her son's enjoyment, but also devote herself to getting out of the fire pit. However, for various reasons, he failed to do so and committed suicide by throwing himself into the river. Some people say that Du Shiniang's death was her "act of anger", a respect for her own conduct and will, and her death was the most violent protest against feudal society. However, the author is suspicious of this high evaluation of suicide, and thinks that Du Shiniang's death was planned by the author to publicize his orthodox thoughts, especially in Feng Menglong's "Du Shiniang's Angry Box", which clearly aims at serving his "emotional education view", which does not conform to the social reality such as economic conditions, ideas and customs at that time. It is also a helpless move for the author to make such an ending arrangement. 1. Socio-economic reasons-the structural reform of social elements in the Yuan Dynasty, and the crusades in Western Europe revived western European commerce. In the Ming Dynasty, direct commerce in Europe and Asia rose, which was much faster than that in the Indian Ocean in the Tang Dynasty. This is not capitalism, but remarkable progress in social productivity. There is a historical record that "in the heyday of the Ming Dynasty, Yunnan South Locomotive and Horse passed through Liaoyang and Lingjiaoguan, while Hengbei was Wan Li, so what can't be seen?" Since the mid-Ming Dynasty, with the rapid disintegration of social and economic structure, the traditional price system has been on the verge of disintegration. People are so confused that they completely deny traditional conduct and indulge their natural desires without any consideration, forming a custom of "lust" and "good goods" that cannot be returned. In the fierce struggle for existence, money has become the only price yardstick and reverence tool, which has long driven people to expand their "economic strength". "Even if it is a family relationship, I have changed my belly and intestines in managing this property, and I have made some opinions to let you face to face and calculate you." Therefore, we are not ashamed of the commercialization and philistinism of feudal power, and see the role of money in social survival. There are many sources of income for ancient lovers: prostitution. It is the lowest and most despised "cheap industry". These employees who love to laugh can't get any social recognition except making profits. As "Looking at Jiangnan" said, "Don't climb me, climb me too wide. I'm Liu from Qujiang Lake. This person is climbing with that person. I will love you for a while. " Therefore, all the women in brothels save a few dollars to laugh, and be careful to have a good family, so they are ready to be good. In the end, most of them were nothing more than concubines and maids. Although it is still cheap, it has returned to the normal track of survival. They don't have much choice because they have no money. But Du Shiniang has money. She has a "treasure chest", whose social gold medal she has mastered, so the topic appears. Du Shiniang doesn't want to be a servant, and he has the capital to be an improper servant. The established social behavior system and restriction mechanism are powerless to her. So Du Shiniang ran away. The prostitute actually cut a hole in the completely closed and impenetrable black ball and let out a ray of light. The growth of darkness cannot be destroyed in a flash. But the flicker of a line, especially the flicker of a line, is a sign of great harm. As the saying goes, one life is two, two lives are three. Everything is born. Maybe the author just wants to tell a sad story about a prostitute, and wants to write a stunner with no servant spirit and a gap in her chest, just like getting a confidante without servility and obsequiousness. But unconsciously, he has been unable to control this woman. She has a "treasure chest". As long as she likes it, she can find good branches again, so that she can live in seclusion in front of chrysanthemums in Nanshan like Teacher May 6th, and there will be no more poverty and embarrassment in Du Gongbu, where it rains all night. Therefore, the author Kun Ji was at a loss because of such multiple choices. But he must not give up control of Du Shiniang just because of a treasure chest. Although the author is a gentleman who cherishes jade as gold, once the jade is too big to play between clapping, it will die at the expense of incense, so the author has to give up what he loves very reluctantly and let this beautiful woman throw herself into the water with a life-saving and deadly treasure chest. Second, in terms of ideology-the rise and popularization of heresy. By the Ming Dynasty, with the development of urban industry and commerce and the growth of social industries, the old conduct system could not be stopped. Wang Gen proposed: If you can't even protect yourself, what can you do to protect the country? Li Zhi further pointed out that "it is better to let people live together than to be forced to abstain from sex". "This represents the strong desire of emerging citizens to revise the traditional price concept. However, some writers have developed this idea to the extreme, and there has been a kitsch habit of seeking rarity and bohemian. However, as the saying goes, "if you are sick, there is a doctor." When pornographic novels are flooding, some writers who are eager to save the world try to turn the tide and print popular novels on the track of elegant culture that conforms to the traditional rational principle. They have changed the narrative focus of adultery, which is deeply regarded by secular society, and reproduced the arguments that can be seen everywhere in daily life. On the other hand, according to the traditional rational principle, they make clear and firm expectations for various accidents. Feng Menglong is the epitome of these writers who help the world. Based on the thought of "education of love", he measured the aspirations of "awakening the world", "warning the world" and "metaphorical world", and sorted out the three words he said in the preface of "The Romance of the Warning World": "Is unofficial history really true? You don't need ... people don't have to have their own things, and things don't have to have their own people. Is it true that real people go to the false and keep the false? Yue: No need. People don't have to have things, and things don't have to have people. Real people can make up for the legacy of the golden chamber, which is true. " The importance of "reason" he said is a kind of "human thing" that does not contradict human feelings and conforms to the way of nature. Based on this proposition, Feng Menglong dealt with many articles when compiling Sanyan. For example, the tortoise knew that the prostitute had died several times and was demoted to a maid because she shaved her head and feet. A few days later, Shanxi merchants became famous for asking for audience. The more virtuous they were, the more they redeemed themselves with their daughters, and the longer they became, the more they became concubines. "In , it was changed to" Madam tried to beat Yujie, pretending to look for Wang San, but in the street she scolded Madam and falsely accused Madam of assassinating Wang San for money. Later, he was forced to establish a redemption document and returned home in triumph. The exchange of plots highlights Yu Tangchun's alertness and adds a lot of color to the characters. As for the part where Shanxi merchants were redeemed for Yutangchun, it was also changed into a thief and sold to Shenhong, Shanxi City for 2,200 taels of silver. Shen Hong was not allowed to have sex with him all the way to work, and was killed by his wife's medicine. This modification is not only unreasonable, but also shows Yu Tangchun's loyalty to love. Later, Feng Menglong said in the commentary. Zhu Gui > >: "Since ancient times, people who do it in principle must be convinced, and those who come out of their deepest feelings must be true. Heartless husband, recently, must not be righteous. A heartless woman can hardly be regarded as a virtuous woman and a worldly scholar, but knowing reason is subject to emotion, and who knows that reason is the dimension of reason? It can be seen that Feng Menglong, on the one hand, followed Li Zhi and Yuan Hongdao and opposed Neo-Confucianism, but at the same time, he integrated the thought of "loving teaching" into the feudal moral model. Therefore, when dealing with his works, he not only made his works have touching feelings about Russia, but also made his works a textbook of loyalty, filial piety and righteousness. However, love is not a panacea for ruthlessness and ambiguity. Therefore, when "love" is contrary to orthodoxy, if the author chooses love, as Engels said, "the principle of equality and mutual love", then this is unacceptable to the traditional price view. Du Shiniang's status is low, which is intolerable to the Li Jia family from Xie Wang. A soul trapped in a brothel who doesn't want to be silent, Du Shiniang was angry at Angel Lee's kick down the ladder and committed suicide by jumping into the river. However, combining the plot described in the novel with the social situation at that time, it is not difficult to find that the death of 1 is not certain, but the ending made by the author in the helpless situation of seeking the ending for the novel, which can be manifested in many aspects such as economic conditions and ideological tide at that time. Third, personality reasons-Du Shiniang's composure and resourcefulness. In the Ming Dynasty, with the further development of urban industry and commerce, women's sense of independence was remarkable. Du Shiniang, with exquisite service, is a real "caring person" image, showing the unique charm of women. This feature is first manifested in her plot of "fighting for the hospital". Du Shiniang was a "good Samaritan for a long time". It is difficult for her to save jewels worth thousands of dollars, and she is ready to survive after jumping into the fire pit. She loves angel lee deeply and hopes he can save her. Knowing that the ghost woman was buried in her head, she took advantage of the opportunity to earn the reputation that the ghost woman was only worth 320 silver. I'm afraid that Mrs. Turtle will break her word and provoke him with words, so that she can swear to be a pig and a dog. This prepared conditions for her to leave the brothel and survive. At this time, she completely entrusted her long-awaited wish to angel lee. On the one hand, she can't reveal the secret before leaving the brothel. On the other hand, she also wants to explore angel lee's heart, so she needs to find measures to make up for 320 yuan. When she "hasn't seen your son in the hospital for several days", she sent people to the street to inquire in extreme panic. Until halfway through the deadline, ask angel lee to lend the other half. The treasure in her box was given by her romantic sisters under the guise of parting, and "it's closed tightly, and I don't know what tools are in it." "Usually, after taking the tools, he" still locks the box ". Li Jia would never know that Du Shiniang had already stored the jade in the bosom friend's house, and they sent the jewels in a box before 1 left. As soon as she left the pious woman's door, she thought about her future survival. In the case that angel lee "toss and turn, and there is no complete solution yet", she intends to break through many difficulties and make a plan of "staying in Suzhou and Hangzhou resorts" with great foresight. She intends to take angel lee in and ask her relatives and friends to persuade her father to win his consideration. In short, she strives to realize the ideal of human existence. Everything is in order, and everything goes smoothly in her deployment. Even such a woman with many readers and profound talents in the romantic field, why should she be so paranoid to let this ungrateful person commit suicide? Moreover, the work is not just an invention, and Du Shiniang's conservative comments on her personal career confirm her attitude towards love. Du Shiniang was angry with Li Jia for kicking down the ladder and committed suicide by jumping into the river. However, combining the plot described in the novel with the social situation at that time, it is not difficult to find that the death of 1 is not certain, but the ending made by the author in the helpless situation of seeking the ending for the novel, which can be manifested in many aspects such as economic conditions and ideological tide at that time. Feng Menglong's Du Shiniang's Wrath Box is adapted from Nine Stories, a collection of novels by contemporary writer Song. Du Shiniang, the hero of this novel, is world-famous, but she would rather be a prince, grandson and son. Du Shiniang is not a greedy person, but she always hides her industry from angel lee, and hiding herself means survival. Du Shiniang survived the Li family from the beginning. She subconsciously deployed two paths for herself, and private enterprise is another path. As I said before, the early capitalism sprouted in the Ming Dynasty, and there was a primitive accumulation of the same family like Ximen Qing, and the customs gradually opened, which was the result of the times. Du Shiniang's treasure chest coincides with the latest tools of his time. Private enterprises are showing their great charm and energy. She is a brothel girl, not an inner room girl. Since Confucianism in Song Dynasty, she has been less formal in teaching women, but more influenced by new customs. She saved a lot of money and kept it quietly because she could "send me to the clouds with the wind." How could she throw herself into the river and choose to commit suicide? The end of the writer's deployment is a yearning, a desire to seek a confidante, and a helpless mentality of "putting all your eggs in one basket, not for the whole country". Four emotional reasons-Li Jia really loves Du Shiniang. There are four poems at the end of the book: "If you can't be romantic, don't talk nonsense. It's just that love words cost ginseng. "If you don't know love words, it's not shameful to call it romance." Generally speaking, it is important to accuse Li Jia of not "understanding" the word love, thinking that he never really loved Du Shiniang and was a "mediocre fool and a hiker", but the author thinks; Li Jia loves Du Shiniang. Li Jia's tool is a generation of famous prostitutes, who have a reputation for enjoying themselves for a while. Many men "get nothing, get something back", which makes them extremely satisfied. However, the conclusion that "Li Jia is only infatuated with the color of 1, but not with Du Shiniang" is untenable. Love in each period has its historical scope, and everyone's clarity is also very different. Everyone was surprised. He was overjoyed. When Liu Hanyuchun pitied Du Shiniang to borrow money and Li Jia got three hundred and twenty pieces of silver, he was "happy from heaven". From these places, Li Jia 1 is also true and false. I trust these 1 and like it. Moreover, from the perspective of Li Jia alone, because of his difficult situation, he listened to Sun Fu and had a way out. But it can't be said that he hasn't thought about Du Shiniang. He just probably doesn't understand the pursuit and heart of 1. He thinks this gives Du Shiniang a way out. Because his home in Du Shiniang is basically inaccessible, Sun Fu, a bourgeois family of "Xin 'an salt merchant, a young man", can accommodate Du Shiniang, a good man. Therefore, it is unfair to think that Du Shiniang jumped into the river because Li Jia lost his mind. 5. Title Positioning —— The author of "Anger" intentionally named it < >, from which we can see that Du Shiniang was "angry" with the treasure chest, so he had to sink. Imagine, what caused Du Shiniang's disillusionment in love? People thought it was Li Jia's loss of heart, and then thought, what did Du Shiniang see from this loss? She saw the magic of this sum, and it was Sun Fu's one thousand two hundred pieces of silver that changed angel lee's heart. She also thought about the infatuation and depravity in 1 year, and why the rich prince and grandson wanted to occupy and bully her. This is the sum and the power of the sum. Social reality forced Du Shiniang to use this money as a backup to help himself. She didn't want to go straight to angel lee with the treasure chest. She probably used the money for a lover. She needs to be in love. She wants to change angel lee's heart with her own heart. However, Sun Fu's 1200 silver broke his "affection" and "love". With the above, how can Du Can't be angry with this sum? 1 Therefore, the anger of Shen Baoxiang is really a kind of anger from the heart, which also highlights and vividly expresses the fierce criticism of the social reality of the author's crime. So, as mentioned above, Du Shiniang sank the treasure chest in a rage. So, what about herself? Did she get angry and be thrown into the river? First of all, from the author's point of view, the treasure chest has lost one of the most different tools from other prostitutes. Is the existence of Du Shiniang still meaningful? The treasure in the "treasure chest" represents the huge price she got from the character transaction. With this price, she can choose her own tools and make a living at a certain level. This money actually encourages women's sense of independence to a certain extent, so that she only entrusts all her hopes to a "lover" without any financial strength as the backing, and her situation will become more and more sad. This priceless "treasure chest" actually represents a new view of personality, which is opposite to the literati class-representing the economic independence of the citizen class in terms of price increase. Then the treasure chest has dissipated now, and she has become a mortal, losing the meaning of existence and propaganda. Instead of letting her live a lonely and poor life, it is better to connect this beautiful image. So the author's "compassion" turned her into a piece of jade and sank into the bottom of the river with the treasure chest. Dead, elegant, maybe happier. In the history of China civilization, women have never had a good life. They want to be virtuous when they are unmarried, honest when their husbands die, and fierce when they encounter violence. Be gentle, patient, obedient and virtuous. Being used to being a servant for thousands of years, she looked down on her eyes and felt at ease. Even if a woman like Nora recognizes the true colors of her beloved husband and family and resolutely walks out of the cage-like family, she will not be exposed by Lu Xun. She "has no wallet to prepare" and can't support herself. Either she goes home or she falls down. Many women have no money even if they earn a birdcage or fly high without their confidants. Things and money are men's favorite, but they should be put out together because of disappointment. Their depravity smells of depression and sadness. 1 was killed like this. Although this shows the wall of vulgar thoughts that the author preaches feudal ethics, it is exactly the same as his creative purpose of teaching with emotion. It's just that this kind of violence, fragile show-off, and even fragments from women are permanently filled in the historical sky, lingering and suffocating.