1976 is the technical guidance for the hall of Chairman Mao Memorial Hall 10 1 (Dongfanghong Hall) Hangzhou gray marble mosaic. Later, he erected tombstones for Pan Tianshou and Yu. He made a "Jigong" pen container for seven Japanese mayors, Tianhao, which was appreciated by Master Liu Haili.
1984 Carved tombstones and epitaphs for teacher Zhu Lesan (then director of Deqing Granite Factory). 1988 bought two old houses owned by my nephew Shen Zhugen, and built bookstores with inscriptions by Sha Menghai and Guo.
1989 "Little Scenery along the Spring River" was inscribed by the instructors of Chinese Academy of Fine Arts, such as Yu, Liu Jiang, Tong, Kong Zhongqi, Yu, Guo and Shi Nanchi (former Vice Premier of the State Council and Minister of National Defense General Zhang Aiping also wrote "Love of Art" to show encouragement. Later, I went to Emei, Qingcheng, Shaolin and Huangshan, visited the famous mountains and rivers of the motherland, visited famous teachers all over the world, and studied "Chinese studies, Zhouyi, Feng Shui, Bagua Gankun").
1996 In the ancient temple of the Tang Dynasty, it was an ancient Japanese road. The Su Hang Bookstore built by Yuhang Changle at the foot of the Buddhist ancestral road in Lin Ji was inscribed by Tang Yun (now Yu Zhihua Art Museum).
In 2000, he was invited as the artistic director of the first "Zheng Diebei" China-Japan Painting and Calligraphy Exhibition in China. He collected 36 works of Xiling Press and 1000 Chinese and foreign painters and painters to successfully hold the largest painting and calligraphy activity since the liberation of Shanghai, which was included in the 2000 Shanghai Yearbook.
At the end of 2002, a delegation of more than 200 painters and painters from China, headed by Shen Peng, Jin Shangyi and Liu Yi and headed by Zhu Yilong, went to Thailand and Macau for cultural exchange. Joined Hangzhou Artists Association Book Association and became a consultant of Shanghai Book Association. In 2004, the activity of "Sino-Vietnamese cultural exchange and collecting customs" led by Meng Mijin and Lin Sanzhi was collected by "Hanoi University of Vietnam". Chairman of China Abnormal Calligraphy Association, Professor of Oriental Art Research Institute.
In recent years, his works have won dozens of gold medals. Incorporated into the Ministry of Culture, the China Federation of Literary and Art Circles published nearly 100 ancient books such as A Dictionary of Chinese Studies and Who's Who of Modern Painting and Calligraphy in China. It has been collected by Diaoyutai State Guesthouse, Central Party School, National Museum, Jinan Museum, Yantai Museum, Guangzhou Library and other art galleries all over the country, and inscribed in Anbeilin (New), Millennium Beilin Culture and Linyi Wangxizhi Pagoda. The couplets have been inscribed by Guangdong Nanhua Temple and Xi 'an Dajigong.
His artistic achievements were featured by dozens of media such as Habitat Magazine, China News, World Knowledge Illustrated, Rule of Law, Fortune Times, Today's Information, China Architectural News, China Collection, Tu Tu Express, china network television and Zhejiang TV Station, and entered the 2008 Olympic Games.
In April 2009, 25 members of the "Dan Qing Mo Yuan" Sino-Japanese calligraphy and painting exchange group went to Chaishan Gallery in Ginza, Japan to show Narita University's pen meeting. At that time, they were artistic directors and deputy heads, cutting the ribbon and making speeches on behalf of the China delegation. The calligraphy I brought was collected and acquired by Japanese friends. Its personalized publishing path has been recognized. In 2000, he was hired as the artistic director of the first "Zheng Di Cup" Japanese painting and calligraphy exhibition in China. He collected 36 works of Xilang Press and 1000 Chinese and foreign painters and painters to successfully hold the largest painting and calligraphy activity since the liberation of Shanghai, which was included in the 2000 Shanghai Yearbook.
In recent years, I went to Thailand and Macau to participate in cultural exchange activities with masters such as Jin Shangyi, Shen Peng and Liu Yi. With Liu Bingsen, Lin Xiaozhi, etc. To eight countries in western Europe and Vietnam, South Korea, Japan and other places for international exchanges. He has won dozens of painting and calligraphy awards for decades, and his works have been compiled into ten Yu Ben. His artistic achievements have been featured in dozens of media such as Habitat Magazine, China News, World Knowledge Illustrated, Rule of Law, Fortune Times, Today's Information, china network television and Zhejiang TV.
His main works include Old Mei with Iron Bone, Cool Wind, Song of Eternal Sorrow, Long Yin, etc., which are collected by the National Museum, the Palace Museum, the Central Literature Publishing House, the Overseas Chinese Affairs Office of the State Council, Diaoyutai Hotel, the Central Party School, the Beijing Military Region Guest House, and museums and art galleries in Shandong, Jinan, Sichuan, Hunan, Inner Mongolia and Shanghai. Calligraphy works were inscribed on Wang Xizhi's Tower Monument, Lushan Mountain Monument Forest and Millennium Cultural Monument Forest, and inscribed couplets for Xi 'an Anfa Mountain Temple, Guangdong Dajigong Temple, Nanhua Temple and other Buddhist resorts, which entered the contemporary fine auction in China.
Yu Zhihua likes the Book of Changes, carefully collects books, loves literature and studies poetry; Become attached to friends and travel all over the motherland. Life creed-"Don't be arrogant, but be proud." He is a painter with great personality! -The artistic life of Xiqiao painter Yu Zhihua.
Since the end of the Eastern Han Dynasty, China's calligraphy has gradually become an art. The earliest Oracle Bone Inscriptions and bronze inscriptions have the beauty of lines, symmetry, variety, composition and style. With the development of China's history, the artistry of calligraphy has been enriched with the evolution of calligraphy. In the past two decades, the calligraphy art world has absorbed rich traditional culture and made breakthroughs in many aspects such as the form and content of calligraphy. In Hangzhou in the south of the Yangtze River, there is such a wizard who is obsessed with painting and calligraphy and gives him a unique personality. His name is Yu Zhihua, a native of Shilongshan. Yu Zhihua also has his own unique views on the creation of calligraphy. There are many kinds of calligraphy. The seal script and cursive script are bold and magnificent, and the running script is graceful, euphemistic and traditional, but he pursues the popular creation of calligraphy. Under the guidance of Mr. Sha Menghai, he focused on one font, injected his own free and easy temperament on the basis of tradition, and practiced his own calligraphy creation, making calligraphy a popular culture, which is also a colorful stroke in his artistic pursuit. Mr. Yu Zhihua is cheerful, honest and frank, and likes making friends. Born in the 1940 s, he has a unique understanding and opinion on art. "There are many politicians in the art world, but few in the painting world." In his view, art is purely broken. As an artist, he should devote more energy and time to the study of art, and judging whether an artist has achieved something should not be limited to the identity of the painter, but more importantly, his achievements. In the "Cultural Revolution", when Sha Menghai, Zhou Changgu, Yu and Zhu Le were hit, he and Min ignored the taboos to comfort them, think for themselves and do for them. Later, they learned a lot of knowledge about calligraphy and painting from many masters, which was recognized by Xu Bangda and Shi Shuqing.
The creation of painters and calligraphers needs persistent accumulation and painstaking research. With the accelerated pace of life in modern society, the role status of some artists is constantly changing. However, Mr. Yu Zhihua was still immersed in the artistic atmosphere of modern society and devoted himself to artistic creation. He set up Su Hang Bookstore near Jingshan Temple in Hangzhou, and was exposed to the green environment with fresh air and dense bamboo forests. He visited the mountains and rivers of the motherland such as Emei Mountain, Longmen Mountain, Songshan Mountain, Huangshan Mountain, Taihang Mountain and Putuo Mountain, which laid a solid artistic foundation for his future creation.
Mr. Yu Zhihua has unique artistic characteristics. As a painter, he also has his own unique views on art investment, which probably stems from his special fate for calligraphy. Years of painstaking research on calligraphy and painting also gave him his own experience in artistic identification of calligraphy and painting works. "The appraisal of works of art is actually an improvement of one's artistic accomplishment, which is more conducive to the creation of one's future works." Now many local people come here to ask him to identify works of art. Mr. Yu Zhihua's art investment thinking is not simply collecting paintings and calligraphy works and then changing hands to earn the difference. He combined priceless jewels and jade with priceless calligraphy and painting and embarked on an artistic and economic road.
In this way, his paintings and calligraphy works are also appreciated by more celebrities in the art world and social collectors, which is the original intention of Mr. Yu Zhihua to join the art world. In April, 2009, a 25-member "Danqing Moyuan" Chinese-Japanese painting and calligraphy exchange delegation went to Chaishan Gallery in Ginza, Japan. Yu Zhihua, then artistic director and deputy head, cut the ribbon and spoke on behalf of the China delegation. His calligraphy works are deeply loved by Japanese and Korean friends, and all of them are collected and acquired by friends. His personalized calligraphy road is favored by Japanese calligraphy friends.
Mr. Yu Zhihua practices calligraphy every day now, because the foundation of calligraphy depends on accumulation. The difference of an artist's calligraphy can show the artist's artistic accomplishment. Calligraphy can't be measured by the artist's fame, but by his own meticulous pen and ink skills. Now he has his own art gallery in Zhihua, and has visited Macao, Vietnam, Japan, South Korea, Western Europe and other countries and regions for many times to participate in famous painting and calligraphy exhibitions and exchanges; His works have been compiled into nearly 100 collections of paintings and calligraphy, and his artistic achievements have been reported by dozens of media such as Xinhua News Agency, Habitat, China Art, China News, World Knowledge Pictorial, China Collection, Beijing Metropolis Daily, china network television and Zhejiang TV Station. Yu Zhihua's major works include Old Mei with Iron Bone, Cool Wind, The Palace of Eternal Life, Long Yin and so on. , excerpted by dozens of calligraphy and painting associations, entered the auction of contemporary fine works in China. At the same time, he also served as vice chairman of China Calligraphy and Painting Society, librarian of China National Studies Institute, deputy secretary general of China Chinese Painting Artists Association, member of China Calligraphy and Painting Art Committee of Ministry of Culture, executive director of International Artists Association, president of China Calligraphy Art Research Institute, vice president of China International Wu Changshuo Art Research Institute, vice chairman of China Alien Calligraphers Association and president of China Wuyue Calligraphy and Painting Research Institute.