I believe everyone knows that the most famous Forbidden City is of course the Forbidden City in Beijing and the Forbidden City in Taipei. There are countless precious cultural relics left by predecessors in these two Forbidden City, which makes people curious.
The magnificent architecture of the Forbidden City, its stories and legends, and today's precious cultural relics have attracted more tourists from both sides of the Taiwan Strait and three places to see these treasures and architectural designs.
Then Bian Xiao will help you take stock of the top ten treasures of the Forbidden City in Beijing and the Forbidden City in Taipei!
Ten Treasures of the Forbidden City in Beijing
Painting and calligraphy treasure "The Riverside Scene at Qingming Festival"
The Riverside Scene at Qingming Festival is a masterpiece of painting and calligraphy in the Forbidden City. It was painted by Zhang Zeduan and recorded the architecture and people's livelihood in the suburbs of Bianjing (now Kaifeng), the capital of Hui Zong era, and on both sides of Bianhe River in the city with exquisite brushwork.
The whole picture is divided into three sections. In the form of a long scroll, the work uses the composition method of scattered perspective to bring complicated scenery into a unified and changeable picture. In the 5-meter-long picture scroll, * * * painted more than 550 people of various colors.
The treasure of bronze was found in an Asian square bottle.
The Asian Bottle, a treasure of bronze, is a masterpiece of bronze wares in the Forbidden City. The appearance of bronzes is one of the important symbols of ancient China from barbarism to civilization. Zun is a kind of wine container, which was very popular from the early Shang Dynasty to the Spring and Autumn Period and the Warring States Period.
Fang Zun was handed down from generation to generation. In 1970s, several bronzes with inscriptions were unearthed in Subutun, Yidu, Shandong Province. Judging from the excavated tombs, the scale is not small, and many objects with sub-inscriptions indicate that they may represent a large family.
Jin 'ou Gu Yong Cup, the treasure of the palace, is a dried dragon.
Jin 'ou Gu Yong Cup, a treasure in the palace, is a fine work among the palace cultural relics in the Forbidden City. Height 12.5cm, caliber 8cm, foot height 5cm, palindrome engraved at the mouth.
According to the records in the Archives of the Office of the Interior Affairs in Qing Dynasty, Emperor Qianlong attached great importance to the making of this kind of cup, not only using precious materials such as gold, pearls and precious stones in the treasury, but also carefully making and modifying it many times until the emperor was satisfied. Therefore, the cup has always been regarded as a precious ancestral magic weapon by the Qing emperor.
Lacquerware treasures Zhang Cheng carved lacquer moire board.
Rizo was a master of Qi Diao in Yuan Dynasty, and his works handed down from generation to generation were regarded as treasures in Qi Diao's works. Zhang Chengzao's carved lacquer moire plate is a representative work of lacquerware in the Forbidden City.
The height is 3.3cm, the caliber is 19.2cm, the wooden tire is painted black, and the inside and outside are engraved with moire. The pile of paint is thick, crystal clear, and the carver is round. From this disc, we can know that Rizo is not only an expert in picking red, but also a superb rhinoceros picking skill. This dish provides an example for the study of rhinoceros picking technology in Yuan Dynasty.
Yu Bao Yu Yu Yunlong wenlu
Jade Dragon Furnace is a masterpiece of jade in the Forbidden City. Made in Song Dynasty, with a height of 7.9cm and a caliber of 12.8cm. It is made of turquoise. The whole body is based on the word "I", decorated with Youlong, Xiangyun and seawater patterns.
The bottom of the container is engraved with Gan Long's seven-character poem: "When the temple praises the scriptures, it is engraved as the Four Spirits of the Dragon Flying Hall. Mao Bo, Xing Hou, has a different Zhou system, and Zu Ding's father is like Shang Xing. I am still studying in Sang Hai, but unfortunately my salary changes with the rustic sheep fat, leaving only the clouds fading. "
The treasure of enamel cloisonne enamel wound lotus pattern elephant ear furnace
A twisted-wire enamel lotus-patterned elephant ear furnace, Yuan, height 13.9cm, diameter 16cm, foot diameter 13.5cm, old collection in Qing Dynasty. Furnace bronze tire, round, bulging belly, like the nose and ears in the first volume, round.
Light blue glaze on furnace neck, 12 yellow, white, red and purple chrysanthemums. The abdomen is covered with sapphire blue glaze and decorated with six twisted lotus flowers in red, white and yellow. Decorate with lotus petals for a week.
Legal Treasures in Lu Ji's Ping Fu Tie in the Western Jin Dynasty
Lu Ji's Ping Fu Tie in the Western Jin Dynasty is the representative work of Fa Tie in the Forbidden City, and it is also the earliest celebrity ink mark in the world. The content is that Lu Ji greets his friends about his illness.
Painted golden pavilion self-opening royal clock.
Black lacquer painted pavilions and immortals' longevity bells are representative works of clocks and watches in the Forbidden City. Height 185cm, width 102cm and side width 70cm. This clock * * * has seven sets of mechanical systems, which control the movement devices in the walking time, time telling and scenery box respectively, and the technical level is quite high.
According to records, it took more than five years from the design of Qianlong in eight years to its completion in fourteen years.
The Treasure of Weaving and Embroidery, The Picture of Magpie by Shen Zifan
Shen Zifan's "Mei Que Tu" is a masterpiece of embroidery in the Forbidden City. The axis of the picture is 104cm and the width is 36cm. Silk reeling in ancient China is regarded as the noblest variety in silk weaving technology. The ancients said that "one inch of silk reeling and one inch of gold" is the most precious silk reeling work.
Silk reeling is noble, first of all, because of its huge working hours, countless ties and superb skills. Secondly, although the skill of reeling silk is not simply copying calligraphy and painting, it is difficult to learn.
The Treasure of Ceramics nirvana in fire Red Glaze Straight Bottle
Langyao red glaze wears a straight bottle with a height of 20.8cm, a diameter of 6. 1cm and a foot diameter of 9. 1cm. The bottle has a straight mouth, a long neck, a hanging belly and a circle of feet. There is a rectangular perforation on both sides of the outer wall of the foot, which can be penetrated by a rope.
Bundling containers is a traditional method of lifting utensils without beams, straps and wrenches, which is convenient to disassemble and very practical, and can also fix the utensils in the place without damage.
Ten treasures of the National Palace Museum in Taipei
Western Zhou Dynasty: Mao
This Western Zhou Mao Ding Gong is 53.8 cm high and was unearthed in Joo Won?, Qishan County, Shaanxi Province in the Qing Dynasty. Mao Dinggong was unearthed in Qishan County, Shaanxi Province, about the 28th year of Daoguang at the end of Qing Dynasty (A.D. 18 14).
After Mao Dinggong was unearthed, it was kept secret many times. During War of Resistance against Japanese Aggression, the dangerous period was seized by the Japanese army. After the victory of the Anti-Japanese War, the people dedicated this tripod to the public, and now it is collected and displayed by our institute.
It is a custom that there are inscriptions in the middle and late Western Zhou Dynasty and there are grid lines in the inscriptions. Therefore, in addition to the historical value, Mao also plays an important role in ancient philology and calligraphy art in China.
Western Zhou dynasty: random disk
Sanskrit disk, also known as Sagittarius disk, was a heavy weapon in the Western Zhou Dynasty. In the early years of Qing Qianlong, it was unearthed in Fengxiang, Shaanxi, and was once hidden in the inner government of Qianlong. It is famous for its long inscriptions.
The inscription on the sushi plate is cast on the inner bottom of the plate, with 375 words. This is a work with a very outstanding style. His calligraphy is simple and vigorous, the font is bold and simple, vigorous and round, and the words are wonderful and pure, magnificent and colorful.
One of the four national treasures, the Western Zhou Pan, was originally hidden in the Imperial Palace of the Qing Dynasty. It is also called "national treasure" with Mao, Da, Guo and Pan. The original rubbings are extremely rare, and it is extremely rare for domestic scholars to compete for collection.
Yan Zhenqing: A memorial manuscript for my nephew.
The manuscript for offering sacrifices to nephews was written by Yan Zhenqing in cursive ink. This article was originally a draft eulogy written by Yan Zhenqing for his nephew Ji Ming who was killed by An Lushan.
This work was not originally written as a calligraphy work. Due to extreme grief and indignation, it is difficult to calm down, and there are many mistakes and mistakes, which are sometimes smeared. But it is precisely because of this that the word is dignified and stern, full of charm, round and magnificent brushwork and vivid gesture. It is purely written by God, and it is naturally wonderful.
Zhao Gan in the Five Dynasties: The First Snow Map in Jiangxi
The whole volume describes the first snow scene in fishing villages along the Yangtze River. The title in front of the picture, "The first snow on the river, the shape of Zhao Gan, a student of the Academy of Painting", should be the handwriting of Li Yu, the queen of the Southern Tang Dynasty. There are seals of Song Xuanhe, Jin Mingchang, Yuan, Qing Qianlong and Jiaqing, as well as seals of Ke, Liang Qingbiao and Liang Qingbiao.
Fan Kuan in Northern Song Dynasty: Tourism Map of Xishan Mountain
The representative works of China Northern Song Dynasty painter Fan Kuan. On the screen, Dong Qichang inscribed "Fan Zhongli's trip to the Western Hills in the Northern Song Dynasty" in the poetry hall. The tourist map of Xishan Mountain has always been called Fan Kuan's masterpiece, and the words "Fan Kuan" are engraved among the leaves.
Critics of all ages praised the painting. Xu Beihong once spoke highly of this painting: "Among all the treasures in China, the Forbidden City is the second. What attracted me most was Fan Zhongli's Travel Notes of the Western Hills, which was magnificent, solemn and noble, and was sincerely created by ten thousand people.
This picture is a giant frame, and a hill that accounts for two-thirds of the whole area is abrupt and staggering! "
Huang Wang Gong in Yuan Dynasty: Fuchun Shan Jutu
Huang is the representative work of Huang, a master painter and faction leader in Yuan Dynasty in his later years. He is also the pinnacle of China's ancient ink landscape painting, and his artistic achievements in China's traditional landscape painting can be described as unprecedented and unprecedented.
This famous painting has been handed down for hundreds of years and experienced many vicissitudes. The night before liberation, it was transported to Taiwan Province Province and collected by the Palace Museum.
Ru Kiln in Northern Song Dynasty: Sky Blue Traceless Narcissus Basin
Ruyao narcissus basin is unique in the world. Ru kiln has always been listed as the first of the five famous kilns in Song Dynasty. For a long time, Ruyao was considered to be in Linru County, Henan Province, but no ruins have been found.
It is said that your enamel contains agate, and the main component of agate is silicon dioxide, so it can present pure sky blue. Ru kiln is known as the crown of celadon with its moist sky-blue glaze and unique style. Because it is rare and precious, there are currently less than 70 pieces in the world, and the National Palace Museum in Taipei has 2 1 piece.
Ruyao in Northern Song Dynasty: Lotus Bowl
One of the "Five Famous Kilns" in Song Dynasty is a famous porcelain kiln in China. It took only about 20 years for Ru kiln to fire palace porcelain, from the first year of Northern Yuan Dynasty (1086) to the fifth year of Chongning (1 106), with few handed down products, which was regarded as a rare treasure.
Qing Dynasty: Jade Cabbage
Jade cabbage was originally the display of Yonghe Palace in Qing Dynasty, and it is said that it is one of the dowry of Princess Jin of Guangxu. Cabbage symbolizes innocence and purity, and two cows symbolizing fertility are carved on the green leaves, praying for a full house of children. Jade sculptors use the natural color distribution of jade to grind a fresh Chinese cabbage.