Seeing Reservoir Dogs for the first time was wonderful and unprecedented. I've never felt this way before. The groan of death seems like I'm breathing. A very simple story made me feel groggy and confused for the first few minutes. Slowly, with the unique charm of the film, I was naturally attracted and then integrated into it. A group of thieves planned to rob a jewelry store, but due to a series of unplanned mistakes and their chain effect, they panicked, lost their minds like dogs in the water, and finally killed each other. There is an important clue interspersed among them, that is, there is a policeman undercover, but they know nothing about it, and there is a thief who has a particularly deep feeling for him, which is also the direct cause of their final death.

This is a very simple story, and Quentin's hand becomes very interesting and lasting. He is the kind of person who can combine deception and violence perfectly. I later found a more professional word-black humor. Reservoir Dogs reveals this kind of breath almost everywhere, not deliberately, but the feeling contained in his bones. He named the six people who robbed by color. Mr. White, orange, gold, brown and pink sounded like the real Barbie. There is also the most famous beginning of the film, from a group of people talking in a restaurant to all the characters immediately appearing, from Madonna's song "Like a Virgin" to who will pay the tip, from eight people dressed in black walking out of the restaurant to the slow-motion performance after the rock music began. The movie scene was originally set for the plot more or less, but Quentin overturned this rule with a seemingly redundant beginning. These scenes are not useless. He used these shots to set the tone and style. I think what he wants to say is: this is the effect. It looks cool, incredible, fresh, nonsense and Quentin. Isn't that enough?