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work efficiency
First of all, we need to consider work efficiency. This dimension is actually a very personal consideration. Different people have different choices.
Some people are more likely to concentrate at home, and they are more likely to get into a state in Xiaotian's own land. Inspiration and thinking may come from anything at home, food at your fingertips, things you like, or interaction with pets. He may wake up at 6 o'clock in the morning and sit in front of the computer, or he may be inspired by generate at night 1 1, and he can enter the state at home at any time.
If you cooperate with others and rent a * * * recording studio, you may talk for a while, walk for a while and enjoy a piece of electronic music. In this case, your attention will always be disturbed by the outside world, and it is difficult to enter the working state.
But it should be noted that working at home requires more self-discipline and good self-control. Instead of sleeping in 1 1 in the morning, changing into pajamas at noon and lying down in the afternoon, it is completely inefficient to find that you have done nothing all day at night. In this state, it is best to find a studio to cooperate. After feeling "watched", you will generally get some work output.
02
Transition between work and life
The second thing we need to consider is the transition between work and life. If you are not a full-time workaholic day and night, then even the office worker's 996 needs a proper transition between work and life.
For example, you get up at 8 o'clock in the morning, have a delicious breakfast, then walk 5- 10 minutes to your studio, chat with friends in your studio, and then get into work.
At noon, you can have lunch with friends in the surrounding parks, sit on the grass and enjoy the sunshine, and watch the lovely children around you play naughty.
At 6 o'clock in the evening, you walked home while the sun was setting, humming a ditty, which completely changed the working state of the day. You can completely relax, stop thinking about things at work, recharge your body and let brain cells return to the blood so that you can continue to work the next day.
This cycle is also conducive to the formation of a work rhythm and work habits, and changing direction can improve work efficiency.
If you are at home, it is best to have a two-bedroom house. One room is a special studio and the other room is a leisure space. Although I can't complete the transformation through the physical distance from home to the studio, I can enter another room from one room, at least I can make the transformation psychologically and tell myself that I can have a rest when I leave the studio.
03
Communication is an intangible asset.
Illustrator is a lonely profession. When you are still in college, you may have a teacher to talk to. The teacher will guide you and give you advice. You also have a classmate who looks at each other's works and learns from each other. But when you really enter the ranks of freelance illustrators, you find that there are no teachers to give you advice and no old friends to chat and laugh. You find yourself in a one-way street, and the quality of your work is up to you. Without communication, you will become an information island.
At this time, you at least have the need to communicate, whether by working in the studio every day, getting along with each other day by day, or joining an organization or society and communicating with art practitioners regularly every week or month, it will reduce your loneliness.
This kind of communication may be a collision of inspiration, learning from each other's experiences, sharing work projects or market dynamics. Which customer is operating a project, maybe you have a chance to participate. The exchange and transmission of these information, the encounter and communication between people make you feel that life is still full of fireworks, and you are not alone.
conclusion
Whether a freelance illustrator should work at home or in a studio depends on his personality and state. In fact, everyone can try two States separately, then switch, and finally find a route that is most suitable for their own development. After all, nothing is absolute, and what suits you is the best.
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How to be an illustrator Question 1: How to be an illustrator? Share my personal route.
A long time ago, I went to the China Illustrator Union Forum and published my own works in it. Later, someone contacted me to draw illustrations. So slowly embarked on the illustrator's point of no return _
Later, I serialized my own cartoons on Tianya, and gradually gained a certain popularity. Now I can finally work from home.
If you want to be an illustrator, no matter you are a professional or a * * *, you must have a basic knowledge of art, and imagination is preferred. Many people think that imagination is innate, but I think imagination can be trained. Read more, learn more and copy more. Constantly hone your painting skills, publish your works on major websites, communicate with your predecessors, and Bole will find you slowly ~!
In addition, it is very important that you have enough patience for this job, because * * * painting requires a lot of patience, and fortunately, it requires a lot of endurance.
Question 2: I want to be an illustrator, but I have no painting foundation. What should I do? Hello, I study painting. Self-study may not be very professional. You can find that kind of art joint exam training class during holidays or after school. Practice more and then learn some drawing software. Illustration is not as simple as imagined, not only hand-drawing, but also the learning of illustration software is very important. To a certain extent, you can take the primary certificate first. As long as you work hard, it is no problem to reach the average level in two years. However, in addition to basic operational ability, creative ability is also very important. Therefore, in addition to learning and copying, we should watch more and try to create our own works. If these can be done well, it should not be difficult to take the postgraduate entrance examination illustration. Wish you success!
Question 3: How to become an illustrator? It's not a dream for Tianyu Education to make a 0-based big horn become a big horn when your skills are up to standard.
Question 4: How to become an illustrator? First, find some simple still lives and try to draw. Generally speaking, learning to draw is to lay a good foundation first, so that you have enough imagination to lay a good foundation, and then try to spend some common pictures in illustrations and begin to imagine yourself drawing. . Duolianen
Question 5: How to be an excellent illustrator The art of illustration is more demanding than any painting field.
Whether it is composition color space rendering
Everything must be extremely innovative.
There are countless illustrations now, but not many of them are of good quality.
So, as long as you do your best as an illustrator, you can!
Of course, you can also search the works of any famous teacher online! ! Want to see more. Practice more! !
Question 6: How to become an illustrator? Give you a study plan.
You can go to a sketch class to learn sketch after work. Tell the teacher about your situation. When I just graduated, I just joined the work and learned the colors after sketching. I studied gouache at that time.
I suggest that you don't have to find a particularly expensive class, just find a teacher with enough time and patience.
Sketch is very important! Remember this. Practice if you have nothing to do.
If you feel that you have enough time, you can learn some software later or at the same time.
PSAI will do it. Learn painter first, then PSAI, PSAI, and you specialize in illustration and sketch.
Because of what you said about the mouse painting. Personally, I strongly disagree. Without a tablet, it is difficult for an illustrator to express something. Even if you love AI, it is actually faster and easier to operate based on numbers. I mainly draw AI now, and the graphic tablet is really much better than the mouse. It's not that the mouse can't draw well, but that the graphic tablet is the basis of an illustrator. You must study.
I learned sketching colors, signed up for an illustration class, and studied systematically.
It took more than a month, which is not long, but it will shorten your groping time, which is very worthwhile.
I have been designing for one year and studying illustration for two months, and now I am publishing illustrations in a studio.
We are the same, so we don't have to feel inferior. As long as you like it, you are sure to succeed.
Question 7: How to become an illustrator? Now illustrations are divided into hand-drawn and computer-drawn, and there are special training courses, which can be completed in about ten months. After passing the final exam, the school will help you find a job.
If you want to teach yourself, it depends on your talent and diligence. There are many kinds of water-soluble colored lead, acrylic pigment and oil painting in hand painting, and the cost is different.
Want to learn computer drawing, buy a hand-drawn board, that is, the graphics tablet will download ps, SAI and other drawing software, and check the tutorial yourself. Personally, PS is more difficult to learn.
Illustrators and illustrators also have many levels, and how to mix them depends on the time and energy invested.
The above is my personal opinion, and I hope it can help you adopt it.
Question 8: How to become an illustrator? Learn basic skills and be creative.
Question 9: How to become an illustrator? Hello, I study painting. Self-study may not be very professional. You can find that kind of art joint exam training class during holidays or after school. Practice more and then learn some drawing software. Illustration is not as simple as imagined, not only hand-drawing, but also the learning of illustration software is very important. To a certain extent, you can take the primary certificate first. As long as you work hard, it is no problem to reach the average level in two years. However, in addition to basic operational ability, creative ability is also very important. Therefore, in addition to learning and copying, we should watch more and try to create our own works. If these can be done well, it should not be difficult to take the postgraduate entrance examination illustration. Wish you success!
Question 10: How can I become a better illustrator? No matter what you do, you must have a foundation. As long as you want to do anything you can't, you can't eat a fat man in one bite.
Being an illustrator shows that you are interested in painting, and interest is also the key to success.
There is no shortcut to painting. If there is a shortcut, it is plagiarism. Copy the plaster head, copy the still life, copy your favorite painter. Understand the light and shade, human body structure and facial mechanism, how to draw the texture of objects, and understand the perspective relationship. The stronger the foundation, the more helpful it will be to your future creation.
Get into the habit of drawing and keep drawing every day to see how many days you can last. If it lasts less than 30 days, give up the idea of being a painter as soon as possible. You can also exchange your painting experience in forums or groups and complete a complete work every month.
Do it my way, and you will become an illustrator of Niu X.
How to be an illustrator? I gave myself a reason to study illustration.
My major in university is science and engineering. I resigned after working in a state-owned enterprise for two years. How did I learn illustration one year after I resigned?
It's been a whole year since I started to learn illustration at this time last year. Like most people, when I first started to learn illustration, I also received many obstacles, such as: you started too late now ... making illustrations requires a lot of skills, but you didn't ... all these are true, but they still didn't stop me from starting.
The reason is love, of course. If you can do what you love, you are really lucky.
Especially now illustrations have been widely used in all walks of life, including startup pages, banners, special topics, refresh pages, details pages, icons, pop-up boxes, background pictures, holiday splash screens, expression packs, packaging, vi design, book illustrations, and many illustrations. Even now, illustrations in ui design have become a plus item. It is so important to know how to illustrate. Even if it's just a hobby, you will find the whole life better.
Two _ quail coward ≡≡?шlooks OK, I said OK, simple, not difficult.
This year, many people asked me, can I really learn illustration well without taking classes and laying a foundation? Are you really zero-based? My study experience tells me that it is possible! No one is born to be an illustrator. Excellent illustrators learn a little, so can we. And many illustrators are very good at sharing, and I have benefited a lot from it. Although there is still a big gap between my paintings and theirs, I am glad that I have made rapid progress in sorting out my works this year.
Three _ There is no way to teach yourself illustrations. In fact, I am just digging a hole for myself.
At the beginning, when I taught myself illustration, I knew that I was reading with a book or pulling a bunch of video tutorials from the Internet, but I always felt that I was stuck in my study. My study was always in a mess and my mind was in a mess. On the road of self-study, the more you go forward and work harder, the more you have an impulse to give up. My heart really broke down.
Later, I consulted my college classmate Wang. After graduating from college, she made illustrations. She said you didn't even reach the level of half a bottle and less than one bottle. How dare you play self-study You're confused about the most basic concepts. You are not teaching yourself. You are deceiving yourself. Then Wang put me in a large learning resource (skirt) with original pictures and illustrations, in which all kinds of video tutorials are systematic, and teachers share relevant knowledge every day, so I listen to them every day, not to mention really studying illustrations, and my inner doubts are swept away.
Many friends have been asking me how to find a large-scale learning resource (skirt) for original painting illustrations. Let me share it with you. The first set of numbers is: 239, the second set is: 869, and the last set is: 377. Personally, I think I can have a good learning foundation to accompany me on the road of learning.
Four _ I can copy the process of learning illustration, believe in myself and expect the future.
(1) If a worker wants to do a good job, he must first sharpen his tools.
My usual tools include a computer, PS software and wacom hand-drawn board. My computer is a macbookpro 15 inch notebook. At present, all my illustrations are drawn by PS, which is the most comprehensive software compared with SAI, AI and SKETCH. Hand-drawn board needs some feel, many friends say it is not very good, just practice it a few times. Maybe it's because I just don't have a hand-drawn foundation. The first time I used the hand-drawn board, I felt very good. I thought a few strokes on the board could be presented by PS. It's so interesting. I fell in love with the hand-drawn board, so I didn't transition from paper to hand-drawn board when I came into contact with illustrations, but started to use hand-drawn board directly, and repeatedly checked the missing parts according to the problems I encountered.
(2) Copy-if you can't copy it, copy it first.
Because there is no art foundation, hand-drawing is the most difficult for me. At first, I really couldn't draw it I found some beautiful illustrations from the internet and picked some simple pictures, such as some plants, a small animal and a villain.
(3) semi-copying-imitation is boring, and imitation requires skill.
I copied about three or four. In fact, I have mastered several expressions of board drawing, and I will find that compared with the original, the copied ones are still good. Next, I found it useless to just plagiarize, because even the best plagiarism is the result of others. You are just imitating, and all you can learn is the expression of the original, that is, some software technologies. If you really want to draw by yourself, there is no idea in your mind and you don't know how to write in your hands.
At this time, I began to try semi-copying, that is, adding some of my own ideas on the basis of the original work, which is equivalent to adding some of my own hand-painted ideas to the mastered techniques. By collecting materials (first drawing a draft on paper, then taking photos with my mobile phone and sending it to PS for painting), or changing the composition of the original picture, I replaced or modified what I thought was useful into the original picture. In short, it is to modify the original works according to your own ideas. These are all works of that stage. It is difficult for me to do this step well without an art foundation. At that time, I thought it was difficult to draw anything, so I practiced in my notebook, but I still felt that the progress was too slow behind closed doors.
From the learning foundation mentioned by Wang, I found a set of sketch courses to make up for the artistic skills that everyone has always mentioned. At first, I couldn't draw straight lines, so I began to practice drawing straight lines, shaping geometric figures, tuning, shaping the relationship between light and shade, and so on. By learning sketch, I began to have a systematic understanding of the expression and modeling of light and shadow.
Learn sketch-geometry, still life, landscape, human structure and sketch. I will apply what I have learned to my board painting as much as possible, and gradually feel less laborious and hand-drawn will be better.
(4) originality-learn from others and form your own.
The next step is originality. In fact, originality is not completely conceived out of thin air and then drawn, but based on many materials. My method is to collect pictures and photos of what I want to draw online, find out what I like, and then collect the elements involved in the picture in my mind from different fields and combine them into a picture according to my own ideas. This confirms a sentence: innovation is a new combination of old elements.
In addition, at this stage, I also began to learn more board painting techniques. I often ask teachers in the learning base for many video tutorials, and then draw with them, because illustrations have many styles, such as realism, plane, texture and so on. For me, I like the plain and fresh style, so I will analyze how these illustrations are represented, what brushes are used, how the graininess is made, what materials are superimposed, and why the colors are beautiful. Then I began to summarize these techniques and become my own things, but I can't copy them, but use them invisibly to form my own style.
Five _ _ _ _ _ _ _ _ _ _ _ _ _
Learning needs a process and hardship. Don't always think about getting there in one step. This is unrealistic. We should be down-to-earth, pay attention to ways and means, show wisdom in our efforts, and make efforts in wisdom.
(1) About software
There was an episode in the study of PS software, because I studied illustration before, and of course I didn't know what a hand-drawn board was at that time. At that time, I studied photography. Because I like photography better, photography will inevitably be done later, so I began to learn PS retouching or making posters. Well, the episode is over and the real dry goods are here.
I learned PS by reading a book called PS Non-trace. This book is very thick. I just resigned in June last year,165438+1October. I watched it for almost a month, but I really studied very carefully at that time. After graduation, I seldom read reference books so hard, and I also made various marks. I admire myself now. After reading this book, I really felt that I was proficient in PS, haha. In fact, if you just paint, you don't need to master it. What you use is nothing more than those tools.
(2) About the website
The websites I use the most every day are Station Cool and Petals, which have many excellent works that can be used to copy and practice. There are also some design competitions on the China of Station Cool and UI. Interested parties can take part in it. I have participated in poster design competitions and some pattern design competitions, which are all good experiences, mainly because I can learn what ideas and expressions other excellent designers will use under the same topic.
It is also helpful to make good use of petal net. Usually, you can collect all your favorite illustrations or materials into the petal net, and you can go directly to see them when you use them, like a fortune of your own. I also have a special collection of my inspiration library, which is full of some creative materials I have browsed, and basically there will be a point that I can hardly think of. Then, when I am not inspired, I will go through it and often get something.
(3) About books
I used to work in a state-owned enterprise. State-owned enterprises really feel like frogs boiled in warm water. Now think about that time, either going to work or doing nothing after work. On weekends, I think about how to relax, where to go shopping, Taobao and buy all kinds of clothes. The wardrobe is full, but I still have no clothes to wear when the season changes. ......
I have changed a lot since I resigned last year. What buy buy bought was not clothes, but various books, such as design, illustration, photography, learning methods, copywriting, operation, quality of life and so on. Personally, I think it's very helpful to learn some books that the teacher showed me in the resource library.
Principles of color matching design
Practical sketch course
Elaboration of illustration design skills in illustration classroom.
How to be an illustrator
84 creative skills of illustrators.
(4) About creation
Creation is actually an effective presentation after a lot of accumulation. I think the accumulation here is to watch more, practice more and record more.
Look at more optimistic works that stimulate the desire to create.
To practice more is to practice more hand-drawing skills and improve the creative speed.
Remember more is to remember more instant inspiration and increase creativity.
I summarized all the above by myself, I don't know if it's right, but I suddenly found that my summary is quite good, at least very neat, like serious nonsense, haha.
If you watch too much, don't say it. It has written in detail where to go. If you practice more, you won't say it. Just practicing. I am not afraid of too much. I'm also practicing.
Remember that I have to say a few words, because I found that many inspirations are instantaneous. I don't know if you feel this way. For example, when I was cooking, I suddenly thought of drawing a picture, and then I thought, I must write this idea down when I was cooking, but when I was cooking, I suddenly asked myself that I would write it down, so no matter what I was doing or going out, I usually put it in my bag. Of course, if you have a special function that you can't forget, you can ignore this.
These are some of my main learning methods, I hope I can help you. Remember, watch more, practice more and record more!