1, Huanxisha is the so-called "diào", which is divided into upper and lower parts.

The first half of it is three sentences, and so is the second half.

3. In Shang Qi's three sentences, each sentence has a complete meaning, and the last word must rhyme.

Of the next three sentences, the first two are antithetical sentences, and the first sentence must not rhyme.

Second, Qin Guan's "Huanxisha"

The desert is light and cold, with small buildings.

Silver hooligans are like poor autumn.

Looking back at the screen, the light smoke, the flowing water, the mood is faint.

Flying freely is as light as a dream,

Continuous silk rain is as thin as sorrow.

Look again, the curtain of jewelry hangs on the silver hook at will.

Third, analysis

1, uptown: lonely cold building. Silver hooligans are like poor autumn. Looking back at the screen, the light smoke, the flowing water, the mood is faint.

2. In the three sentences, each sentence is a complete sentence, and the last "Lou", "Qiu" and "You" rhyme.

3. Xiatan: "Free flying flowers are as light as dreams, and endless silk rain is as fine as sorrow." This is a confrontational relationship.

The last word "dream" in the first sentence doesn't rhyme with "worry" and "hook" in the next two sentences.

Fourth, appreciate

1, translated (from Baidu)

With a chill, I boarded the small building alone. The morning is cool and boring, as if it were late autumn. Looking back at the painting screen, there are faint smoke, gurgling water and faint artistic conception.

Outside the window, the flowers are dancing freely and lightly, just like a dream. The rain is falling and drifting aimlessly, just like sadness is flying. Look at the gem-decorated curtains hanging on small silver hooks at will.

2. In the last three sentences, only one action of going upstairs was written; In the next three sentences, I only wrote a little about the ordinary scenery seen from the upstairs window. If we make this word into a short video, the picture is nothing more than a person going up to a small building and looking out the window, and the story is over.

We can't even see this person's appearance, clothes or even gender clearly. However, as long as we read the whole word, we will naturally believe that the character in the word is a young woman with charming appearance and elegant manners, who is worried about love or not.

4. The woman in the poem is obviously not a hook artist in the market. All soft images and delicate emotions imply that she is a delicate woman. Her brow may be slightly wrinkled, but only slightly wrinkled; Her lips may be slightly sipping, but only slightly sipping. There must be no one else in that small building, but her clothes must not be relaxed, and her sitting posture must be as relaxed as in public. All the images set off her noble and restrained beauty, which will remind us of the woman in The Tale of Genji, who is faint and unable to make a sound all day.

5. What is the beauty of "flying freely is as light as a dream, and the rain is as fine as sorrow"?

Everyone knows this is a metaphor.

(2) Why do people use metaphors? Generally speaking, it is to explain unfamiliar things with the help of familiar things or to explain abstraction with the help of images.

(3) Qin Guan's poems describe a delicate woman's leisure, always for no reason, neither like the profound hatred of the proletariat, nor like being wronged by anyone. Everything is fine, except a little unhappy.

(4) What is this worry and what is her dream? Of course, I'm not sure, but I know her mood is very subtle, very subtle.

As for how delicate it is, in other words, how light the dream is and how fine the sorrow is, it is certainly even more unclear.

[6] In order to clarify unclear things, familiar and visualized things can be used.

Once, we all felt how light the petals were in the air and how slender the rain in Mao Mao was, so we could understand how light her dreams were and how delicate her worries were.

In fact, dreams can't be measured by lightness or thinness. Only objects can be said to be "lightness" or "thinness". Therefore, to say that dreams are light and worrying is to visualize and materialize illusory things, and then compare them to flying flowers and silk rain to make the image more vivid.

Levies thinking in images is the most direct and labor-saving way of thinking, and of course it is also our brain's favorite way of thinking.

⑽ If literature wants to have the effect of "pointing at people's hearts", it must visualize all kinds of things that are not vivid. The stronger the sense of picture and vision, the stronger the expressive force. Qin Guan is an expert in this field.

⑾ However, it is not very clever to compare dreams to flying flowers and sorrow to silk rain. This statement can be said by many people. Qin Guan does not mean that dreams are like flying flowers, but that flying flowers are like dreams, not that sorrow is like silk rain, but that silk rain is like sorrow, deliberately creating strangeness in language and creating aesthetic distance. We all know a saying: "Distance produces beauty."

⑿ Visualization with metaphor is to close the distance, and conversely metaphor is to open the distance. The tension between distance and distance reflects literary talent.

[13] Flying flowers are like dreams, and rain is like sorrow. This metaphor written in reverse is essentially an inverted sentence, in order to create a sense of distance. More brilliantly, after reverse understanding, we can understand in the right direction, so flying flowers are like dreams, dreams are like flying flowers, rain is like sorrow, and sorrow is like rain. The ontology of metaphor and metaphor are intertwined, which is both ontology and metaphor. This kind of hypocrisy can't be handled well.

6. The finishing touch in The Little Silver Hook Hanging on the Curtain

(1) Focus on the word "leisure". In fact, in the eyes of the observer, we can only see the small silver hook hanging on the treasure curtain, and the curtain is hung up, just like when we see the neighbor's window open from the outside, we can only see the window open, but we can't see the window open.

The word "leisure" is obviously added by the poet, but the reason why we don't feel stiff and artificial is because the atmosphere of the word "leisure" is solidly set off in five sentences, except the last one.

⑶ A word "leisure" makes the faint sadness in front seem as if nothing had happened, and makes all actions and ideas indispensable. The heroine is no longer the woman who longs for love, misses her lover or even flirts with the poet in Flower Picking, and is no longer consumed by male poets in one way or another, but has a feeling of "single as a flower, cloud-centered".

7. Qin Guan can write the "weather" of beautiful women, which means that Song Ci has taken another important step outside the collection of flowers.