The last article used a lot of space to describe Guanfu's outdoor environment and cats, but hardly mentioned the cultural relics in the collection. Because this is in line with the actual experience of many tourists visiting and watching the restoration. When visitors enter the museum, they first take a rest and look at the cats, and then look at the cultural relics with a relaxed and happy mood, which makes visiting the museum a pleasant experience and makes more people fall in love with the museum.

The exhibition in the museum consists of five parts: porcelain, furniture, arts and crafts, doors and windows and oil painting. Only mobile phones are allowed to take photos in the museum, so photos are far from enough to show the exquisiteness of cultural relics. Appreciate cultural relics, or appreciate the real thing with your eyes. Furniture, doors, windows and oil paintings are all naked exhibitions, and visitors can enjoy cultural relics at close range without shelter.

In the exhibition hall, the first exhibit is a lovely water show in the shape of a copper duck. There are many jewels scattered around, which seems to imply a dazzling array of cultural relics in the museum.

The cloisonne painted enamel "Yuan Chao Tu" in the foyer is extremely gorgeous.

Let's visit the China Museum first. Entering the Porcelain Museum, there are two showcases displaying more than ten pieces of ancient porcelain, from the twisted tire patterns in the Tang Dynasty to Yaozhou Kilns, Jun Kilns and Longquan Kilns in the Song Dynasty, and then to blue and white and colored porcelain in the Ming and Qing Dynasties. They are all small and exquisite things, which roughly reflect the collection of porcelain museums.

Generally speaking, the development of porcelain in the Tang and Song Dynasties was dominated by monochrome glazed porcelain, showing the distribution of "blue in the south and white in the north". That is to say, southern porcelain kilns produce more blue glazed porcelain, while northern porcelain produces more white glazed porcelain.

The porcelain museum is displayed roughly in chronological order. From the Tang Dynasty to the late Qing Dynasty, there are many fine works, which is a pleasing art history.

Changsha kiln porcelain is the earliest porcelain with painted patterns, although the patterns are mostly simple and abstract.

Cizhou kiln porcelain, black lines on white background, simple lines.

Jun kiln. The charm of Jun kiln porcelain lies in "kiln change", that is, in the firing process, some colored glazes will turn red, forming a state of Zhong Qinghong interweaving. The process of turning red is very random, and each Jun kiln porcelain is unique.

Guan porcelain in southern song dynasty. In the early years of the Southern Song Dynasty, the court just settled in Hangzhou, and the conditions were difficult. However, in order to emphasize its legitimacy, the sacrificial ceremony is still indispensable, so it is time-consuming and laborious to replace jade and bronze with porcelain ritual vessels.

The spiral pattern on this plum bottle is very interesting.

Yuan Qinghua. Jingdezhen Kiln successfully fired mature blue and white porcelain in Yuan Dynasty. Cobalt blue pigment for blue and white is bright in color, which can change the depth like ink painting and has strong expressive force. Since then, the patterns on porcelain have become more and more abundant.

Yuan Qinghua

Ming and Qing dialects

Sweet white glazed monk's hat pot

Since the Ming and Qing Dynasties, porcelain has become more and more colorful, including sweet white glaze, yellow glaze, red glaze and blue glaze. Doucai, famille rose, multicolored, enamel, dazzling, porcelain-making technology reached its peak in the Qing Dynasty.

We call it "cocktail bottle".

Yellow glazed chrysanthemum plate

This porcelain plate is painted with goldfish and algae. When water is injected into it, goldfish seem to swim in the algae under the ripples.

There are dozens of butterflies in this vase with different shapes, which are very cute.

There are different flower patterns around this vase. A vase condenses the four seasons.

The stain on this vase is unique, called "Peach Blossom Cave". I don't know what this means.

There is free wifi in the museum, pay attention to its official micro-signal, and then enter the exhibit number to see the detailed introduction of cultural relics.

Then there is the furniture hall. This is the best display of Beijing classical furniture. By careful observation, we can have a clear understanding of the materials, styles, styles and decorative techniques of Ming and Qing furniture.

delete

(Optional) Picture Description

This royal calligraphy poem with Yu Min hanging on the screen seems to belong to the Qing Dynasty.

This is the most magnificent space in the furniture museum. From back to front, there are rosewood screens, thrones, cloisonne pagodas, round stools and a pair of sandalwood seven-story pagodas.