In recent years, the Peruvian government has announced that it will strictly protect the underground king's mausoleum in the ruins of the capital of the ancient Inca kingdom of Chiyin, and people will not be allowed to destroy it at will. Under strict defense, two experienced Peruvian archaeologists will spend several years digging here. What are they looking for?
/kloc-In the second half of the 6th century, a Spanish businessman named Gutenitz explored here. Led by an Indian tribal leader, he passed through the intricate underground maze and came to the tomb of the underground king. In an instant, the young businessman was flooded with golden jewels, and the mausoleum was filled with rare treasures.
Some of them have emerald eyes and are made of gold. The Indian leader calmly told the frightened Spaniard in front of him that all the gold was his as long as he helped build the local public works. There is no doubt that this is a golden opportunity. Gutenitz nodded in despair, so he got his wish and returned to Spain as a very rich man.
As for how much gold Gutenberg fished, it may never be known, but according to the Spanish tax records of 1576, Gutenberg not only tipped off the king about this "small fish" treasure, but also generously donated 900 pounds of gold as tax, which shows how much wealth he got.
However, countless treasure hunters after him have no such luck, but someone always provides exciting clues: under the local ruins, there is a "big fish" treasure, which is full of more gold objects buried with him.
The truth of this statement casts a mysterious fog on the mausoleum, and it is up to two Peruvian archaeologists to uncover this fog.
Extended data:
Related "Treasure" column
As a key column of Zhejiang TV, the economic life channel Treasure of Zhejiang TV started broadcasting in 2002. It is the earliest special column of professional collection in Zhejiang Province, with antique art as the carrier, culture as the center, TV media and network as the communication bridge, based on the investment market of art collection, and looking at the collection from a humanistic perspective.
Through more than 8 years of column production and operation, our column brand has matured, not only with a large number of fixed high-income elite audiences, but also with a strong cooperative expert group. The loyal audience of the column continues to grow, the hotline is bursting, the ratings continue to be stable in the forefront of the channel, and the ratings of special programs are in a leading position in the province.
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