Current location - Plastic Surgery and Aesthetics Network - Jewelry brand - Describe the famous and humanistic parts of the characters.
Describe the famous and humanistic parts of the characters.
Well, it's very simple.

With such eyes, Tolstoy's face is full of talent. All the talents of this man are concentrated in his eyes, just like the handsome Dostoevsky's rich thoughts are concentrated between his eyebrows. Other parts of Tolstoy's face, such as beard, eyebrows and hair, are just shells used to wrap and protect this pair of sparkling jewels. They have magic and magnetism, and can suck in worldly substances and then emit electric waves with accurate frequency to our times. Even the smallest thing can be seen clearly with the help of these eyes, just like a falcon descending from the sky and pouncing on a timid mouse. These eyes will not let go of the details that they can't do, but also fully reveal the vast universe. They can shine on the highest place in the spiritual world, or they can successfully shoot searchlights into the darkest depths of the soul. This sparkling crystal is hot and pure enough to gaze at God selflessly. Have enough courage to see the nothingness that destroys everything. This nothingness is like a gorgon, and everyone who sees her will turn to stone. Nothing is impossible for these eyes, except to let them fall into idle daydreams and enjoy silently in elegant and happy dreams. As soon as the eyelids are opened, these eyes are bound to pursue their prey unequivocally, soberly and mercilessly. They can't tolerate fantasy. They should tear off every false disguise and shallow belief. Nothing can escape from these eyes, and the naked truth must be revealed. When this pair of cold light daggers turned to aim at their master, it was terrible, because the blade was ruthless and hit the key, just hitting his heart.

From Zweig's lev tolstoy ps: This is a junior high school text.

Zweig is a great writer, and lev tolstoy is a top writer in the world, which completely meets your requirements.

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