The short story at the end of the film tells the audience that home is not a luxury, but a warmth. Through this short story at the end of the film, there is nothing more than a certain smell of fireworks. This short film can be said to be the biggest highlight of the whole drama, and it is also the highlight of the whole drama. Perhaps the most humble person in this bustling city, but full of warmth.

Introduction:

My wife drives a dining car to sell pure old Shanghai onion cakes every day, my husband rides an electric car to deliver takeout every day, and my son will follow his mother. They trust the city, they can put "Leave something, scan the code themselves" on the dining car, and the city also trusts them, and customers will consciously scan the code to pay.

A family of three crowded into a small house. They didn't complain or resent, but they were full of goodwill and hope. The couple's eyes are full of tenderness. My son will take good care of the lost kitten, and he has no prejudice against the well-dressed Xu Ziyan. He took the initiative to share his story book with him, and he would take care of his parents in his own way. It can be seen that although his parents are ordinary, their education for their children is very successful.

Extended data creation background:

An urban emotional drama directed by Zhang Xiaobo and starring Jiang Shuying, Tan Ya, Yang Le, Rachel Momo and Li Zefeng. From the perspective of three 30-year-old women, the play tells the story of multiple pressures faced by urban women at the important age of 30.

Compared with some other dramas, it is actually closer to the theme of "Big Miss". The play takes a head-up attitude and takes women as the real narrative subject. Achievement is not necessarily produced in the interaction with men. Respecting women's diverse choices, giving them room to work hard and creating their own' half the sky' is the' big woman'.