There is a special ceramics museum in the Forbidden City, whose address is in Wenhua Hall, where porcelain mothers are also on display. Now, ceramics museum is closed, and the Mandarin Hall has become an exhibition hall for some temporary exhibitions. Ceramics museum will definitely open, but I don't know where it has moved and when it will reopen.
Yong Zhengdi's literary talent is romantic, and his poetry and calligraphy are all unique. The four unique skills of poetry, calligraphy, painting and seal in enamel porcelain designed according to his preferences and tastes became a highlight of porcelain in Yongzheng period. In terms of patterns, due to Yong Zhengdi's advocacy? Palace building style in the Forbidden City? , and personally put forward? Beautiful, elegant and meticulous? According to the requirements, court painters such as Tang Dai, Dai Heng, He Jinkun, Tang, etc. were appointed to make enamel paintings. Whether it is a vessel full of figures, flowers and birds, landscape patterns, or a vessel decorated with four combinations of poems, books, paintings and seals, it is beautiful.
The lip, arc wall and circle of this bowl are painted with white glaze, and the outer wall is painted with blue holes with yellow glaze. There were more flowers and birds in Yongzheng period than in Kangxi period. Yongzheng's flowers and birds are rich and delicate, and they are lifelike and complement each other.
The reverse side of the picture is inscribed in ink:? Clouds are deep in Qiongdao, and flowers are fragrant in Lan Zhi in spring. This poem comes from the poem Wen Chi Shui written by Ye, a poet and great scholar in Ming Dynasty. On the signature? Jiali? Seal seal, whereabouts? Jin Wei? The second seal, * * * three are carmine, and the poetry is light, the brushwork is light and natural, and the font is beautiful and smart, which complements the painting of utensils. White glaze in the foot, bottom book? Yongzheng year system? Four-character double-line regular script, double-frame blue material.
Looking at the whole picture, although Yongzheng inherited the characteristics of Kangxi's land painting, it changed Kangxi's flower-based style, added rocks, bluegrass and other patterns, and flower-and-bird works appeared, accompanied by poems, seals and other patterns, showing elegant aesthetic taste. This bowl is similar to the collection of the Palace Museum and the official porcelain of the National Palace Museum in Taipei.