Problem description:
Imperial concubine drunken overlord concubine concubine concubine concubine concubine concubine concubine concubine concubine concubine concubine concubine concubine concubine concubine concubine concubine concubine concubine concubine concubine concubine concubine concubine concubine concubine matchmaker I visited Princess He Lv of Shuangyang, the battle of Taiping drumming Cao chased Wu Jiapo Second Palace in Xuce Town, Han Xin.
I'd like you to explain the contents of these plays to me. I know there may be a lot, and everyone will be very tired. But I really need it to promote Beijing opera. I like Beijing opera very much, but I didn't have a platform before, and now I want to make up for it. Thank you all.
Analysis:
Mind if I say it one by one:)
1, Drunk Princess
The drunken imperial concubine, a Beijing opera, is a single-fold drama with singing and dancing, and it is one of the classic plays of Mei school. According to legend, it was created by Wu Hongxi of Sixi Class, with different performances such as Lu, Mei Lanfang and Cui Hua Junior. Also known as Baihua Pavilion. Drunkenness of the Imperial Lady was changed from "Xiandiao", which prevailed in the Qing Dynasty, to Han opera and then to Beijing opera, and was performed by Professor Lu in Beijing on 19 14.
The story "Drunkenness of the Imperial concubine" tells the love of Emperor Xuanzong of Tang Dynasty for Yang Guifei. One day, Emperor Xuanzong of the Tang Dynasty invited Yang Guifei to enjoy flowers in Baihua Garden. When the time was right, Emperor Xuanzong of the Tang Dynasty went to Xigong Mei Fei. Yang Guifei didn't wait long in Baihua Pavilion, so she drank the wine gloomily, felt drunk, felt sorry for herself, and returned to the palace.
Following the sweet and beautiful singing, it aroused the reverence of a generation of Peking Opera master Mr. Mei Lanfang. He wrote about 400 plays, large and small, including 100, which often performed, and created a gentle, strong, subtle, elegant and luxurious vivid image of China women.
A large number of plays in Beijing Opera are mainly comprehensive performances. It is singing, reading, doing and acting in the play, at least singing and doing account for a large proportion. In the Beijing Opera "Drunk Imperial concubine", it is not only equal to singing and dancing, but also a combination of singing and dancing. Mr. Mei Lanfang also created Yang Yuhuan's classic movements, such as Fan Dance, Cup Upset and Lying Fish. ...
Listening to the aria of Drunken Guifei can be said that the more you listen, the more interesting it becomes.
The First Turn of the Island Ice Wheel is a famous passage in the Beijing Opera Drunkenness of the Imperial concubine, and it is also the most famous "drunken" performance on the stage of Beijing Opera. Describe Yang Guifei's psychological activities after drunkenness. Among them, there is also a section of "Taibai Drunk Writing" in the scene of "Palace Complaints", which tells the story of a "shock book" written by Li Bai, a great poet in the Tang Dynasty, after being drunk. ...
Li Baiyou's three poems are closely related to Tang and Yang:
The first song, "Clouds want clothes and flowers, and spring breeze blows Revlon. If you don't see Yushantou, go back to Yaotai and meet under the moon. "
The second song, "A piece of red dew is fragrant, and Wushan rain is heartbroken." Excuse me, who looks like Han Palace? The poor swallow relies on new cosmetics. "
The third song, "Famous flowers pour out the country and appreciate each other, which is often laughed at by the king. Explain that the spring breeze is infinitely hateful, and the agarwood pavilion leans against the fence in the north. "
This passage in "Drunk Imperial Lady" is a four-tone melody with flexible rhythm, which can be used to sing any complicated and irregular lyrics. This can be said to be a major feature of this play. Second, the accompaniment music of the play uses a lot of tunes, such as Erhuang Xiaomen, Erhuang Wanhuan, Erhuang Xiaomen and Anti-Erhuang Xiaomen. , thus giving the audience great visual and auditory enjoyment.
Speaking of the Peking Opera "Drunken Guifei", in the earliest play, Yang Guifei stepped on stilts, and was later transformed by Mei Lanfang, who carefully designed various postures and footwork such as bending over, fan dancing and drunken steps. Play Yang Guifei beautifully and elegantly. Even Mr. Mei likes the play very much. At the age of 60, he performed this play in Beijing Jixiang Theatre, and gave this artistic essence to people all over the world in many overseas performances.
In the process of studying the aria of "Drunk Princess" and the stories outside go to the opera, did you realize that in order to attract the audience, you must strengthen the performance of "doing work"? Master Mei Lanfang's most outstanding performance is his more than 30 graceful gestures-orchid finger, which gives profound enlightenment to future generations: being a man and doing things cannot be separated from sincerity and diligence.
2. Farewell my concubine
Hanwang Liu Bang and Xiang Yu, the overlord of the Western Chu Dynasty, competed for the world. Liu Bang worshipped Han Xin as a marshal, stationed troops in front of Jiulishan, sent various governors, and ambushed on all sides. Make Li Zuoche Chu, Xiang Yu into the important place, surrounded. Sean played the flute again and again, and ordered the soldiers to learn to write Chu songs, which sounded desolate and rhymed. The wind sent to Chu camp, and when Chu heard the Chu soldiers, he was homesick. Overnight, it was dissolved; More than 800 people have not left, and there are two generals, Zhou Lan and Hengchu. Xiang Yu had no choice but to rush out of the tight encirclement in order to come again. So in the account, say goodbye to my concubine. Yu Ji, Xiang Yu's wife, served in the military camp during these years of war. Xiang Yu showed off his courage, mentioning the tripod and pulling out the mountain. After 70 world wars, he was invincible and defeated Han Xin with courage. When I was poor, I had to give up this beloved wife so as not to drag down the fatigue of the weak interest. Heroes are short of breath, and children are affectionate. Buy wine and concubine * * *, cry a few lines, write songs and send money. Yu Ji also sang and reconciled. At dawn, Zhou Lan and Heng Chu urged them to start. Yu Ji knew that millions of enemy troops could never escape from danger by a weak woman, so he took Xiang Yu's sword and swore to the death to break his love. Fortunately, Xiang Yu had no worries and fled to the mouth of Wujiang River. The pavilion greeted the boat, but Xiang Yu refused to cross the river. Since the uprising, eight thousand children have come one after another. So far, there is no life left, and I have no face to see my elders in Jiangdong. Since then, I still have to get on well with the underground organization in Kyrgyzstan.
The play, also known as Jiuli Mountain, Chu-Han Controversy, and Wu and Climbing over the Cliff, was written by Qingyi Jushi, starring Shang Xiaoyun at first, then starring Mei Lanfang, and then performing with Mei Lanfang, which is unique.
The tragic atmosphere of the play is extremely dignified. For example, when Yu Ji visited the camp, he sang [Nanbangzi]: "Look at your majesty sleeping soundly in his tent and clothes. I'm here to get out of the tent and relax. " He walked lightly to the front of the suburb and stopped. He suddenly looked up and saw that the sky was blue and the moonlight was clear. The harmonious language and desolate songs make people feel sad and lonely at night. Yu Meiren walks in the wilderness and haunts her anxiety and disappointment. Then came the cries of lower-level soldiers, surrounded by songs, which blended the feelings of the characters in the play who saw that the general trend was gone and they were helpless. Scenery gives birth to emotion, emotion gives birth to scenery, and both form and spirit create a profound artistic conception, allowing people to taste the bitterness and sadness of the death of a beauty and the end of a hero through historical changes.
In this play, Yu Ji has a unique sword dance, which was created by Mei Lanfang on the basis of Beijing opera dance and absorbed martial arts movements. When performing the sword dance, Teacher Mei did not show off her skills and kung fu, but closely combined with the emotions of the characters in the play, and revealed her psychological development level through the sword dance with distinctive rhythm and elegant manners. At first, she solved Xiang Yu's worries, and later became a farewell to him. When Mr. Mei was dancing the sword, he showed a contradictory and complicated mood. Facing adversity and failure, she secretly regretted Xiang Yu's failure. On the surface, she tried to comfort her husband with a smile, but when she was carrying Xiang Yu, she couldn't restrain her inner grief and sadness and secretly wiped her tears. She danced a sword for Xiang Yu in order to inspire her husband to fight when he was on the verge of death! This is that there is drama in the dance and love in the drama, which makes this image of Yu Meiren, who is full of affection for the overlord, unforgettable.
3. "Lock Scale Capsule"
Xue Xiangling, the daughter of Xue Jiafu in Dengzhou, got married. Before getting married, Xue's mother gave her a lock scale capsule, which contained jewelry. She was caught in the rain during the wedding. When she was sheltering from the rain in the Spring and Autumn Pavilion, she met a sedan chair married by a poor woman, Zhao Shouzhen. She lamented the bleak life and couldn't help crying. When Xue Xiangling learned the reason, she was deeply sympathetic and generously gave her a lock scale capsule. Six years after the rain stopped, Xue Xiangling was separated from his family. Tian Li threw the ball into a small building and forced Xiangling to pick it up. Xiang Ling went upstairs and saw the lock scale capsule of that year. She couldn't help crying. Mrs. Lu turned out to be. After questioning, she realized that Xiangling was the one who sent the capsules that year, so she became sisters and helped her family reunite.
4, "Matchmaker" During the Zhenyuan period of the Tang Dynasty, her daughter went home with her mother, helped her father Cui coffin, passed through the river house, and stayed in the west wing of Pujiu Temple. Scholar Zhang Xun visited the temple on his way to visit friends, met Cui Yingying and fell in love with him at once, so he borrowed the temple in the name of meditation. Zhang Xun used her mother and daughter to hold a memorial service for Cui. Under the pretext of chanting for his dead mother, he caught a glimpse of the beauty of Cui Yingying in the Buddhist temple. Cui Yingying also loves Zhang Xun's romance and elegance. Two hearts belong to each other. Suddenly, he reported that the rebel leader surrounded the Pujiu Temple and tried to take Cui Yingying's wife. The old lady was so scared that she was at a loss, claiming that someone had retired a rogue soldier, that is, Cui Yingying's wife. Zhang Xun volunteered to publish a book and invited his good friend General Baima to lead the troops to capture Sun Feihu alive. During the banquet for Zhang Xun, the old lady broke off her marriage in person and asked for more money. Please choose another marriage and order Cui Yingying to be commensurate with Zhang Xun's brother and sister. Hearing this, Zhang Xun felt like pouring a pot of cold water on his head. Cui Yingying listened, like rain, secretly sad. The maid matchmaker was very sympathetic to Cui Yingying and Zhang Xun, and was very dissatisfied with the old lady's behavior. Zhang Xun was so depressed that he missed an illness. The matchmaker didn't avoid suspicion. He gave the books and letters to Cui Yingying for him so that they could meet in the garden late at night. Thanks to the matchmaker's wit and enthusiasm, it finally became a good thing. Hearing this, the old lady angrily beat the matchmaker and severely questioned him. Regardless of the pain of the flesh and blood, the matchmaker argued that the fault was not others, but the old lady herself. The old lady was speechless with questions. Persuaded by the matchmaker, she had to agree to their marriage. However, the old woman didn't discuss marriage until she became famous, on the grounds that there was no Ding Bai's husband in this country. So, Zhang Xun got up in a hurry and took the baggage and take the journey, and said goodbye to Cui Yingying.
Famous dramas of Xun School.
5. "intellectual warfare"
6. "Empty City Plan"
7. "Shiro visits his mother"
8. Princess Shuangyang of Shang School
9. Kanrogi
10, peaceful war
1 1, "Drumming Cao"
12, Baidicheng
13, chasing Han Xin.
14, Managing Cities by Xu Ce
Wen Zhaoguan 15
16, Wujiapo
17, Ergong