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Zhao Wulan is a masterpiece of Mr. Cheng, one of the "four famous poets", also known as Peony Robbery.
In ancient Shandong, before her daughter got married and got into a sedan chair, her mother gave her a purse embroidered with Kirin, which was filled with jewelry, hoping that her daughter would have children early after marriage. This purse brocade bag is also called "Sorin bag", which means that Kirin gave it to her son.
The early realization of Blue Tone comes from drama: he taught me to accept my resentment, avoid getting angry, turn over a new leaf, change my temperament, stop loving the lost water, turn my back on my own suffering and realize Blue Tone early.
Synopsis of story:
Xue Xiangling, the daughter of the rich Xue family in Dengzhou, was once betrothed to Zhou Tingxun. Before getting married, according to local customs, Mrs. Xue gave her a female wooden bag with many jewels in it. On the wedding day, the sedan chair was caught in the rain halfway and sheltered from the rain in the Spring and Autumn Pavilion. Here comes another sedan chair. In the sedan chair is a poor woman, Zhao Shouzhen, who is crying because of the cold world. After asking the reason, Xue Xiangling gave a gift with Suolin Capsule, and the rain stopped. Six years later, Xue and Zhou fled, Xiang Ling was separated and drifted to Laizhou alone. Her old slave old woman met Xiangling and took her to the porridge shed set up by local gentleman Lu Shengchou. It happened that Mr. Lu was hiring a nanny for her youngest son Tianlin, and Xiangling wanted to raise money. One day, Xiangling and Tian Lin were playing in the garden, feeling hurt and having mixed feelings, and suddenly realized that the rich and the poor were impermanent. Tianlin threw the ball into a small building and asked Xiangling to go upstairs and pick it up for him. Upstairs, while looking for the ball, Xiangling suddenly saw the Suolin capsule she sent six years ago and couldn't help crying. It turned out that Mrs. Lu, that is, only after questioning did she know that the "Ma Xue" in front of her was Miss Xue who was given a gift six years ago, so she was honored as a guest of honor, and the Xue Xiangling family got together and became good friends with Mrs. Lu.
Orchid Fruit: In the Spring and Autumn Period, Yan Heng, a concubine of yours, dreamed that her heavenly daughter gave her a beautiful orchid, and soon married Gong, so "orchid" is often used as a metaphor for a beautiful afterlife such as orchids. Yan Heng gave birth to Mu Gong and named him Lan. However, Zheng Wengong married many times and killed his two sons. Gongzi Lan fled to the State of Jin until his death, when he returned to Zheng to inherit the throne. It is for the sake of worshipping the public, so "flocking fruit" is just a metaphor for the discrete ending like flying catkins. Later, Mu Gong planted an orchid in memory of his mother. When he was ill, he said, "When the orchid dies, I will probably die, too. I was born because of it. " Then he cut the orchid and died. Later, people used "Blue Silver Guo Xu" to describe a beautiful marriage between men and women at first, but eventually divorced.
Brief introduction of the author
Cheng (1904- 1958), male, one of the four famous artists in Beijing Opera, is the founder of Cheng School. Cheng, formerly known as Cheng Lin, was a Manchu. Beijingers, later changed to Han nationality, surnamed Cheng, first named Cheng Junong, later changed to "Jade Frost". From 1932, it was renamed as Qiu Yan and changed to Yu Shuang.
Cheng's artistic creation is innovative, and his stage performance pays attention to four tones. According to his unique voice characteristics, he created a euphemistic and intermittent singing style and formed a unique feature.
The main representative repertoires are: Green Frost Sword, Dream of a Girl in Spring, Tears on a Barren Mountain, Moonlight Returning to Han, Lock Forest Capsule, Daughter's Heart, Mirror of Shu's Death, Jade Hairpin, Horse, Jade Mirror Platform, Zheng, Nie Yinniang, etc.
Comment on The Complete Works of Chinese Peking Opera School
Mr. Cheng () (referring to Suo Linlang) created a new cavity with cadence, strength, gentleness and touching, and connected with the characters. Considering the performance as a whole, after repeated deliberation, it fits. Therefore, he thoroughly understands the inner feelings of singing, conveys the meaning of words, and is full of sound and emotion, blending singing and characters in one furnace, which is consistent with the stage rhythm.
References:
Baidu Encyclopedia-Blue Tone Early Enlightenment