"Mrs. Xiang"

1. This poem has a double-layered structure with corresponding light and dark. The protagonist's emotional expression is both light and dark, a combination of light and dark. Lyrical objects can be both literal and symbolic. When describing the real situation, the protagonist's emotions are superficial, with clear meaning, clear instructions, clear language, clear emotional color, high and low, strong and weak, all in a transparent state. For example, the second half of the poem describes the scenes of building a room, building a church, decorating the bridal chamber, decorating the facade, and welcoming guests. It is superficial, that is, written clearly. From "Building a room in the water" to "Building a sparse stone with fragrance", it goes from the outside to the inside, from big to small; from "Building a house with lotus flowers in it" to "Building a veranda with fragrance and fragrance", it goes from the inside to the outside again . The lines are clear, the facts are clear, the emotional catharsis is exposed, it is a way of revealing the heart, hearty, unrestrained, less implicit, the flow of emotions is synchronized with the external form

2. From the perspective of deep structure, This poem has an expression that combines emotion with scenery. The scenery is not its original appearance, such as "where is the bird", "where is the dragon", "where is the moose", "where is the dragon", etc.; or the scenery is emotional, such as the description of autumn wind, autumn water, and autumn leaves. The flow of emotion is more subtle, subtle, and deep, like the undercurrent of the seabed, which is difficult to detect. Therefore it needs to be understood through surface imagery. This double-layer structure, with light and dark corresponding and complementary to each other, constitutes a realm of scene blending. The advantage of this structure is that it can increase the capacity of emotion and make the expression of emotion three-dimensional.

The poem "Mountain Ghost" adopts the method of discontinuous transmission in terms of art to organize the poetic structure. The first two chapters are a happy scene, but the latter one is a tragic scene, from joy to sadness. From "The rest of the place is dark and the sky is gone", the plot takes twists and turns, and the poetry falls from the peak of joy. The witch, who was full of joy, failed to pick up her loved one because of the high mountains and dangerous roads. Annoyed and sad, but with a glimmer of hope, she began to search in the mountains and forests. The poem uses constantly changing images to vividly express the search process and subtle psychology of the Wushan Goddess: She suddenly climbed to the top of the mountain and overlooked the deep forest, but the rising mountain fog obscured her anxious vision. ; She suddenly walked in the dark forest, but it was dense with ancient trees and as dark as night; the wind in the mountains and the showers seemed to be driven by the gods, but the person she loved did not show up. People offer sacrifices to the mountain spirit just to seek her blessings. If you can't see the gods now, who else can keep you young forever? In order to relieve the sense of loss that her years were gone, she ate Ganoderma lucidum in the mountains in order to prolong her life. Although these descriptions are written about the shaman's thoughts when searching for gods, they express the common wishes and melancholy of life in the world. The poet is also particularly good at showing the shaman's psychology of welcoming the gods: "I resent the young master and forget to return home", which clearly expresses sadness for the gods; "You miss me and have no time to relax", but in the blink of an eye, all the resentment disappears and he works for her instead. The lover's absence makes excuses. "The people in the mountains are like Fang Du Ruo", which is literally similar to the beginning of "Zi Muyu is good and graceful". It seems to be self-praising, but when placed here, it also reveals the self-pity and self-pity of not meeting the gods. "You are thinking of me, but I am doubtful." The person who misses and doubts about the absence of his lover is obviously the shaman himself; but when he opens his mouth to talk about it, he infers that it is the gods. The psychology of the protagonists displayed in these poems is complex and subtle. All these reveal that the king at that time was unpopular and punished the good and punished the evil. The people could only place their hope and pray to the gods. This was also the tragedy of Qu Yuan's ideal deification, and his heart became cold!

"Mountain Ghost"

It is artistically successful. First of all, the poet is good at transferring his deep feelings to the Wushan goddess and uses gods to express his wishes. The state of Chu is not really a portrayal of the real society and culture. He placed his affection on the gods and let the gods speak for him. In the social environment at that time, even if the gods wanted to do the things of the world, he could not escape his tragic fate. It's like there are always obstacles ahead due to the difficult and dangerous mountain roads, and we find various reasons to end up feeling "empty and sad". By the end of the poem, the absence of the gods has become a foregone conclusion, and the sound of mournful lamentation appears in the poem. The three sentences "Thunder fills the sky and the rain falls" interweave the thunder, the cries of apes, the sound of wind and rain, showing an extremely desolate night scene in the mountains and forests. The poet seems to have used a contrasting technique here: the more he absorbs the sound of thunder and cries of apes in the night, the more he sees the depth and silence of the mountain forest where the mountain ghost lives. It was in this boundless silence of wind and rain that the poet ended with a sudden burst of mournful cry: "I miss you, I miss you!" This is the painful cry from the heart of the witch Yingshen - she began to I used to be so happy with my flower skills, riding a red leopard, and walking along the winding mountain. But now, with a lot of sadness and melancholy, I left miserably in the wind and rain, and finally disappeared in the thunder and the cries of apes. . The poet is rich in searching for and choosing images with "body" that blend with his own emotions.

He wrote about his life situation through the deep bamboo forests in the mountains, dangerous roads, high solitary mountains, swaying clouds, howling east winds, and rain from gods.