2. The heavy rain in xian yangqiao separated the fishing boats.
3. Xianyang Qin Diju, sitting for thousands of years.
4. Xianyang Palace is gloomy and steep, and then the six-nation tower in the front edge is gorgeous.
Commentary: There are thousands of families in the Gongmenque, Balcony and Zhou Ge in Xianyang, and their locations are very important.
Source: Li Shangyin's Xianyang
Appreciation: Xianyang's palaces, pavilions and pavilions, thousands of families, and many important places. In the six-country architecture imitated by Qin Shihuang, there are "concubines" from vassal countries, and the beautiful women are absolutely gorgeous, showing the prosperity and prosperity of a generation. At the end of Qin dynasty, it was destroyed by a fire in Xiang Yu. Was Emperor Tiandi drunk at that time, and he lost care of Qin's great mountains and rivers?
There is a story about "the Emperor of Heaven is drunk". It is said that Qin Mugong once slept for a long time. Seven days later, when he suddenly opened his eyes, he told the people around him that he was very happy to see the Emperor of Heaven. Not only did he like "Jun Tian Le Guang", but he also gave him "Jin Ce" when he was drunk. Therefore, the state of Qin can be built on the beautiful Guanzhong mountains and rivers.
5. The heavy rain in xian yangqiao separated the fishing boats.
Interpretation: When it rains in xian yangqiao, the drizzle is swaying with the wind, just like a crystal curtain hanging in the air; The moored fishing boats are blocked by this continuous crystal curtain, which is picturesque.
Source: the ancient poem "Xianyang Value Rain" written by Tang Dynasty poet Wen.
Appreciation: It's a poem about rain. It is lively, swaying and has a unique image. Xian yangqiao, also known as Linqiao, is on the Weihe River outside the north gate of Chang 'an, which is a traffic tunnel leading to the northwest. Throughout the ages, the historical curtain of many joys and sorrows, ups and downs and survival has risen and fallen here. However, this time, the poet walked in the rain, but he was carefree and didn't frown and lock his eyes. His pen and ink show a vague landscape.
6. Xianyang Qin Diju, sitting for thousands of years.
Interpretation: Xianyang is the place where the emperor of the Qin Dynasty lived, and it has been developing and changing for thousands of years.
Source: Visiting the Ancient in Xianyang by Shen Quanqi, a poet in the Tang Dynasty.
Appreciation: This poem describes the owner's evaluation of the ancients when he visited ancient Xianyang.
2. The poem describing Xianyang, Maoling, Liu Lang and Qiu Feng was heard by Ma Si without a trace at night.
The osmanthus tree in the painting column hangs autumn fragrance, and the soil in the thirty-six palaces is green. Wei Guan led the car thousands of miles, and the sour wind in Dongguan shot at his eyes.
Empty sent John out of the palace door, thinking of your tears like lead water. Declining orchid to send guests to Xianyang Road, if the sky is old.
The lonely moon is bleak, and the acropolis is low. (Appreciation) In August of the first year of Qinglong in Wei Mingdi, the official of the imperial court drove to Han Xiaowu to meet Pan Xianxian, and wanted to set up a front hall.
The immortal burst into tears when the imperial secretary dismantled the dish. Li Changji, the grandson of the emperor of the Tang Dynasty, wrote the Song of Golden Tongxian.
According to Zhu Ziqing's Chronicle of Li He, this poem was written in the eighth year of Yuanhe (8 13). Li He resigned due to illness and left Beijing for Luo. At that time, the poet "had mixed feelings, pretended to be wrong, and worried about the golden bronze fairy ear."
The "tears" of the golden copper fairy in the poem mainly express the sorrow of national subjugation. This poem was written more than 90 years after the demise of the Tang Dynasty (907). Why did the poet feel the rise and fall? This should be understood and appreciated in connection with the social situation at that time and the poet's situation.
Since the An Shi Rebellion broke out at the end of Tianbao, the Tang Dynasty has never recovered. Although Xian Zong is known as the "Lord of ZTE", in fact, during his reign, the rebellion in the buffer region broke out one after another, and the northwest border was repeatedly hit, and the country was ruined and the people were miserable.
The aristocratic family of "the prince and grandson of the Tang Dynasty" written by the poet has long since declined. Faced with this harsh reality, the poet's mood is not calm. He is eager to establish his own political achievements, revive the national prestige, and at the same time, he must shine the lintel and restore the status of the imperial clan.
I didn't expect to hit a wall everywhere after entering Beijing, and there was no hope of being an official. Unable to serve the country, I finally had to leave in anger. It is such a solemn feeling interwoven with the pain of home and country and the sadness of life experience that is expressed in the Song of the Golden Copper Immortal Han Dynasty.
Twelve poems can be roughly divided into three parts. The first four sentences lament that youth is fleeting and life is hard to last.
On the same day, Emperor Wu of the Han Dynasty made an alchemy and lived forever. The result is still like falling leaves in the autumn wind, leaving only Maoling wasteland.
Although he was so majestic when he was alive, he was a generation of arrogance. However, in the endless history, he is just an accidental bubble. In the poem, Emperor Wu of the Han Dynasty is called "Liulang", which shows Li He's unruly character and valuable spirit of not being bound by feudal hierarchy.
The sentence "Night Smell" is a connecting link between the preceding and the following, exaggerating that life is short and things are impermanent. It is a supplement to the previous sentence, which makes the image of "autumn travelers" more vivid and full, and also makes the necessary foreshadowing for the next sentence to show the sad environment.
When Emperor Wu of the Han Dynasty was alive, there were chariots and horses inside and outside the palace. Nowadays, things have changed, and the tall osmanthus trees in the painting column are still full of flowers, elegant and fragrant, but the thirty-sixth palace is empty and full of dark green moss, and that desolate and cold face is unbearable to look straight at.
The above is the "impression" of Jin Tongxian. The Golden Copper Fairy was built by Emperor Wu of the Han Dynasty and stood on the platform of the gods. "Twenty feet high and ten feet wide" (Biography of Sanfu) is extremely magnificent.
In the first year of Jingchu in Wei Mingdi (237), he moved out of the Han Palace and shipped it to Luoyang, but stayed in Bacheng because he was "overweight and harmless". Xi Chishao's "Han Shu Jin Shu Chun Qiu" says: "The emperor moved the plate and dismantled it. After hearing about it for dozens of miles, Di Chin (the bronze man) cried because he stayed in the city. "
Li He deliberately removed the plot of "Tong Ren returned and stayed in the city" in the history books (The History of the Three Kingdoms quoted Wei slightly), but played the magical legend of "Di Chin or Tears" and injected his thoughts and feelings into Jin Tongxian. In this way, things and people, history and reality will be integrated into one, thus turning into a beautiful and moving artistic realm.
The middle four sentences use anthropomorphic techniques to write the sad mood of Jin Tongxian when he first left the Han Palace. The immortality of gold and copper is the "witness" of Liu Han Dynasty from prosperity to decline. The great changes that have taken place in front of him have already made him deeply moved and sad.
Now I was forcibly expelled from the Han Palace by Wei Guan. At this moment, ups and downs and parting feelings come to mind together. The sentence of "being an official" objectively sets off the feeling that Jin colleagues are reluctant to leave.
It's a long way to go, Xiu Yuan. Moving from Chang 'an to Luoyang, thousands of miles away, the pain of traveling far away and the sadness of living far away are really unbearable.
The sentence "Dongguan" refers to the bad climate. At this time, the frost wind in Kanto was tight and straight, and not only the eyes were "sour", but also the heart was "sour".
It contains the meaning of "peach blossom after the horse, snow before the horse, teaching people not to look back", showing deep attachment to Han Palace and Chang 'an. The words "acid" and "shoot" in the sentence are novel, ingenious and dignified.
In particular, the word "acid" vividly shows the fierce, cold and tragic situation of the wind there at that time through the subjective feelings of the immortals of gold and copper. Here, subjective feelings and objective things have been completely mixed together, with extremely rich meanings.
The poet sometimes imitates the appearance of the bronze man from the front, and sometimes puts pen to paper from the side to describe the scenery around the bronze man and paint them with a layer of sad tones. The interactive use of the two techniques makes the opening and closing of poetry turbulent and changeable, but it always revolves around a word "sorrow", with orderly patchwork, unified tone and distinct theme.
The sentence "Wei Guan" focuses on describing the object, while the sentence "Empty General" rewrites the theme, directly expressing the thoughts and feelings of Jin Tongxian at that time in the first person: driven by Wei Guan, he left the Han Palace and made a thousand-mile trip. Accompanied by "I", it is only the old moon in the sky.
It happened in the Three Kingdoms period and was called "Hanyue". It clearly expresses a feeling of nostalgia, as Wang Qi explained in Li Changji's Poems: "Because of the revolution, everything has changed, and the moon remains the same as before, so it is called' Han Moon'. The golden bronze immortal personally felt the caress of Emperor Wu and witnessed the prosperity of that day.
He misses his late master very much and has deep feelings for the Forbidden City. Now I am sitting in Wei Guanla's car, drifting away, and the familiar and desolate palace is about to disappear. I can't help crying when I think of the past.
The phrase "tears are like lead water" in the sentence of "recalling the monarch" is a wonderful metaphor, which vividly describes the sadness of Jin Tongxian at that time-tears fell like rain and fell to the ground one after another. This expression of regretting the past and leaving is no different from that of people, and it is an expression of "humanity". The word "lead water" adapts to the identity of the bronze man and elegantly shows his "physical property".
These ingenious expressions have successfully shaped gold.
3. The poem about Xianyang is northwest wind.
Snow eagle on the back, borneol in the horseshoe. Hang a rabbit on your arm and an arrow on your waist.
When I came back and became brave, my son drew a bow. When he was young (Tang Dynasty), Wang Wei Xinfeng fought with wine for ten times, and he was a ranger in Xianyang for many years.
When we met, people drank to the spirit of the king, and the horse was tied under the weeping willow in the restaurant. "Climbing the Xianyang County Building to Watch the Rain" (Tang Dynasty) Wei Zhuang's chaotic clouds are like beasts coming out of the front mountain, with drizzle and wind full of Weichuan.
Every day is empty and nothing is seen, and the geese go to the word association. "A Young Man's Trip to Weicheng" (Tang Dynasty) In February, pear blossoms flew in Luoyang, and pedestrians in Qin recalled the spring return.
Whip the horse and go to the south of the city, so that Qinchuan guests can stay at various posts. The day before yesterday, the post sent a chapter, and the preacher An Chunxin came.
When Yan first arrived at the palace, the grapes were in full bloom. Reading this makes people return earlier and arrive at Chang 'an Road in March.
On Chang 'an Road, the spring scenery is pitiful, and Qujiang Bianfeng shakes. Thousands of pagodas face Wei, and five tombs are full of flowers and willows.
Qinchuan cold food is full of flowers, and wanderers like to see flowers in spring. The cock crows, the dust settles, and the horse is on the platform.
The imperial city of Zhangtai is named Guili, and the song bell rises late in the brothel. Your white horse is proud, and Wuling is young and ruthless.
Both of them came to the gold market with bullets and blew the whip on the Weihe Bridge. Weishui Qiaotou wine is newly cooked, and the golden whip and white horse stay at home.
Poor jinse and pipa, jade pot sake must be in your home. The little woman couldn't help feeling ashamed when spring came and sang a beautiful song of Liuhua.
"Late in Xianyang, send the legacy of the same hospital" (Tang) Li Jiayou cut grass at the beginning of decline, and Xianyang cried at night. The journey is thousands of miles, and Akita doesn't see Wuling.
The story of the Qin family follows the flowing water, and the Han Gaofen faces the stone tablet. Looking back at Qingshan alone, I admire your laughter and laughter for thousands of years.
"Xianyang Nostalgia" (Tang Dynasty) The people on the edge of Weizhuang City depend on the sunset tower, and the clouds on the city will always condense. I don't know the scenery of the mountain, only the sound of running water near the Han Palace.
Reese didn't see anything in the warehouse, and maybe there was nothing to travel abroad. I don't blame Chu Yin for his broken bones. The trail of wild smoke is like the Eastern Zhou Dynasty.
"Tong Xianyang City" (Tang) Epang Palace is full of guests, but unfortunately there are thousands of people. After a thousand years of Qin's work, Chu soldiers burned to ashes.
You know, the old man's name is always there, but strangers don't want to answer it. What is violence and waste? Ancestors must die and be destroyed.
"Xianyang Nostalgia" (Tang Dynasty) Chen Shan is connected with the river, and it is lucky to come to the east to embrace sages. Qinyuan has a happy day, and the Han mausoleum has no owner to invade the cloud.
There are thousands of songbirds on the ancient Huaihe River embankment and a flock of herons on the sand. Lai has a total of chrysanthemums, and the smoke suburbs look around.
"Climbing the Xianyang Tower" (Tang Dynasty) Xu Hun climbed tall buildings, Wan Li was sad, and willows were like Tingzhou. The red sunset is in the temple outside the temple, and the wind has not yet come, and the wind has already blown the buildings in Xianyang.
Under the birds, there are green grass, Qinyuan Xi, and Zen calls for yellow leaves, Han Gong Qiu. Passers-by don't ask about the past, only the Weihe River flows eastward as always.
There is no one near Weishui Bridge in Zhao Bingwen, Xianyang (Golden), and Kirin lies on a high hill. The Millennium fame and fortune turned to dust in Yuan Shang, Xianyang.
"Xianyang Nostalgia" (Yuan) Shizibo Xianyang Qiushui Grass is separated, and the cloud locks the past. The yellow dog dies, the Qin deer loses, and the white snake cuts the Chinese dragonfly.
The ancient country where cigarettes are sold is empty and flowing, and the ancient city with desolate trees is dying. Should be under the Mount Li Jiuquan, the dead still hope to return to purple.
"Wei Qing House" (Ming) Huang Gong Huang Gong loves the mountain. He doesn't go to Wei Qing Road every day. If you are an official, you will be hidden. If you love mountains, you can't swim in them.
It is better to see the mountains at dusk, and the ancients are empty and old. Born, white clouds are long and embrace each other.
"Crossing the Sun at Night" (Ming) Qinyu County is on the northern plateau slope in the north, and the sunset and autumn grass crossing on both sides of the ancient Weihe River in the south, and Bai Ou waves in spring. At that time, there were rooms everywhere in the palace, and there were many rooms in Qiu Linghan.
Want to inquire about the past from a distance, Nanshan speechless. "The Blue Shadow Behind the Mountain" (Ming) I have been to Beimang in the past, and the spring clouds are dark.
Crossing the Weihe River today, yellow leaves fly in the autumn wind. Luoyang road, Xianyang road, the guest's head is not white, and his heart is old.
There is always smoke in the graves of Qin and Han families. Wang Wen's ancient temple does not lock the door, and pedestrians are worried about the garden.
4. Poetry related to Xianyang (Tang) Wang Wei's "Weicheng Qu" Weicheng is rainy and dusty, and the guest house is green and willow.
Sincerely advise friends to drink a glass of wine, and it is difficult to meet their loved ones when they go out to Yang Guan in the west. (Tang) The article "Xianyang Value Rain" It rained heavily in xian yangqiao, and the fishing boat left at ten thousand points.
Just like the spring water in Dongting, Xiaoyun enters Yueyang Day. (Tang) Du Mu's "Epang Palace Fu" has six kings, one in the four seas, one in the mountains and one in the room.
Overpressure exceeds 300 miles, isolated from the sun. Mount Li is built in the north and folded in the west, leading directly to Xianyang.
Erchuan dissolves and flows into the palace wall. Five steps to the first floor, ten steps to a pavilion; Corridor waist back, eaves high; Hold the terrain, intrigue.
There are thousands of waves in the hive. What is a cloudless dragon lying on a long bridge? After the road is empty, don't blame Eric? High and low, I don't know the west and the east.
Singing warm, spring is harmonious; Ballroom cold sleeves, wind and rain sad. Within a day, the climate is uneven between palaces.
The concubine, the prince and the grandson resigned from the downstairs hall and came to Qin. Singing at night, for Qin citizens.
The stars are shining and the cosmetic mirror is on; Lv Yun came forward and combed Xiao Huan; Nutrient flow is greasy, and fat water is abandoned; The smoke is foggy and the pepper orchids are also burning. The thunder shook and the palace car passed; I don't know what I was doing when I was listening in the distance.
A muscle, a capacity, extremely beautiful, standing overlooking, a face of good luck; There are people who haven't seen each other for 36 years. Zhao Yanzhi's collection, the rule of Han and Wei dynasties, the elite of Qi and Chu, plundered by generations, surrounded by mountains and waters; Once you can't get it, you lose it.
Tinkling jade, gold nuggets and pebbles are thrown away and smashed, and Qin people regard them as the standard and do not cherish them. Ha ha! One person's heart, ten thousand people's heart.
Qin loves luxury and people are homesick. How can we use it like sand? Make the columns of negative buildings more than the farmers of nanmu; There are more rafters on the beam than working women on the plane; The phosphorus in onion is more than that in millet. The joints of ceramic tiles are uneven, more than the whole body silk; There are more vertical columns and cross sills than nine battlements; The orchestra's strings are hoarse, and they talk more than the city people.
Let people all over the world dare not speak or get angry. The single husband's heart is getting more and more arrogant.
The defenders shouted, the valley of letters closed, the Chu people burned, and the poor were scorched! Oh! Those who destroy the six countries are also six countries, not Qin. Qin is also a Qin family, not the world.
Hey, honey! Make the six countries love each other, enough to refuse Qin; Let the state of Qin love the six countries again, and give it to three generations to be king forever. Who wins and who dies? Qin people feel sorry for themselves, and later people mourn for them; Later generations grieved, failed to learn from it, and let future generations mourn for future generations. (Tang) Li Bai's "Miscellaneous Songs Xiangyang Songs" did not want the sun to set, but fell in love with flowers.
Xiangyang children clapped their hands together and stopped to sing white brass cymbals. I'm sorry to ask you what you're laughing at. You're drunk as a fiddler.
Cormorant, nautilus cup, 36 thousand days in a hundred years, 300 cups a day Looking at the duck head green in Hanshui from a distance is like the beginning of grapes.
If this river turns into spring wine, it will be a rotten mound. A swift horse changes a few concubines, and intoxicates people to sing plum blossoms on carved saddles.
There is a pot of wine hanging by the car, and Sheng Fenglong is in charge of it. Xianyang city sighs yellow dog, why does it fall like a moon?
Didn't you see that the sheep in the Jin Dynasty were stones and the tortoise and dragon peeled berries? Tears can't be dumped for it, and the heart can't mourn for it.
Who can worry about what's behind him? The golden duck was buried in the ashes. You don't have to buy a cool breeze and bright moon, Yushan is inhuman.
Shu Zhouyu, Li Shidang and Li Bai lived and died together. Wang Xiang Yu Yun is here now, the river flows eastward, and apes cry at night.
(Tang) Wang Wei's "Boy's Travel" Xinfeng has been fighting for ten years, and Xianyang has been a ranger for many years. Have a drink when we meet. It's a tall horse, weeping willow (Tang) Wei Cheng Qu by Wang Wei shows that Weicheng is rainy and dusty, and the guest house is green and willow-colored.
Sincerely advise friends to drink a glass of wine, and it is difficult to meet their loved ones when they go out to Yang Guan in the west.
The sentences used to describe Xianyang have a long history. Li Shangyin's Xianyang: "Xianyang Palace is gloomy and rugged, and the tower of six countries is gorgeous in the forefront of renewal. When the son of heaven is drunk, it is naturally none of Qinshan River's business. "
Du Fu's Military Vehicle Shop: I visited Wuling in previous years, and midnight songs filled the building. In front of the tree, there is a light on the tree, such as day, and you can't forget the spring and autumn in the beauty group. The name of the son of Xiyuan is unscrupulous, and the word "South American" is Mochow. Today is like a dream, and the sunset only sees water flowing eastward.
Tang Shangmei's "Xianyang Nostalgia": Ascending the tower, Wan Li is sad, and the willows are like Tingzhou. The red sunset is in the temple outside the temple, and the wind has not yet come, and the wind has already blown the buildings in Xianyang. At dusk, birds fly in the garden, and in late autumn, cicadas chirp in the leafy trees. Passers-by don't ask about the past, only the Weihe River flows eastward as always.
In the Northern Song Dynasty, Huang Xiaoxian wrote "Leave a Name on the Wei Qing Tower": Huang Wen did not know how to rest, and never went down to Wei Qing Tower every day. If you are an official, you will be hidden. If you love mountains, you can't swim in them. It is better to see the mountains at dusk, and the ancients are empty and old. Born, white clouds are long and embrace each other.