Underwear refers to the clothes worn, including vests, undershirts, shorts, bras, etc. Underwear refers to clothes worn in other clothes, usually in direct contact with the skin, and is one of the indispensable clothes for modern people. Underwear has the functions of absorbing sweat, shaping, setting off the figure, keeping warm, and not being harmed by pollution from the body, and is sometimes regarded as a sexual feature. Some underwear is more religious.
Underwear was called "convincing" in the Han Dynasty, "two crotch" in the Erjin Dynasty, "inner harmony and lewd clothing" in the Tang Dynasty, "wiping the chest" in the Song Dynasty, "apron skirt" in the Ming Dynasty and "Chinese-style chest covering" in the Qing Dynasty.
Question 2: What did ancient women wear inside? When do women wear * * * nowadays? Thank you. Before the Han dynasty, women had no clothes, and only in the Han dynasty did they wear open-backed pants. Hanshu? "The Biography of Shangguan Empress" said: "Although the imperial envoys are all poor pants, they wear more." The so-called "poor pants" are open-backed pants. The purpose of wearing open-backed pants is to facilitate defecation, but this is * * * * *, which is also logical. In this case, at least until the Tang Dynasty, the Japanese made kimonos with Tang costumes, and it seemed that women wore kimonos.
Some people also say that kimono is the transformation of "five clothes", which comes from 800 boys and girls in Jiangnan. Women * * * * * retain the basic features of ancient people's clothes in China. "The only Japanese invention is the man's crotch cloth, which is still in the huge hip seam in sumo wrestlers."
In ancient China, women didn't have * * * at that time, and they wore a short skirt, which was equivalent to the petticoat now, while men didn't have it at all. However, they can't stand it soon, because they always ride on the saddle, plus their armor and weapons, and there was no stirrup at that time, so all the weight was borne by their hips, which is why they wear something like shorts. Maybe this is the prototype of * * *.
The real * * * in pants and the * * * in ladies only appeared in France at the end of19th century.
In ancient times, underwear was called Zhong Yi. China underwear has a long history, and the earliest historical data can be traced back to the Han Dynasty. Among them, women's wear is also called hugging the abdomen, convincing, two crotch, wiping the chest, Chinese-style chest covering and so on. The common dress of women in the Tang Dynasty "wearing a semi-topless skirt" is only a brief moment in history. From ancient times to the present, underwear has always contained women's secrets, which outsiders absolutely don't know. In ancient books, women whose underwear is exposed are either Huan women or Sun Erniang in Liangshan. The mentality of the ancients towards underwear was taboo.
Question 3: What was the name of the ancient skirt? In ancient times, underwear was called Hanfu. China underwear has a long history, and the earliest historical materials were found in the Han Dynasty. Among them, women's underwear is also called hugging abdomen, heart-shaped, two crotch, tube top, Chinese-style chest covering and so on. In the Tang Dynasty, the common dress of women's "semi-exposed skirt" was only a short moment in history. From ancient times to the present, underwear has always contained women's secrets, which outsiders absolutely don't know. In ancient books, women whose underwear is exposed are either Huan women or Sun Erniang in Liangshan. The mentality of the ancients towards underwear was taboo. Before the Han dynasty, women had no clothes, and it was not until the Han dynasty that they put on open-backed pants. Hanshu? "The Biography of Shangguan Empress" said: "Although the imperial envoys are all poor pants, they wear more." The so-called "poor pants" are open-backed pants. The purpose of wearing open-backed pants is to facilitate defecation, but this is * * * * *, which is also logical. In this case, at least until the Tang Dynasty, the Japanese made kimonos with Tang costumes, and it seemed that women wore kimonos. Some people also say that kimono is the transformation of "five clothes", which comes from 800 boys and girls in Jiangnan. Women * * * * * retain the basic features of ancient people's clothes in China. "The only Japanese invention is the man's crotch cloth, which is still in the huge hip seam in sumo wrestlers." The top of a woman's abdominal pocket, that is, the upper pocket in the abdominal pocket, is named because it can't easily show the essence of wearing. In the Ming and Qing Dynasties, women's close-fitting clothes were mainly fastened, which were generally worn by maids-in-waiting, emphasizing embroidery decoration. It is a kind of "waist underpants" and the predecessor of "Chinese-style chest covering". Started in the Southern and Northern Dynasties, it was the title of underwear in the Tang and Song Dynasties. Its structural feature is to tighten the chest to prevent cold, which is used to restrain and fix the chest. Also known as Dou Du, square or diamond blocks are common, which can be divided into plain colors and embroidery. There are ropes at the left and right corners, tied at the back, with or without bags.
Question 4: What were the names of the clothes worn by ancient women? Which dynasty are you asking? Han Dynasty or Tang Dynasty? Different dynasties have different names ~ ~ ~
You can go to z.baidu/question/62216478? . si = 2
It should be more detailed ~ ~ ~
Western Han Dynasty: Dress-rolling and Skirt-rolling
Eastern Han Dynasty: Straight and Deep Clothes
Tang Dynasty: Yan skirts (divided into high waist Yan skirts, horizontal collar Yan skirts and double-breasted Yan skirts)
Ming dynasty: Yan skirt
Qing Dynasty: National Flag Costume
That's all I know. In fact, in addition to the Qing dynasty, it is ok to call Hanfu!
Question 5: What clothes did ancient women wear? How to describe it? The body flies very fast, like wandering, walking a little step, socks are gray. Impermanence rule
Yanqi is the lower skirt, and Zi Qi is the upper skirt.
In the Tang Dynasty, pomegranate skirt was a very popular dress style for young women. This kind of skirt is as red as pomegranate and does not dye other colors, which often makes the woman wearing it look handsome and moving. Wan Chu in the Tang Dynasty said in "Watching Prostitutes in May": "The eyebrow platform wins the color of day lily, and the red skirt envies pomegranate flowers." Wei Zhuang also sang: "Don't hate that broken red dress, don't think that the white family is low" ("Give Benevolence"). Bai Juyi once described this woman who plays pipa in Pipa Story: "Her art is envied by experts, and her beauty is envied by all major dancers ... The silver comb inlaid with shells was broken by her rhythm, and the blood-stained skirt knocked over the wine." This "blood skirt" is pomegranate skirt.
Pomegranate skirt has been circulating for a long time. In Tang Yin's poem "Smelling the Fragrance in Mei Fei" in the Ming Dynasty, "Plum blossoms are full of pomegranate skirts". Although it was written in the Tang Dynasty, it can be seen that this style of skirt was still cherished by young women in real life at that time.
Because the pomegranate skirt is enduring, it is said that men are conquered by beauty, which is called "falling under the pomegranate skirt" and is still in use today.
Women in the Tang Dynasty especially like skirts. Besides pomegranate skirt, there are many unique styles. At the beginning, the skirt was narrow and slender, and the wearer held it to his chest, so there was a saying in Tang poetry that "the skirt was slowly tied and the chest was half exposed." In the Tang Dynasty, skirts were beautifully made, and some of them were expensive. The main styles are short skirts, bird skirts and flower cage skirts. A skirt is a skirt made of two or more colors of materials arranged at intervals. Each space is called a "break", which can be divided into six, seven and twelve breaks. The colors are red, green, red, yellow and yellow. The hundred birds skirt is woven by twisting the feathers of various birds into threads. Because of its exquisite workmanship, it has a strong three-dimensional effect. It is "the front color, the side color, the eyes color, the shadow color", and it is "all birds can see" (New Tang Book).
The flower cage skirt is embroidered with a light, soft and thin "monofilament Luo", on which flowers and birds are embroidered with various silk threads. Bird skirt and flower cage skirt are dresses worn outside ordinary skirts. In addition, there are hundreds of skirts, painted skirts (painted directly on skirts) and so on.
Question 6: What kind of skirts did ancient women wear under their skirts?
Question 7: What did ancient women wear? The body flies very fast, like wandering, walking a little step, socks are gray. Impermanence rule
Yanqi is the lower skirt, and Zi Qi is the upper skirt.
In the Tang Dynasty, pomegranate skirt was a very popular dress style for young women. This kind of skirt is as red as pomegranate and does not dye other colors, which often makes the woman wearing it look handsome and moving. Wan Chu in the Tang Dynasty said in "Watching Prostitutes in May": "The eyebrow platform wins the color of day lily, and the red skirt envies pomegranate flowers." Wei Zhuang also sang: "Don't hate that broken red dress, don't think that the white house is low" ("Give Benevolence"). Bai Juyi once described the woman who plays the pipa in Pipa Story: "Her art is envied by experts, and her beauty is envied by all major dancers ... The silver comb inlaid with shells was broken by her rhythm, and the blood-colored skirt was stained by wine." This "blood skirt" is pomegranate skirt.
Pomegranate skirt has been circulating for a long time. In Tang Yin's poem "Smelling the Fragrance in Mei Fei" in the Ming Dynasty, "Plum blossoms are full of pomegranate skirts". Although it was written in the Tang Dynasty, it can be seen that this style of skirt was still cherished by young women in real life at that time.
Because the pomegranate skirt is enduring, it is said that men are conquered by beauty, which is called "falling under the pomegranate skirt" and is still in use today.
Women in the Tang Dynasty especially like skirts. Besides pomegranate skirt, there are many unique styles. At the beginning, the skirt was narrow and slender, and the wearer held it to his chest, so there was a saying in Tang poetry that "the skirt was slowly tied and the chest was half exposed." In the Tang Dynasty, skirts were beautifully made, and some of them were expensive. The main styles are short skirts, bird skirts and flower cage skirts. A skirt is a skirt made of two or more colors of materials arranged at intervals. Each space is called a "break", which can be divided into six, seven and twelve breaks. The colors are red, green, red, yellow and yellow. The hundred birds skirt is woven by twisting the feathers of various birds into threads. Because of its exquisite workmanship, it has a strong three-dimensional effect. It is "the front color, the side color, the eyes color, the shadow color", and it is "all birds can see" (New Tang Book).
The flower cage skirt is embroidered with a light, soft and thin "monofilament Luo", on which flowers and birds are embroidered with various silk threads. Bird skirt and flower cage skirt are dresses worn outside ordinary skirts. In addition, there are hundreds of skirts, painted skirts (painted directly on skirts) and so on.
Question 8: What should I wear in a costume cos skirt? If it is a long skirt, you can wear flesh-colored stockings. If it is a short skirt, wear straight leggings if the skin is good, and wear flesh-colored stockings before wearing straight leggings if the skin is bad.
Question 9: What was under the skirts worn by ancient women? Do you have safety pants or something? Who invented * *? What time? In ancient China, people didn't have shorts. * * * was invented by Europeans in about13rd century, but it didn't become popular until the Renaissance, and it's hard to say when it spread to China.
Question 10: What clothes did ancient concubines wear? Peony hookah, long skirt, sexy tulle skirt, peach-red exquisite embroidered brocade dress, pear-blossom green Shuang Mianxiu flower light Luo long skirt, Tianshui green silk sweater, Yang Fei dark flowers flowing silk sweater.
Zhen Hong Cu Xiao Haitang Jin Chun gown Pearl arm yarn Jin Bai butterfly crimson water jacket blue glass skirt sleeve elegant fairy yarn skirt hibiscus flower tassel pink tube top skirt pink blue moire translucent princess color smoke rose yarn skirt water green carved silver scattered flowers almost transparent In the snow dress with red smoke rose silver cicada yarn skirt with rose red purple embroidery, swimming scales mopping the floor long skirt with light purple blouse.
Loose hair is tied up with a red silk at the root, and you can see the red mandarin duck with a loose red suit. There is a cut on the edge of the red skirt, and you can see the white and slender jade legs step by step. Fine jade feet stepped on the white marble floor, and a touch of red rouge on the soles of the feet turned into red lotus. Every step leaves a red lotus on the marble, and a lotus is born step by step.
The face is beautiful, with a charm, charming but not floating. Charming and colorful left hand holding a white jade glass, right hand filling the hip flask, drink off.
Dressed in a brocade and safflower tube top, wearing a tulle dress, her hair tied into a stunning bun, and a Chaoyang Wufeng hanging bead hairpin obliquely inserted, but extremely seductive.
A red dress is beautifully decorated and brightly colored, with a white jade flute hanging around her waist.
The woman is wearing a light blue printed chest-length skirt with wide sleeves and delicate and complicated patterns embroidered with silver thread on her chest. There is a string of Tibetan silver bells hanging around the waist, which tinkles from time to time. Bai Mudan's skirt horn is lifelike, and the fragrant princess dances without wind. Three carved white jade hairpin tied waist-high ink hair into a flying fairy bun, only decorated with a butterfly fringed hairpin and some silver ornaments, and a jade hand gently placed a pale pink peony on it. A pink jade oval face is dignified and beautiful, and a pair of clear water-like phoenix eyes are breathtaking. The elegant and fresh pear makeup on the bright forehead adds a bit of playfulness, and the lips are smiling. Although the woman is not charming, she is as gorgeous and charming as this pear-white Datura.
Sitting in front of the bronze mirror, flashing beautiful eyes, staring at the beauty in the mirror. Hearing the maid beside her, her lips lit up, she let out a cry and raised a jade hand to signal the maid to step down. Move Lianbu out of the door, cross your arms and hold your chest, lift the phoenix eye and look at all the people in the hall. As usual, I asked someone to bring the jade pipa. Then he slowly sat on the rosewood chair, holding the pipa with his face half covered, his phoenix eye hanging slightly, and his sandy jade fingers fiddling with the strings. The euphemistic and clear song "Qingpingle" is like a trickle, which slowly flows out from a woman's fingertips. It is a gripping song.
Show a pick eyebrow, lip angle rises a perfect radian, laughing with a somewhat playful taste. Two jade-like hands spread out two red silk dance fans, moved Lianbu into the dance floor and danced with a song "Yellow". Singing is like a mountain, dancing is like running water. The pale blue dress and the lilac silk of Xiangfei danced without wind, and the delicate silver ornaments jingled on the ink hair. Accompanied by the tune of * * *, the women's dance moves faster and faster, and the light blue dress dances gently, just like a delicate peony quietly blooming. The two dance fans are constantly changing in the hands of women, and the sense of smell of music is getting slower and slower. A jade hand closes a dance fan and throws it high. She was charming and graceful, kneeling on the dance floor, holding the dance fan firmly in one hand, blinking a pair of crystal-clear phoenix eyes, and the sandy jade finger gently pushed open the folding fan, half covering the beautiful beauty face. A song ends and a dance ends. Get up slowly, put the fan around your waist, put your hands on the right side of your waist, bend your knees, bow your head slightly, smile and walk out of the dance floor.