Spirited Away is one of Miyazaki Hayao's representative works. The teacher introduced before that names and things related to names will appear many times in this film. I've seen it a few times before, but I didn't pay attention. Come to think of it, I really haven't read it completely, let alone with doubts.
In the story, Tang can control people by taking their names, and "name" symbolizes "self". So as to develop a story about people and rivers. I didn't understand the previous times, but this time I think this is not just an ordinary story, it is about the relationship between people and rivers, and it extends to the relationship between people and nature. The relationship between man and nature was originally very close, but this close relationship was destroyed by human factors. As far as the story is concerned, it seems that the author thinks that people still need the help of nature to find themselves.
For example, Chihiro remembered his name by White Dragon; The pills that the river god gave Chihiro helped all the characters find themselves; The river god symbolizes the nature polluted by human beings. The river god can only exert his divine power after washing. This passage clearly shows the author's views on the relationship between nature and human beings. On this subject, the director expressed his thoughts. In his view, man and nature should be interactive and balanced, and oppose the human-led view of nature.
This is the second public elective course, and the movie the teacher showed us is 5 centimeters per second. My classmates have recommended this work to me more than once before, so I have seen it. Perhaps once that moved in the cross-flow of time is no longer so easy to emerge in my mind. I have thought more than once: Do people who have loved still love? What was touched once is still touched now? The times are progressing, and it is not only our computer technology and life rhythm that are updated, but also our perception has changed inadvertently with the pace of the times. It's hard to say that the loved one is still in love, and the touched one may not be moved now. It's not that I don't believe in eternity, but I don't know when everything around me is changing, even myself. This cartoon, which has touched many people, can never touch me again. In the story, Li Ming, whom vilen has always loved deeply, is finally engaged to another man.
Although this work doesn't impress me deeply, I have to admit that it is a good animation work. As I said before, I was not moved by it because of my personal experience. In my opinion, the whole story is like a diary I wrote when I was young, so it can touch the softest part of people's hearts most. Because the first time, for us, is always only once, so it is particularly precious.
The Japanese animation review Part 3 "Ghost in the Tortoise Shell" is a work that I can't understand. But in my opinion, it is very trendy and fashionable in expression. In addition, the magnificent pictures and courageous strange music, as well as the cold dialogue mixed with them, especially the absolute shock of subverting reality and tradition and the extraordinary imagination in animated films, have brought us into a dreamlike strange world. Walking down the street is like walking through a ghost world. The cold faces in the crowd confuse the boundaries between the real world and dreams. The bustling streets are silent, and the magnificent city is gloomy and dark. The gloomy style that runs through the whole film remains unchanged, which drives people to think and understand in depression and confusion.
In addition, Leng Yan's pictures and strange music in the film also played a very good role. The perfect combination of form and content makes the film reach an amazing level in expressiveness and appeal. In the vast picture, the huge and gorgeous subway passes slowly and the time is slowed down. With the rigid flow of music, tall buildings symbolize the strength and coldness of material power, and the bustling neon lights and dolls in the window symbolize the decline and confusion of the human world. The rain is falling silently, washing the sins of the world, as if it were tears falling from the sky, dripping in the cold city.
Halfway through the fourth film of Japanese Animation Review, we know that red pepper is Dr. Ye's doppelganger in the dream, which is actually the embodiment of Dr. Ye's other personality, because what happens in the dream often makes our subconscious mind think. A doctor who looks calm, serious, unsmiling and approachable is a lively, lovely and sincere girl who likes to help people and is full of whimsy. As a doctor in an intelligence research institute in reality, Chi Li's personality has not adapted to the society and has been hidden by the doctor. Fortunately, she can continue to show her true side in her dreams, which is also a very powerful side. In her dream, she helped the police in Fan Chuan, found the thief and saved the reality. Therefore, the characters in the dream are actually the real selves who take off their masks, and they can express their thoughts without hiding, and they don't want to be controlled and driven by others. At this time, everyone's confidence in whether the world is good or evil will be fully displayed.
In my opinion, Inception's whole film is not in a state of mental tension, and it has been appropriately eased according to the needs of the plot. The relationship between the warmth and coldness of the picture is also closely related to the rhythm of the story, which not only stimulates the audience, but also provides a spiritual experience of visual enjoyment and self-thinking, allowing the audience to analyze the truth, goodness and beauty subconsciously.
The fifth article of Japanese Animation Review: The animation I watched this week was "Summer Battle", and then I went back to my dormitory to savor this fresh and touching work, from which I felt that the power of the family was so great.
To tell the truth, my eyes were wet several times when I watched the summer war. When I saw grandma's death, grandma's suicide note, my uncle's remorse and kneeling in front of grandma's body, and hundreds of millions of people gave their hukou and strength to Xia like relatives, I really had an impulse to cry. This impulse was not as strong as crying, but an impulse.
Let's describe this feeling further. This kind of pure feeling that makes people want to cry without tears awakens the memory in the depths of our souls. I remember that grandma's will emphasized such a sentence that can melt ice: "Even when you are in pain and sad, you should always get together for dinner, because the most uncomfortable thing is hunger and loneliness."
Now when I was young, my uncles and aunts would go to my grandmother's house for dinner every two weeks. Let's not say how happy we children are. But now, it's a bit difficult to get together for reading, reading and working. I think what I long for is the warmth of this kind of affection, which is why I have a strong * * * sound and am moved by it.
Japanese Animation Review Chapter 6 This should really be a very warm and moving animation. Indeed, I also saw tears. However, I think this animation reveals the meaning of despair. In my opinion, people and monsters are different. Although Kang Yi's family accepted Xiao Ku with the simplest kindness, everyone has his own thoughts. Xiao Ku was afraid to face the camera, but Kang Yi was very excited. When Xiao Ku tried to escape from the crowd, Kang Yi could do nothing but "uncle" to help him. Moreover, people's feelings are so fickle that the former owner of "Uncle" replaced his love with cowardly violence. This is a metaphor. Kang Yi is very kind to Xiao Ku now, but will she be like this forever? Xiao Ku's wonderful time in Kang Yi's home is so fragile that people can't feel at ease, but once he leaves Kang Yi's home, Xiao Ku has nowhere to live. There is a long passage in the animation that describes "Uncle" fleeing the human world with Xiao Ku. People are everywhere, and hypocritical people are everywhere. Only by going up can there be no one! With his father's bones, Xiao Ku climbed the tower and looked down at the world with nowhere to live. This passage really broke my heart, and the feeling of helplessness and isolation was very uncomfortable.
After all, people and monsters are different. After all, Kang Yi can only be friends, not family. This is despair. Kang Yi, the representative, represents the natural river. Even if the feelings are good, they can't be reconciled.
To tell the truth, at first sight, I felt very confused. Even after the teacher's detailed introduction, I still didn't understand. After watching it once, I only feel that this seemingly absurd film explores profound propositions with almost abstract characters and fairy-tale stories. This is a proposition about human nature, good and evil, life opportunities, life choices, destiny and dreams. Such a grand theme, expressed in this way, has an ironic taste. In addition, it is worth mentioning that the narrative technique of the film echoes from beginning to end, and the relationship between the characters is shown through a bit chaotic editing. You will never understand it again, but after repeated aftertaste, you suddenly realize that the film is exquisite but only as an animation.
But I really don't like its painting style. Dazzling feeling .. I watched it for the second time to write a good film review, but after watching it, I always remembered this animation, and memento mori was deeply imprinted in my mind. I was really impressed, from the explosion of chrysanthemums to fighting for one more life with God, from driving away to going into the belly of whales. I remember all this series. It makes people think about life. After living in the belly of a whale for decades, you will find that what you usually care about is actually not that important.
Japanese animation review 8 "Gun Street" is the last short film of "Memory Trilogy". It can be said that it is not a story, but a fragment and sketch of a story. Simple scenes can't stand asking: Why do they have sex? Who are their enemies? When will their life like this end? However, no one asked in the story, no one resisted, and everyone kept obeying orders to complete the task. On the surface, they have their own lives and personalities, but they are all tightly bound by gunfire. Simply put, they are slaves, living slaves, which is the saddest reality. The war erased everyone's dreams and hopes, forced them to fight for completely unknown goals, and finally lost their minds that could have flown in the sun.
In the film, adults lose their hearts of freedom. They no longer love affairs other than artillery and care about positions other than being gunners. They gradually became dull and lifeless adults, dreaming of dying in the cage of war. On the other hand, children are the most naive and kind individuals. It is conceivable that their future is mostly like parents who are busy around cannons. Unless this unknown war ends one day, they will spend their whole lives in gunfire.
Like many families, Yamada is a nobody who can no longer be secular and ordinary. No matter what age, no matter which member has his own laughter and troubles. Simple lines, warmth from the most common window on earth, are so vivid. This reminds me of my family and my yearning for my future family. Ordinary is not a bad thing, on the contrary, ordinary life can reveal extraordinary warmth. Yes, I used to think about an extraordinary life, but now I don't want to. Ordinary life is the stability of a family. Nothing is more important and beautiful than being with your family.
Look carefully, the film depicts the life of this family, almost all the details are humorous, and the personality of family members is also to show their weaknesses and shortcomings. Of course, these are harmless. And their stupidity or clumsiness in life, which made the audience laugh and feel very kind. As one of their own, they became one with them. The frustration of family members in the film released the physical and mental pressure of the audience. After watching the movie, at least they can come to the conclusion that life is not perfect, but they can still find a lot of fun, so it is worth living.
Japanese anime review article 10 watched "Memory Log Cabin" this week. The story is simple, but the thoughts left behind are slowly extended.
In life, memory always plays a variety of roles, and a large number of memories gradually blur the bottom line between reality and the past. How should we face those lost memories, let them illuminate the reality, and really find the true meaning of the memory before self-hypnosis? I think it should be a correct attitude towards memories. If you dare to face it directly, you will not be timid. Just like the old man in the story, memories did not make him lose his concern for life because of the death of his family, but instead enjoyed life more deeply.
I still remember when I found the articles I wrote in high school, I was always used to thinking with my present state of mind, wondering how I wrote so many feelings at that time. Then I figured it out. You should do something similar at that age. There is nothing to be embarrassed about. You are still young. Memories have their own defects, which is the highlight of their future fun. If you add a disproportionate "perfection" one by one, the subsequent memories will be lifeless. We should not travel because of memories.
People who are tired or afraid of memory should have made the same mistake: they failed to transplant their memories into reality correctly. Since the memory is like this, don't try to go back to anything. If you are wrong, you should reflect on your lessons. If you are warm, you should be moved again.