In this movie, Aaron Kwok's character begins to conceive this story. On the way to the police station, he sees the driver driving. This is also the beginning of a false art, true and false, true and false is difficult to distinguish. He is a criminal "painter" himself, but he wants to portray himself as a nobody who is forced by the painter. But who will be the prototype of the criminal "painter" in the story and where did it come from? At that time, the driver who escorted the criminals, that is, the little guy who worked, was in line with this.

In this movie, there is a classic line, "Sometimes, the fake is better than the real, as long as we love the real as much as possible." In his world, there is no difference between true and false. He just wants to make a fake story true, even better than it is, and make people believe that it has his purpose. Then the raw materials he wants to choose are of course close to the characters in his story. Brother Fage said that the driver he played was like this. That's why I chose that little policeman as the prototype of the character.

At first, the film was considered a bad film, but it was through the reversal in the back that people's brains were wide open and the whole film was upgraded instantly, which was really annoying and made people suddenly realize. Imitating Ruan Wen in the movie is actually a little lie. A Vietnamese woman was reshaped to look like Ruan Wen. The same is true of this fake, which proves that there is no truth in his world, as long as there is more than truth, it is true.

From the small details to the big man structure, this sentence is confirmed. At the same time, it also makes the whole movie fuller and richer in characters. So that what Fage said after playing the little policeman became the finishing touch.