The mountain is the hook point, and the tree is dyed with colored ink. Before painting, you need to set the shape. Start with the tree. Tick off the branches and ink the tops of the trees. Color should be fine-tuned, red and green should be pure. Dyed at the top of the tree, the tree head is thick with ink. Pine trees should be exposed to the atmosphere, and branches should strengthen the soul of mountains. The leaves near the pine tree should be transparent, and the leaves far away should also be transparent. The leaves are dyed dark green, and the plants are yellow and clear.

Fine branches and clear leaves. Not too thick, not too thin. There are many trees in the mountain stream, and the level should be clear. Size depends on distance, shade depends on shape.

Although rocks are atmospheric, don't forget darkness and light. If there is light, it must be light. If there is no light, the pen will sink in the light and shade. Draw a catty of stone, and care more about distance. At the junction with the tree, the level should be intelligent. There is no light on the top of the mountain, and it is dark under the tree. There are trees on the top of the mountain, so the color should be calm. Dye it several times when it falls at the foot of the mountain.

Trees can be lit at the foot of the mountain, but fog and clouds are needed. The foot of the mountain is not a tree, it needs to be dyed pure. The distant mountains write the sea of clouds, and the ink is stained. There is fog near the mountain, only at the foot of the mountain. High and low levels, write clouds several times. Where the thick ink falls, the shade should be delicate and clear.

Please use the pen carefully when coloring. Little by little makes a mountain, and the distance is often concerned. Mountains and streams are closely linked, and the shades should be distinguished. Half of the painting needs careful examination, which seems to be possible. If it is not desirable, look for a homeopathic shape. It's bold to change the edge, but be careful not to change it. Think quietly before painting, and be patient when painting. Draw more on the wall to see accurately.

Painting needs aftertaste to see if it can be improved. Look carefully at how difficult it is, and remember to be steady next time. This is what paintings like, and artistic conception is difficult to realize. When you realize where you are thinking deeply, a good painting will naturally become a success.