Dan Jiao refers to the female images in China's traditional operas, which can be divided into Tsing Yi, Hua Dan, Beijing Opera Blues, wudan, Lao Dan, Flower Shirt and so on. Among them, the four major schools of Peking Opera are Mei School, Cheng School, Xun School and Shang School. Among them, the flowered blouse is a new type of skirt developed after the 1920s, combining the artistic features of the blues of Tsing Yi, Hua Dan and Peking Opera. It is impossible for an actor to play Tsing Yi and Hua Dan at the same time before the flower shirt is formed. In order to enrich Dandan's performance art and artistic expression ability, Wang Yaoqing combined the quiet and dignified style of Tsing Yi, the lively and dexterous performance of Hua Dan and the martial arts workshop of Beijing Opera Blues, and created a Dandan career with equal emphasis on singing, reading, doing and playing. People named it Huashan (the combination of Hua Dan and Castle Peak).

Tsing Yi: Also known as "Zheng Dan", many young women are demure and good at singing, such as Li Yanfei in My Beauty Case and Second Palace in Qin Xianglian.

Hua Dan: Showing a young and lively little family, such as Jasper or Maid, who is good at work and reads white, such as the matchmaker in The West Chamber and Sun Yujiao in Picking up the Jade Bracelet.

Bruce: Generally speaking, those female generals or marshals have to rely heavily on handrails, such as Mu Guiying in Mu Guiying.

Wudan: Show those Jianghu women or witches who are dressed in tight clothes and perform heavy beatings, such as the green snake in The Legend of the White Snake.

Lao Dan: Show those elderly women, sing with their own voices and sing with various techniques, such as the old lady in The Matchmaker; Kang et al. in Fishing for Scarabs.