Details The director is particularly good at expressing characters with details. Take Mao Zedong's appearance as an example. This is really great. First, I took a few shots to show the current situation of all classes in China at that time. On the streets of Changsha, Hunan, it was raining cats and dogs, and a beggar crawled on the street to eat other people's rice dregs, which showed the difficulty of the proletariat's survival. A man walks by with a cow in a hurry. The cow is docile and honest, just like the peasant class in China, but it can only be.
At this time, under the cry of a man wearing a raincoat, a group of warlord soldiers on horseback roared past, ignoring pedestrians and overturning a fishmonger's car, which directly expressed the current situation of the warlord's fishermen. The fishmonger can be understood as the national bourgeoisie. Although he has certain property, warlords can take it away at any time if they want. This situation was seen by two young ladies in the attic. They didn't get caught in the rain.
The curtain call of the characters here focuses on the curtain call of three people. Does Chen Duxiu's lonely figure echo his final solution in real history? At the end of history, he did not return to the political party he founded, but I think he should be gratified to see that this political party has grown into a towering tree with a faint atmosphere of protecting the country. On the Great Wall, Li Dazhao was sunny and happy, but his life was ended by the Kuomintang reactionaries in 1927, and his life was endless and his fighting continued. Revolutionary temperament is inherited by the vast number of new young people.
The teacher's curtain call in the play was particularly dignified. Screenwriters and directors really prefer teachers. From the bottom up, the scene in front of us is the rivers and mountains of Wan Li, which is in line with the teacher's temperament and echoes the establishment of the new China. There are many interesting details in the play, which create different atmosphere through lens language and soundtrack. For example, when the teacher and Orfila formed a * * * producer group, the background music was the tone sandhi of the international song, and nothing else. These subtle differences are still very interesting to understand.
To sum up here, I also want to emphasize that The Awakening Age is just a TV series. What are we watching this play for? We don't regard drama series as history, but some so-called "secrets" seen on the Internet as history, which leads to the misunderstanding of historical nihilism. The significance of this TV series lies in connecting with reality and stimulating our interest in reading and understanding history. When Chen Yannian and Chen Qiaonian left for France, why did the photos of their sacrifices appear at this time? I just hope we can jump out of the TV series and see the real history.