Recently, the drama "Non-Begonia Red at the Sides" has caused a lot of heated discussions. More than 20 schools of Peking Opera, five or six schools of Kunqu Opera, eight or nine schools of Dan Jiao and the history of opera development involved in the play have made old opera fans relish. The scenery and services of the restoration era are also deeply rooted in the hearts of the people. Gorgeous costumes, elegant cheongsam, fashionable dresses, exquisite and eye-catching. There are also national-level "non-legacy" appearances such as Beijing embroidery and Suzhou embroidery, which present the spirit of traditional culture to the audience.

The details of film and television dramas on the service road directly affect the texture of the works. "Only a process of makeup can identify whether a work has the basis of a boutique drama and a boutique drama." Li Ya, an associate professor at Shanghai Theatre Academy, has long devoted himself to the study of the history of ancient makeup in China. "Makeup shows not only the understanding of characters, but also the cognition of cultural history. Costume dramas and chronological dramas are undoubtedly the best platforms to show culture, but there is still much room for improvement in the research and design of these types of makeup. "

Although the study of ancient costume is relatively unpopular, the precious cultural heritage left by China traditional culture is like a treasure house, and there are countless historical materials to be excavated. As scholars have said, the essence of national makeup is "adapting to the times and giving consideration to both inside and outside", which is full of the philosophy and wisdom of China people and has a unique creative concept.